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    Wyświetlanie 1-6 z 6
    Tytuł:
    УКРАЇНСЬКА РОМАНТИЧНА ПОЕЗІЯ: СИМВОЛІКА ОБРАЗУ КОНЯ
    UKRAINIAN ROMANTIC POETRY: SYMBOLISM OF THE HORSE
    Autorzy:
    HAYDUK, SVITLANA
    Powiązania:
    https://bibliotekanauki.pl/articles/1041636.pdf
    Data publikacji:
    2020-06-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    horse image
    symbol
    Ukrainian Romantic poets
    paradigm
    obraz konia
    ukraińscy poeci epoki romantyzmu
    paradygmat
    Opis:
    W artykule został przeanalizowany obraz konia w twórczości ukraińskich poetów romantyków na tle europejskiej tradycji pisania w świetle jego symbolicznych oraz mitologicznych paradygmatów. Podkreśla się, że w ukraińskiej romantycznej poezji symbolika obrazu konia bezpośrednio koreluje z symbolem wolności, ponieważ koń jako obraz poetycki jest „istotą obdarzoną duszą”. Wolność symbolizują jego działania, czyli pęd, dziki galop lub spokojna wędrówka (wiersz Козак Ł. Borowykowskiego, ballada Кінь M. Kostomarowa). Zauważono, że obraz konia działa jako symbol wierności i piękna. Potrafi się wczuć w romantycznego bohatera, przestrzec go przed niebezpieczeństwem (poemat Гайдамаки, ballada Причинна T. Szewczenki, wiersz Козак Ł. Borowykowskiego, До коня W. Zabiły, Украинская дума O. Afanasjewa-Czużbińskiego). Jednak obrazy koni mogą również symbolizować mroczne siły natury. Niosą one jeźdźca w nieznane, ucieleśniają negatywną energię (poemat satyryczny Сон T. Szewczenki).
    The article focuses on the analysis of the horse image in the works of the Ukrainian Romantic poets which is based on the European tradition of writing in view of its symbolic and mythological paradigms. It is emphasized that in the Ukrainian Romantic poetry the horse image directly correlates with the symbol of freedom, because the horse as a poetic image is „the creature endowed with a soul”. Because of its actions, such as galloping or wandering, the horse image becomes a symbol of freedom (poetry Kozak by L. Borovikovsky, ballad Kіn by M. Kostomarov). It is noted that the horse image is a symbol of fidelity and beauty. It is able to empathize with a Romantic hero, to warn him of danger (poem Haidamaky, ballad Prychynna by T. Shevchenko, poetry Kozak by L. Borovikovsky, Do konia by V. Zabila, Ukrainskaya duma by O. Afanasiev-Chuzhbinskyi). However, the horse images can also symbolize the dark forces of nature. They carry a rider into the unknown and embody negative energy (satirical poem Son by T. Shevchenko).
    Źródło:
    Studia Ukrainica Posnaniensia; 2020, 8, 1; 243-251
    2300-4754
    Pojawia się w:
    Studia Ukrainica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Slowacki’s Chopin
    Autorzy:
    Seweryn, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/780413.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Juliusz Słowacki
    Fryderyk Chopin
    music
    literature
    Romantic poetry
    Slowacki’s letters to his mother
    Romantic melancholy
    Opis:
    Supposed analogies between Fryderyk Chopin and Juliusz Słowacki form a recurring thread that runs through the subject literature o f Romantic culture. Legions of literati, critics, literary scholars and musicologists have either attempted to find affinities between Chopin and Słowacki (on the level of both biography and creative output) or else have energetically demonstrated the groundlessness of all analogies, opinions and assumptions. Consequently, stereotypes have been formed and then strengthened concerning the relations between the two creative artists, particularly the conviction of Slowacki’s dislike of Chopin and his music, which - in the opinion of many scholars - the poet simply did not understand. Considerations of this kind most often centre on a famous letter written by Słowacki to his mother in February 1845. However, a careful reading of this letter and its comparison with Slowacki’s other utterances on the subject of Chopin shows that opinions of the poet’s alleged insanity, petty-mindedness or lack of subtlety in his contacts with Chopin’s music are most unjust. The analysed letter is not so much anti-Chopin as anti-Romantic. It inscribes itself perfectly in the context of the thinking of “the Słowacki of the last years”, since the poet negates crucial aesthetic features o f Romantic music, but at the same time criticises his own works: W Szwajcarii [In Switzerland] and, in other letters, Godzina myśli [An hour of thought] and the “picture of the age”, the poetical novel Lambro. It also turns out that what Słowacki says about the polonaises tallies with the opinions of musicologists and musicians writing about “late Chopin”.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 53-68
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Śladem romantycznej kreacji bohatera w chorwackiej poezji końca XX wieku. Od wampira do konsumenta
    Tracing the Romantic creation of character in Croatian poetry of the end of the 20th century. From vampire to consumer
    Autorzy:
    Pieniążek-Marković, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/635482.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    vampire
    consumption
    Croatian poetry
    war lyric poetry
    Maleš
    neo-romanticism
    Opis:
    One of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner.
    Źródło:
    Poznańskie Studia Slawistyczne; 2011, 1
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Secret Portrait of a Romantic? On the Recent Biographies of Karel Jaromír Erben
    Autorzy:
    Gawarecka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/30148680.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literary biography
    poetry and myth
    folkloric tradition
    Romantic worldview
    literary fiction
    factography in literature
    Opis:
    In 1853, Karel Jaromír Erben published a collection of ballads Kytice, which was immediately seen as a model of national literature. The contact of this model with Romanticism is only selective, because it does not consider all the metaphysical dilemmas resulting from the appreciation of the individualistic attitude to the world. It might seem that Kytice should share the fate of other 19th century texts of culture which are currently attributed the position of a respectable, old fashioned literary monument. Meanwhile, in recent years, two novels have been published directly drawing inspiration and thematic material from the life of the poet, namely: Vřeteno osudu. Tajná zpověď by Karel Jaromír Erben by Otomar Dvořák (2015) and Stará škola by Petr K. Procházka (2022). Both literary biographies expose the close, though hidden, connections between Erben’s poetics and worldview with the Romantic aesthetic and ideological context.
    Źródło:
    Poznańskie Studia Slawistyczne; 2023, 25; 129-148
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Love, Be a Poem. The Rhetoric of Seduction in the Love Poetry of Vesna Parun
    Autorzy:
    Vuković, Tvrtko
    Powiązania:
    https://bibliotekanauki.pl/articles/30148693.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    love poetry
    romantic concept of love and literature
    politics of lyric
    rhetoric of seduction
    deconstruction
    Vesna Parun
    Opis:
    In the broadest sense, the paper is a discussion of Vesna Parun’s love poetry. The basic idea is that, on the one hand, it adheres to the romantic understanding of literature as a representation of the deepest personal feelings, universal truths, and essential values and, on the other hand, that it acts as a confirmation that the experience of love is fundamentally literary, and that literature is a form of unbridled love for linguistic seduction. For this reason, the author’s love poetry is not approached as a representation of her private life, love feelings, or relationships, but as a complex relationship between figurative language and a romanticized idea of love. In other words, it is interpreted as a discourse or rhetorical event that simultaneously constructs and deconstructs concepts such as authentic experience, sincere sensitivity, primordial love, or stable identity, and provides an opportunity to raise important ethical and political questions in the face of its ambivalence.
    Źródło:
    Poznańskie Studia Slawistyczne; 2023, 25; 339-361
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    U źródeł romantycznej elegii — Elegia napisana na cmentarzu wiejskim Thomasa Graya
    Addressing the underlying issues of Romantic elegy — Thomas Gray’s Elegy written in a country churchyard
    Autorzy:
    Śniedziewski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1534741.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Thomas Gray
    elegy
    melancholy
    pastoral poetry
    funeral art
    friendship
    epitaph
    Opis:
    From the beginning of his literary career, Thomas Gray consciously and consistently created a lyric with a poetic effect quite of its own in which a personal element (death of a friend) kept on vanishing, toposes and literary allusions overlapped (e.g. images of melancholy inspired by works of John Milton and Thomas Warton) and in which bitter philosophical reflection on life and death mounted in time. It is this reflection that predestined the groundbreaking character of Elegy written in a country churchyard and determined its popularity in English literature and beyond. The interpretation of space, the reflection on the subjectivity and the role of the epitaph (constituting at the same time a structural part of Elegy..., as well as the funeral genre that is thematically related to the Gray’s poem) have made it possible to show the poem written in mid-eighteenth century as a substantial reference point for Romantic authors transforming the genre.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 83-102
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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