Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Kłys" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
Niemieckie wizje kształtu Unii Europejskiej w okresie rządów Gerharda Schrödera
German visions of the European Union during the Gerhard Schröder period
Autorzy:
KŁYS, JUSTYNA
Powiązania:
https://bibliotekanauki.pl/articles/625562.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The unusual activity of the Federal Republic of Germany during all integration processes in Europe was questioned after Gerhard Schröder’s victory in the 1998 election. The Social Democratic Party of Germany (SPD – Sozialdemokratische Partei Deutschlands), which for many years had been pushed into opposition, did not have a clear vision of its European policy, which gave rise to concerns from European partners. In addition, the coalition government of the SPD-Union 90/The Greens emphasized German interests in European politics more strongly than Christian Democratic governments.With a persistence that had never been seen before, they demanded that the financial burdens of the Federal Republic of Germany towards the EU budget be reduced and the Common Agricultural Policy be reformed, thereby giving up the „checkbook policy”. One of the focal points became the reform of the European Union’s institutional system and decision-making process. Joschka Fischer’s „From a union of states to a federation” speech, related to the reform of the EU, delivered in May 2000, marked a breakthrough and started an international debate on the political form of the Union. The author of this paper presents German ideas on European integration and visions of the form of the European Union from 1998–2005.
Źródło:
Rocznik Integracji Europejskiej; 2012, 6; 159-174
1899-6256
Pojawia się w:
Rocznik Integracji Europejskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fiancées and widows: women’s encounters with death in the silent films of Fritz Lang
Autorzy:
Kłys, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/923235.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
psychoanalysis
melancholy
Fritz Lang
Weimar cinema
Death & the Maiden
Opis:
In the silent Weimar films of Fritz Lang, the heroines have sudden encounters with Death, conceived both as an allegorical figure and as an unexpected violent end of the life of their fiancé, husband or loved one. The nameless Maiden, the main heroine of Der müde Tod (The Weary Death, known in English-language countries as Destiny, 1921), while looking for her fiancé, who was kidnapped by Death, tries three times to regain his life and finally, overcome by Death, commits suicide. Two queens of Burgundy in Die Nibelungen (The Nibelungs, 1924), Kriemhild and Brunhild, motivated by resentment and vengeance, as well as by unfulfilled love, finally appear to be zombie-like self-destructive monsters, destroying the social and political order, and the lives of many human beings. The paper, with the use of the psychoanalytic concepts of melancholy and the mourning “not-worked-out” by the persons who have lost their loved ones, analyses the ambiguous attitudes and self-destructive acts of these “women in black”..
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 155-162
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Abel Gance po trzykroć oskarża: metafizyka i apokaliptyczna wyobraźnia w służbie pacyfizmu
Abel Gance accuses thrice: metaphysics and apocalyptic imagery in the service of pacifism
Autorzy:
Kłys, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2135412.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
J’accuse
Abel Gance
World War One
pacifism
war trauma
resurrection
Magirama
Opis:
This text is inspired by monumental and editorially perfect BluRay/DVD box set J’accuse (Gaumont, Paris 2017). It includes BluRay and DVD editions of all three J’accuse films (1919, 1937, 1956), two other Gance’s films, specifying the context of „trilogy” (Les Gaz mortels, 1916 and La Fin du monde, 1931) and the large director’s monography by Laurent Véray. From this revelatory archive emerges the image of Abel Gance as an artist who for 40 years of his filmmaker’s career was incessantly reworking deep trauma caused by World War One. It resulted in three J’accuse films, two other finished films and some other never realized screenplays and projects which made up particular work-in-progress whose mission is a message of peace. The text analyzes all three versions of J’accuse, concentrating on their allegorical style, metaphysical concept of ressurrection of fallen soldiers and apocalyptic vision of resurrected dead men’s processions which by its horror should persuade the mankind to stop all wars. In the last J’accuse (1956) – in fact, strongly shortened and reedited film from 1937 – Gance used the technique of triptych in which the picture was projected by three parallelly set projectors on the large screen with proportions 4:1. This version, immersing perceptually and sensorically spectator in the wide-format picture full of war horrors, today seems to be much more effective medium for message of peace than undecided between pacifism and patriotism, impressionistic in its style film from 1919, or laden with full of pathos verbal rhetorics J’accuse 1937.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 67-94
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies