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Wyszukujesz frazę "Semiotics of Culture" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-9 z 9
    Tytuł:
    Koncentryczność. Wieczność miasta w świetle semiotyki kultury
    Concentricity. The Eternity of the City from the Semiotics of Culture Perspective
    Autorzy:
    Machtyl, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1042063.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    semiotyka
    miasto
    wieczność
    centrum
    ontologia
    semiotics
    city
    eternity
    centre
    ontology
    Opis:
    There are two ways of considering the eternity presented in this paper: the eternity as a fundamental value, in the context of sacrum, and the eternity expressed as a temporal phenomenon. The author collates linguistic and semiotic view with the ontological and metaphysical one. The text is built on two axes: theoretical and methodological optic founded by authors representing Tartu-Moscow Semiotic Group on the one hand, and the metaphysical way of describing the presence. There is one notion that combines these two approaches: the centre. The text presents characteristic relations betweencultural system and its centre (centres), as well as the centre as a place of presenceand sense (according to the Western metaphysics) or, in contrary, as a “sacred nothing” (according to the Eastern metaphysics). The last part of the article discusses some Old Testament texts presenting Babylon and Jerusalem. Author refers mainly to the conceptsof Lotman, Toporow, Barthes and Derrida.
    Źródło:
    Zeszyty Naukowe Centrum Badań im. Edyty Stein; 2016, 15; 258-268
    1895-2984
    Pojawia się w:
    Zeszyty Naukowe Centrum Badań im. Edyty Stein
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O statusie badań semiotycznych w dobie kultury cyfrowej
    The status of semiotics research in the era of digital culture
    Autorzy:
    Szczęsna, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1391481.pdf
    Data publikacji:
    2018-05-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    semiotics
    semiopoetics
    kinetic figures
    digital text (cybertext)
    digital poetics
    Opis:
    This article proves the need to develop semiotics research focused on digital text, whose basic unit is the digital sign and which differs from other signs in its nature and structure. The changes that have taken place in the structure of the sign result in changes in the sphere of text and discourse. In turn, these mean that research in semiotics, stylistics, poetology, rhetoric and aesthetics (with mutual awareness of how they interact, exert an influence and interlock) cannot be credible without taking account of and updating semiotics research. The article puts forward the thesis that the development in the forms of sign-organisation of the message, new ways of using textualis, the significant contribution of representational layer in shaping textual structure and the communicative situation all lead to the crystallisation of semiopoetics. Examples of its categories and research problems are kinetic figures (adjection, reduction, permutation, transformation, atomisation); functional homonyms; new ways of versification and narration. Discovering the sphere of semiopoetics allows one not only to reflect on newly established models of semiotics, or update poetics, but also to take a new look at texts produced using past technologies and notice previously overlooked aspects.
    Źródło:
    Przestrzenie Teorii; 2017, 28; 139-156
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lethal Program of Culture vs the Whole of Presentation. Presentation of Body without Organs
    Autorzy:
    Doda-Wyszyńska,, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/699328.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Body without Organs
    sign
    semiotics
    Opis:
    The culture of signs is a recurrent term in philosophy. It does not allow mindless programs to win. Thanks to it, it is possible to put trust in model, holistic approaches rather than the linguistic determination of meanings. The process of departing from philosophical reflection, which has always been holistic, expressed with the diagram: ideas – notions – definitions, is here reversed. Presentations allow the return to ideas; ideas have more of the imaginary than the symbolic. The concept of the Body without Organs depicts a new form of sensualisation directed not at gaining permanent representations but at the possibilities of switching various functions of experience.
    Źródło:
    Journal of Applied Cultural Studies; 2016, 2
    2392-0661
    Pojawia się w:
    Journal of Applied Cultural Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konceptualna mapa wizualności
    A Conceptual Map of Visuality
    Autorzy:
    Kucner, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/16019445.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    ontology of visuality
    semiotics of the picture
    visual culture
    philosophy of interpretation
    photography
    photo society
    visual technology
    Opis:
    The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
    Źródło:
    Studia Europaea Gnesnensia; 2019, 19; 153-168
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ECO I BARAŃCZAK – DWA SPOSOBY MÓWIENIA O KULTURZE POPULARNEJ W EUROPIE ŚRODKOWEJ
    Eco and Barańczak: two ways of speaking about popular culture in Central Europe
    Autorzy:
    TELICKI, MARCIN
    Powiązania:
    https://bibliotekanauki.pl/articles/776923.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Umberto Eco
    Stanisław Barańczak
    popular culture
    semiotics
    rhetoric
    culture criticism
    Opis:
    The author’s academic goal is to check the effects of a parallel drawn between culture theoreticians known to the audience as writers. Both Umberto Eco (Apocalypse Postponed, Superman in Mass Culture) and Stanisław Barańczak (Incapacitated Reader) presented in their writing measured, non-elitist views of figments of collective imagination by referring to structuralism and semiotics – professional tools applied in literary criticism and cultural studies. The article offers a diagnosis of the position of the texts in question at the time of their origin. It also shows the reception of the ideas of the Polish and Italian literary critics and their creative continuations. A closer look at the specific theories related to terminology (mass culture – elitist culture), the role of the media and concealed rhetoric mechanisms leads to questions about the perspective of research into culture in the courseof dynamic changes.
    Źródło:
    Slavia Occidentalis; 2018, 75/2; 35-42
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Back to structures and signs – remarks on the possibilities of structural aesthetics of music
    Autorzy:
    Krupińska, Eliza
    Powiązania:
    https://bibliotekanauki.pl/articles/1797352.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    aesthetics
    structuralism
    culture
    semiotics
    Mukařovský
    Jakobson
    Plato
    Aristotle
    Descartes
    impressionism
    symbolism
    Opis:
    Is it possible to talk of mental patterns underlying aesthetic reflections, and has the constant recurrence of particular ideas in the area of aesthetics some deeper explanation? Structural aesthetics of music is an authorial research conception which enables interpretation of phenomena from the area of history of music aesthetics, and in this way provides its systematised picture. The conception uses the ideas of structural linguistics: binary phonological opposition and the historicalliterary process in the approach of Jan Mukařovský. The article also contains an example of using this conception in relation to the aesthetics of antiquity (sophists, Plato, Aristotle), Descartes and impressionism.
    Źródło:
    Interdisciplinary Studies in Musicology; 2020, 20; 33-40
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Semiotyka dziwactwa
    Semiotic of curiosity
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/923229.pdf
    Data publikacji:
    2018-12-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    curiosity
    extravaganza
    semiotics
    face
    film
    photography
    expression
    behavior
    manifestation
    culture
    norm
    social norm
    freedom
    individual
    artist
    art
    comedy
    parody
    caricature
    counter culture
    Internet
    Facebook
    symbolic interaction
    network
    Opis:
    The author assumes that the curiosity is a type of human expression. It can manifest in various languages and people’s behaviors, e.g.: verbal, mimic, gestural, costume and also by props, hairstyles, makeup etc. Regardless of differences between particular manifestations of the curiosity it is always semiotic. Freaks, eccentrics and weirdos disturb human community’s order and call into question established norms. They do that by their specific behaviors, appearances and individualism. They rectify, transform and change the social reality. The artistic curiosity not infrequently turn out to be the metaphor of an individual lifestyle (e.g. Witkacy, Dali). Freaks in the world of culture are not either savages or barbarians. They express themselves as well as they express their distance from the cultural system. In connection to this thesis, the author assumes that the curiosity is culture-producing.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Semiotyczne aspekty przekazu digitalnego. U podstaw literatury cyfrowej
    Semiotic aspects of digital text. The base of digital literature
    Autorzy:
    Szczęsna, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1391839.pdf
    Data publikacji:
    2015-12-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    semiotics
    digital culture
    literary hypertext
    link
    cursor
    interface
    semiotyka
    kultura cyfrowa
    hipertekst literacki
    kursor
    interfejs
    Opis:
    This paper focuses on the influence of the semiotic organization of the digital message on the creation of aesthetic meanings in digital art. It presents  modifications in the sphere of text presen-tation and focuses on functions that it play in creation of literary meanings. Moving, sound created, changing shape and color texture is the place of creation of meanings as well as the inter- action of the semantic of the texture and the semantic of words. New digital tools, e.g. program-ming, the interface are important part of new semiotic code that shapes literature (e.g. linking facilitates the creation of new forms of plots, the interface is a part of literary discourse, the cursor is both the medium of meanings and the tool of text working). The paper concludes that digital technologies redefine the ontology of the literary text and art discourse.
    Źródło:
    Przestrzenie Teorii; 2015, 24; 49-72
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O atrofii kultury literackiej. Uwagi na przykładzie semiotycznych i rzeczowych funkcji książek w filmie Sara
    Atrophy of Literature. Remarks about the Semiotic Functions of Books in the Film Sara
    Autorzy:
    Kaźmierczak, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1039164.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    book
    film
    sign
    semiotics
    culture
    Opis:
    Kaźmierczak Marek, O atrofii kultury literackiej. Uwagi na przykładzie semiotycznych i rzeczowych funkcji książek w filmie Sara [Atrophy of Literature. Remarks about the Semiotic Functions of Books in the Film Sara]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 383–400. ISSN 1644-6763. DOI 10.14746/pt.2019.32.21. The article concerns the relations between the main character of the film Sara (directed by M. Ślesicki in 1997) and books (especially Dostoyevsky’s Crime and Punishment) in the context of social and political changes in Poland in the 1990s. The presence of books in popular Polish films from that period is not described in research, hence this article provides a short introduction to this subject. The main hypothesis of the paper is that the presence of books on the margins of narration in popular films reflects social changes in thinking about literature.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 383-400
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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