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Wyświetlanie 1-3 z 3
Tytuł:
The cataloguing of musical sources in Silesia by German musicologists from the University of Wroclaw during the first half of the twentieth century
Autorzy:
Drożdżewska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/780103.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musicology
cataloguing
musical sources
Wroclaw
Silesia
university
Opis:
The most important task undertaken by German musicologists in Wroclaw during the first half of the twentieth century was to catalogue the musical sources of the whole of Silesia, supervised by the Institute of Music (Seminar of Musicology) at the University of Wroclaw, which arose out of the former Royal Academic Institute of Music, established in 1812. The Institute of Music was the first centre to catalogue local musical sources in Wroclaw and the whole region. The Institute’s library was founded during the secularisation process of 1810, and large collections of musical sources were transferred there from regional Catholic churches and monasteries. Thanks to the efforts of Otto Kinkeldey and his doctoral student Hans Erdmann Guckel, the library’s stock was set in order for the first time at the beginning of twentieth century, with clear, uniform shelf-marks given to individual items. In the late 1920s, complex cataloguing was established by Max Schneider and four of his students, Heribert Ringmann, Fritz Koschinsky, Fritz Feldmann and Josef Wittkowski, who searched for unknown and uncatalogued musical sources in the provinces of Silesia. Cooperation with Berlin’s Central Catalogue led to the preparation of detailed descriptions of sources in the form of index cards, though unfortunately only one copy of each card was made and they are now believed to be lost. More detailed evidence was recently found in Schneider’s papers, including reports and correspondence. This enables us to partially reconstruct the scope of the cataloguing campaign, the localities visited and the repertoire that was found. Some of the collections discovered during that campaign and taken to Wroclaw have survived, giving us the possibility of further research orientated towards reconstructing the picture of musical life in Silesia.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 23-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An unknown source concerning Esaias Reusner Junior from the Music Collection Department of Wroclaw University Library
Autorzy:
Joachimiak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/780135.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
lute in Silesia
Esaias Reusner Junior
Reusner autograph
Johann Kessel
music in Oleśnica (Ols)
music in Brzeg (Brieg)
music at the court of the Brandenburg Elector in Berlin
Piast dynasty of Silesia
tautogram
Opis:
The Music Collection Department of Wroclaw University Library is in possession of an old print that contains the following inscription: ‘Esaias Reusner | furste Brigischer | Lautenist’. This explicitly indicates the lutenist Esaias Reusner junior (1636-1679), who was born in Lwówek Śląski (Ger. Lówenberg). A comparative analysis of the duct of the handwriting in this inscription and in signatures on letters from 1667 and 1668 shows some convergences between the main elements of the script. However, there are also elements that could exclude the possibility that all the autographs were made by the same person. Consequently, it cannot be confirmed or unequivocally refuted that the inscription is an autograph signature of the lutenist to the court in Brzeg (Ger. Brieg). The old print itself contains a great deal of interesting information, which, in the context of Silesian musical culture of the second half of the seventeenth century and biographical information relating to the lutenist, enable us to become better acquainted with the specific character of this region, including the functioning of music in general, and lute music in particular. The print contains a work by Johann Kessel, a composer and organist from Oleśnica (Ger. Ols), who dedicated it to three brothers of the Piast dynasty: Georg III of Brzeg, Ludwig IV of Legnica and Christian of Legnica. It is a ‘Paean to brotherly unity”, which explains the reference to Psalm 133. Published in Brzeg, for the New Year of 1663, by Christoff Tschorn, the print also includes two poetic texts: a sophisticated elegiac distich in the form of a tautogram and a New Year’s ode. It is beneath these texts that we find the above-mentioned inscription relating to Esaias Reusner Jnr. Regardless of whether the autograph on the print is ascribed to Reusner or not, it does indicate his connection with this print, and probably with Kessel’s composition as well. Consequently, we can discover what kind of repertoire the Silesian lutenist played besides familiar lute pieces by his teachers, his own works, and arrangements of his works for chamber ensemble.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 83-102
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolekcja muzykaliów z księgozbioru rodziny Maltzanów z Milicza w zbiorach Biblioteki Uniwersyteckiej w Poznaniu
The collection of musical documents from the book collection of the Maltzan family from Milicz at Poznań University Library
Autorzy:
Wronkowska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/911839.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music documents
the Maltzan family
Silesia
Poznań University Library
muzykalia
Maltzanowie
Milicz
Śląsk
Biblioteka Uniwersytecka w Poznaniu
Opis:
Celem artykułu jest prezentacja nieznanej dotychczas kolekcji muzykaliów pochodzącej z biblioteki rodziny Maltzanów z Milicza (Militsch) na Śląsku. Księgozbiór pałacowy w 1945 roku został zabezpieczony i przewieziony do Biblioteki Uniwersyteckiej w Poznaniu, gdzie przechowywany jest do dziś. Należąca do niego kolekcja źródeł muzycznych dokumentuje patronat muzyczny członków rodziny Maltzanów, szczególnie czasy panowania hr. Joachima Carla Maltzana (1786–1817) oraz hr. Joachima Alexandra Kasimira Maltzana (1817–1850). W księgozbiorze Maltzanów zachowały się muzykalia pochodzące z XVIII i XIX wieku: dwa duże zbiory utworów, 11 pojedynczych rękopisów oraz dwa druki zawierające łącznie 110 utworów. Analiza źródłowa i repertuarowa pozwala na wskazanie cech wyróżniających muzykę na dworze Maltzanów. Było to charakterystyczne instrumentarium: solowo wykorzystywana viola da gamba, waltornia i viola d’amore.
The article aims at presenting the unknown collection of musical documents from the book collection that formerly belonged to the Maltzan family of Milicz (German: Militsch) in Silesia. In 1945, the palace book collection was seized by the new Polish authorities and then transported to the Library of the Adam Mickiewicz University in Poznań, where it still remains in the library’s hoildings. The collection of music documents, sources and memorabilia, part of the larger Maltzan book collection, documents the musical patronage of the members of the family, in particular that of the times of Count Joachim Carl Maltzan (1786–1817) and Count Joachim Alexander Kasimir Maltzan (1817–1850). The Maltzan book collection includes music documents from the 18th and the 19th centuries: two large collections of scores, eleven single manuscripts and two prints containing collectively a hundred and ten works. A source and repertory analysis of the documents allow us to indicate distinctive features of the music played at the Maltzans court. They involved their choice of a particular selection of instruments: the viola da gamba as a solo recital instrument, the French horn and the viola d’amore.
Źródło:
Biblioteka; 2014, 18(27); 33-48
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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