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Wyszukujesz frazę "symbolism," wg kryterium: Wszystkie pola


Tytuł:
The rhetoric of disenchantement through symbolism
Autorzy:
Munyangeyo, Theophile
Powiązania:
https://bibliotekanauki.pl/articles/780929.pdf
Data publikacji:
2012-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disenchantment
discourse analysis
representation
sociological reading
symbolism
Opis:
The symbolism of flowers has always been a significant part of cultures around the world due to their functional meaning in daily life. From their decorative to their aromatic role, flowers and their symbolic meaning trigger emotions, convey wishes and represent thoughts that can not be explicitly expressed. In this regard, an elaborate language based on flower symbolism was developed in many societies, to convey clear messages to the recipient. However, in some cultural contexts, although the flower symbolism has social connotations, it is mainly associated with economic references. As flowers are an essential precursor to fruits, they are inevitably a source of expectations and hence foster a set of hopes and dreams, which can ultimately lead to excitement or disappointment.Through a discourse analysis based on factional narratives, this article explores the parameters through which the symbolism of bifaceted meaning of flowers fictionalises a space that refers to the social reality. This association between the fictional world and social reference has highlighted that writing can profoundly be a means of representing social events through the rhetoric of symbolism. Through a sociological reading approach, this paper aims to analyse how the symbolism of flowers informs the rhetoric of disenchantment that can foster a content-based pedagogy in language learning where silencing practices engender imagery to exercise the freedom of expression.
Źródło:
Studies in Second Language Learning and Teaching; 2012, 2, 4; 561-577
2083-5205
2084-1965
Pojawia się w:
Studies in Second Language Learning and Teaching
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genesis of Czech Decadence and Symbolism Towards Theurgy
Autorzy:
VOREL, Jan
Powiązania:
https://bibliotekanauki.pl/articles/909179.pdf
Data publikacji:
2020-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Art as a Complex Way of Thinking and Understanding of the World
Czech literature at the turn of 20th century
Decadence
Symbolism
Metamorphoses of Aesthetic-philosophical Concept of Symbolism
from Decadent-Symbolism to Theurgic Symbolism
Theurgy
Synergy of Aesthetic and Religious Spheres
česká literatura přelomu 19. a 20. století
dekadence
symbolizmus
metamorfózy esteticko-filozofických koncepcí symbolizmu
od dekadence k teurgickému symbolizmu
umění jako způsob chápání světa
synergie estetické a religiózní sféry
Opis:
The article is focused mainly on metamorphoses of aesthetic-philosophical approaches of the most important representatives of Czech literature at the end of 19th and beginning of 20th century whose work presents gradual heading for modern art, from decadent to symbolist focus using an aesthetic theory of Russian philosopher Vladimir Solovjov based on theurgic substance of art.
Źródło:
Bohemistyka; 2020, 3; 367-382
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pionierski niedosyt
Pioneering unquenched desire
Autorzy:
Hoffmann, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1535310.pdf
Data publikacji:
2009-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leśmian’s poems
Russian symbolism
iconology
theology
Opis:
The book Twórczość Leśmiana w kręgu filozoficznej myśli symbolizmu rosyjskiego written by Sobieska is a pioneering attempt at combining a discussion on the literary output of the author of Dziejba leśna with the reflection stemming from the tradition of the Eastern Orthodox Church. The book, notwithstanding its shortcomings and self-imposed limitations, comprehensively discusses views and opinions hitherto unknown to the Polish reader, introduces and explains the context of the findings of such thinkers as Soloviov or Biely, compares texts written by Russian symbolists with Leśmian’s poems. Sobieska categorizes the problem issues into subsequent thematic ranges (epiphany insight into the nature of being, musicality and the notion of poetical metre, creative imagination, mystical femininity) in order to point at potential sources of the recontextualization of Leśmian’s poetical sensitivity. The findings, being an example of classic comparatistic studies, have been enhanced by iconological and musicological observations as well as by some additional guiding elements facilitating the understanding of Orthodox theology. The present sketch discusses the book and is complemented with a polemics with some of its methodological solutions.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2009, 16; 153-162
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Searching for Cultural Integrity to Symbolism of Temple Building and the Organic Picture of Reality
Autorzy:
VOREL, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2085099.pdf
Data publikacji:
2021-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article is focused mainly on aesthetic-philosophical constants of the work of art of Julius Zeyer. The author of the article tries to point out that Zeyer´s conception of art is tightly connected with artistic conceptions of the rising literary symbolistic generation: His aesthetic-philosophical system contains strong protest against rationalism, realism and naturalism in contemporary literature and underlines the way to subconscious roots of human existence; it turns away from rational understanding of the world and the mystical intuition of inner and organic life in modern literature. In the article the motifs of temple building and motifs of creating the organic picture of the world in Zeyer´s work of art are analysed. The article also contains main references to Zeyer´s work of art published by reputable names of the Czech and European literary criticism.
Źródło:
Bohemistyka; 2021, 4; 437-457
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religijność w Księdze Kapłańskiej
Religiousness in the Book of Leviticus
Autorzy:
Stanek, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/607277.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leviticus
religion of Israel
symbolism
synchronic analysis
Opis:
The Book of Leviticus appears as a compilation of fragmentary cultic and ethical prescriptions, coming from different periods of religious history of Israel. The synchronic analysis, started by Mary Douglas, proved that the editor of final version of Leviticus was a great artist, with a religious goal. Leviticus is a book that presents multiple layers of meaning. In this article the Book of Leviticus was considered from the Religionswissenschaft point of view. The text was divided on a major blocks according to its theme, and then asked what message was delivered through each one of them; and subsequently, what was message of the whole Book. Careful analysis of vocabulary, as well as the time and place of action, allow to suggest a new structure - the four final chapters might serve as the endings for three blocks of text. The theme leads the reader from the temple to the community; from the present to the future.
Źródło:
Poznańskie Studia Teologiczne; 2009, 23; 41-54
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sanctus Amor (1908) Нины Петровской как жизнетворческий манифест
Autorzy:
Samarin, Aleksey
Powiązania:
https://bibliotekanauki.pl/articles/1022356.pdf
Data publikacji:
2020-10-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Nina Petrovskaya
Sergey Auslender
Sanctus Amor
life-creation
symbolism
Opis:
Sanctus Amor is the only intravital storybook by Nina Petrovskaya, dedicated to Sergey Auslender. The title of the book, borrowed from the poem by Andrey Bely, initiates a literary polylogue addressed to several lovers of Petrovskaya: to Bely, as he once was her teacher of heavenly love; to Valery Bryusov, as he was Petrovskaya’s beloved one at the time of publication; to Auslender as the addressee of dedication and a new contender for being Petrovskaya’s favorite. Sanctus Amor represents the ideal of the Saintly Love, the manifesto which Petrovskaya followed rigorously in real life. Her letters to Bryusov and Vladislav Khodasevich reveal multiple congruences with the novels of Sanctus Amor, which demonstrate the inextricable character of life and literature in Petrovskaya’s worldview. The paper is devoted to the analysis of Sanctus Amor in the aspect of life-creating practices and its meaning in the literary dialogue with Auslender. Sanctus Amor is a complicated prescriptive symbolic message designed to proclaim its own, and to program another’s, concept of love.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 2; 23-53
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Overt and Covert Chagall
Chagall jawny i ukryty
Autorzy:
Ruth, Dorot
Powiązania:
https://bibliotekanauki.pl/articles/964059.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chagall
shtetl
real-fantastic
symbolism
floating-hovering
archetype
metarealism
Opis:
In this paper, the authors chooses the theory of metarealism as a tool to reveal the worlds of Marc Chagall - the physical and metaphysical ones which function simultaneously. The purpose behind it is to help readers discover Chagall’s magical, mysterious and mystical environments which he so adroitly conveyed via his colourful creations. For this end, I analyzed three of his well-known paintings, each of which helped uncover his world of harsh reality merged with his life of fantasy, both spiced with symbolism.
Źródło:
Studia Europaea Gnesnensia; 2016, 14; 229-239
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neandertalczyk i człowiek anatomicznie współczesny w ujęciu najnowszych źródeł archeologicznych i paleoantropologicznych
Autorzy:
Dec, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1023842.pdf
Data publikacji:
2019-09-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Middle Palaeolithic
Neandertals
anatomically modern humans
symbolism
archaeogenetic
Opis:
The article summarises recent discoveries regarding Neandertals and anatomically modern humans (AMH), and tries to examine currently leading trends in the fields of archaeology and palaeoanthropology. Collected evidence suggests that modern research focuses mostly on discussions on the origin of symbolism, cultural and cognitive capacities, and analyses of ancient DNA. Although archaeology and palaeoanthropology undoubtedly provide the highest number of sources, other sciences such as cognitive neuroscience also deliver new, equally valuable perspectives and information.
Źródło:
Folia Praehistorica Posnaniensia; 2018, 23; 49-60
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intensywność Wata
The intensity of A. Wat
Autorzy:
Kandziora, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1534049.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aleksander Wat
Futurism
Communism
Symbolism
Catastrophism
literature in exile
Judeo-Christian tradition
mythology
Opis:
The article discusses a collection of literary essays Elementy do portretu. Szkice o twórczości Aleksandra Wata published and edited by Poznań-based specialists in Polish literature and dedicated to Professor Ewa Wiegandt. The starting point for the discussion is the observation that the authors of the essays had to grapple with the elusiveness and multidimensional character of the output of A. Wat, with the entanglement of the text of his works with the text of his biography, and finally with the multitude of its cultural contexts. The reviewer distinguishes four research currents in the collection of essays, each being a different answer to these particular traits of Wat’s writing. Historical and literary studies in the book show the author in his relations and as a non-categorizable author, and challenge the Futurist character of his juvenile writings by juxtaposing them with earlier Symbolism and later Catastrophism. The interpretative study current tries to find ways to define Wat through reading his individual works. Here, the overriding opposition between ”closeness” and ”openness”, so pivotal in the poet’s works, becomes apparent. The current of thematology that present Wat’s literary topoi in relation to his biography is well represented in the volume. Finally, the studies that cross the strictly literary horizon try to capture the multi-tier structures of Wat’s works, reinterpreting them from the sociological, historical or axiological perspectives. The final conclusion of the review is the acknowledgement of the richness offered by the book that corresponds well to the intensity of works and the biography of the author.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 303-316
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika nocy i ognia wigilii paschalnej
THE SYMBOLISM OF NIGHT AND FIRE IN THE PASCHAL VIGIL
NACHT- UND FEUERSYMBOLIK IN DER OSTERNACHTLITURGIE
Autorzy:
Lijka, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/1012733.pdf
Data publikacji:
2018-10-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Teologia Praktyczna; 2001, 2; 25-42
1642-6738
Pojawia się w:
Teologia Praktyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto w Biblii Hebrajskiej. Perspektywa teologiczna
The City in the Hebrew Bible. A Theological Perspective
Autorzy:
Stanek, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/607439.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
synchronic interpretation - symbolism of the city
Opis:
The Christian and rabbinic concept of the city asserts a symbolic dimension of the city derived fundamentally from the theological themes of the Hebrew Bible, which redefined the symbolism of the city compared to that of the neighboring nations. The concept of the city in the Bible extends from the synonym of a place that concentrates in itself all the evil (e.g. Gn 19,20-32; Is 1,9-10; Jr 19,13), to a place with the status of special holiness (e.g. 2S 20,19; Is 62,10-12; Tb 13,10) or identified with God’s special protection (e.g. 2K 19,34; 20,6; Is 37,31-35; 38,6; Mi 4,7-8; Dn 3,28).The transformation of this theme in the present article is analyzed through the occurrence of the Hebrew term 1'l1. Since in the rhetorical perspective it is assumed that the occurrence ofa particular word is not incidental but points the reader to the message of the text, the tracing of occurrence of the term 1'l1, might be helpful in understanding the development of the theological meaning of the concept of the city.
Źródło:
Poznańskie Studia Teologiczne; 2012, 26; 7-27
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tekstowy wszechświat Leśmiana
The Textual Universe in Leśmian’s poetry
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1041972.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bolesław Leśmian
Edgar Alan Poe
comparative study
symbolism
Ukrainian folklore
intertextuality
Opis:
The article discusses Żaneta Nalewajk’s book Leśmian międzynarodowy. It presents the Leśmian’s work read in the context of the work of Poe, Ukrainian folklore, Ruthenian perennials as well as French and Russian symbolism. The author takes note of the numerous qualities of the dissertation. She is pointing at several advantages of this work; its analytical reliability and the methodological consequence. The author shows also on the important position of the publication in the research on the poetry of Bolesław Leśmian. She notices one essential lack which is an omission of important continuations of Leśmian’s poetics in Polish modern poetry.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 309-322
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Declaration of Immortality" – Inspirations Derived from Creative Documentaries by Wojciech Wiszniewski
Autorzy:
Tes, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/918068.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artistic creation
form
heroes of socialism
symbolism
metaphysics
Marcin Koszałka
Wojciech Wiszniewski
Opis:
In his documentary Declaration of Immortality, Marcin Koszałka intentionally refers to the style of Wojciech Wiszniewski. Visual creativity is strongly exposed here, both in the style of fi lming and the presentation of the hero. Th e main character in the fi lm, Piotr Korc zak, reminds of the monument-like heroes from Wiszniewski’s fi lms, like protagonist from Wanda Gościmińska. A Weaver Koszałka fi lmed the scenes in the Potocki Palace in Krzeszowice in the manner of Wiszniewski’s long tracking shots. Visual creativity in Koszałka’s and Wiszniewski’s fi lms encompasses the staging, precise frame composition, and their intentional artifi ciality, which does not nullify the documentary their nature. Form in the works of the directors of Primer (Wiszniewski) and Declaration of Immortality (Koszałka) interacts more or less with the spirit of Stanisław Witkiewicz’s art. Koszałka, like Wiszniewski, ‘dismantles’ reality, exposing the illusion of cinema to present a guru of mountain climbing (Korczak) as a ‘hostage of immortality’. Th e lonely hero from Wiszniewski-like staged scenes in Declaration of Immortality is presented as an ‘outgoing star’ whose fame has passed, giving way to alienation or a sense of failure. Th e tension from Declaration of Immortality emerges from the contrast between the way of fi lming (heroic style), and the meaning of particular scenes. Th e cinema of Wojciech Wiszniewski includes symbols, metaphors, and allegories. Th is artistic conception goes well with Marcin Koszałka’s concept of cinema, which – since the making of Existence (2007) – has become more and more symbolic, incorporating Baroque-like formal ideas based on strong contrasts to evoke ‘cognitive discomfort’ in the viewer. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 145-154
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
George Crumb - between reflection upon nature and contemplating it
Autorzy:
Szoka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/780303.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
philosophy of nature
George Crumb
syrinx
the moon
acoustic environment
symbolism
Vox balaenae
echo
distant music
Opis:
The author investigates the unique aesthetic program of George Crumb, one of the most important contemporary American composers. Crumb certainly occupies a unique place in the music of 20th century, not only because of his cultural background, or originality of artistic expression, but first of all, due to the presence of most dilemmas of the contemporary culture in his music. The question about the form of a relationship between human beings and nature at the turn of 20th/2ist century is one of them. In his artistic output Crumb remains an advocate of a concept of music which, as the most spiritual and magical of all arts, derives from deep reserves of human psyche on the one hand and from primal forces of nature, on the other one. The analytical aspects of the paper concern the problems of onomatopoeic imitation of the sounds of birds and a whale, symbolic allusions to the other composers (Debussy, Mahler), the concept of “larger rhythms of nature”, the phenomenon of echo and its forms in Crumb’s music, his search of natural pre-sounds of music (resulting in using non-traditional instruments), the idea of distant music, etc. Especially three pieces: An Idyll of the Misbegotten, Vox balaenae and Echoes of Time and the River are considered as the most characteristic.
Źródło:
Interdisciplinary Studies in Musicology; 2009, 8; 203-216
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Back to structures and signs – remarks on the possibilities of structural aesthetics of music
Autorzy:
Krupińska, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/1797352.pdf
Data publikacji:
2020-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetics
structuralism
culture
semiotics
Mukařovský
Jakobson
Plato
Aristotle
Descartes
impressionism
symbolism
Opis:
Is it possible to talk of mental patterns underlying aesthetic reflections, and has the constant recurrence of particular ideas in the area of aesthetics some deeper explanation? Structural aesthetics of music is an authorial research conception which enables interpretation of phenomena from the area of history of music aesthetics, and in this way provides its systematised picture. The conception uses the ideas of structural linguistics: binary phonological opposition and the historicalliterary process in the approach of Jan Mukařovský. The article also contains an example of using this conception in relation to the aesthetics of antiquity (sophists, Plato, Aristotle), Descartes and impressionism.
Źródło:
Interdisciplinary Studies in Musicology; 2020, 20; 33-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł

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