Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "aesthetics of city" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
Garden policies of the Warsaw housing cooperative: the garden and the right to the city
Autorzy:
Matysek-Imielińska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/914297.pdf
Data publikacji:
2019-01-21
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cooperative housings
democracy
green space
urban aesthetics
Opis:
The article analyzes the project of green spaces to accompany a 1920s residential development in Warsaw. The estate was intended to provide a housing minimum for the poorest inhabitants, as well as educate workers how to live an urban lifestyle. It was presumed that access to greenery, nature, a site of leisure and the smell of flowers cannot be a privilege of the bourgeoisie. Thus, the garden policy proved an emancipatory gesture, an assertion of the right to the city and a means of forging civic mindsets and attitudes. The author asks whether the innocent gardens became workshops in Sennett’s understanding, shaping principles and rituals of cooperation, and examines how they helped to promote a new citizen in a new estate.en
Źródło:
Polish Journal of Landscape Studies; 2018, 1, 2-3; 83-98
2657-327X
Pojawia się w:
Polish Journal of Landscape Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filmowa Łódź w oczach studentów i profesorów PWSFTViT
Cinematic City Łódź through eyes of the Film School. Students and Professors
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/920096.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
city
town
myth
demitologization
memory
history
process
contemporary society
change
aesthetics
student film
etude
location filming
documentary film
fiction film
Łódź
Opis:
Łódź is often called “the capital of Polish film”. The cultural history of this town from the end of World War Two to the present day is closely connected with the movie industry. Marek Hendrykowski’s study on Łódź as a cinematic city offers the first comprehensive critical guide to the many films, interviews, published writings and individual memoirs of the Film School’s students and professors. This panoramic view presents the process of the historical transformation of cinematic images from Łódź between 1945 and 2013, as well as the profound influence this town had on many filmmakers. It serves as a reference work that will allow readers to navigate the subject’s wide range of examples: from Antoni Bohdziewicz, Jerzy Bossak, Kazimierz Kutz and Andrzej Wajda to Krzysztof Kieślowski, Wojciech Wiszniewski, Janusz Kijowski and Polish filmmakers of new generation.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 227-241
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Miasto nigdy się nie kończy…”. Mroczne oblicze miasta w prozie Herty Müller
“The city never ends...”. The dark face of the city in Herta Müllerʼs prose
Autorzy:
Głuszko-Boczoń, Estera
Powiązania:
https://bibliotekanauki.pl/articles/52676308.pdf
Data publikacji:
2024
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
city
dictatorship
discrimination
aesthetics of ugliness
asphalt
apartment blocks
flora and fauna
Opis:
One of the recurring motifs in Herta Müllerʼs work is the experience of the city, which often becomes a space of threat, violence, uncertainty, and finally repression and death. The German Nobel Prize laureate describes urban spaces, where the fate of the city is intertwined with the fate of the protagonists, depicting a world of people who are downtrodden, lost, defeated, and yet not without hope. This article discusses selected works by Herta Müller, in which the multidimensional image of the city opens up new fields for reflection and allows us to gain insight into how a totalitarian state functions. The cities the author describes are reflective of all Romanian cities under the dictatorship of Nicolae Ceaușescu; they are places of depravity and terror. This article also explores the aesthetics of ugliness which affects the understanding of the role of cities in Herta Müllerʼs prose, and analyzes important urban symbols such as asphalt, apartment blocks, parks and the flora and fauna characteristic of communist cities. In many of Müllerʼs texts, cities form a dramatic backdrop for acts of violence and repression against ‘the Stranger’ – for instance, the German minority,the Roma community, and women. Thus, the experience of an individual becomes the experience of the whole community, which makes Herta Müllerʼs work enduringly relevant.
Źródło:
Studia Rossica Posnaniensia; 2024, 49, 1; 259-272
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies