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    Wyświetlanie 1-6 z 6
    Tytuł:
    Slaven Kale, „Poljaci, naša braća na sjeveru”. Hrvatska javnost o Poljacima 1860–1903, Srednja Europa, Zagreb 2020, ss. 424.
    Autorzy:
    Lis, Tomasz Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/910285.pdf
    Data publikacji:
    2020-12-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Źródło:
    Balcanica Posnaniensia Acta et studia; 2020, 27, 1; 243-246
    0239-4278
    2450-3177
    Pojawia się w:
    Balcanica Posnaniensia Acta et studia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W optyce gatunków. Historia literatury chorwackiej XIX wieku Vinko Brešić, Hrvatska književnost 19. stoljeća, Alfa, Zagreb 2015, ss. 432
    Autorzy:
    Pieniążek -Marković, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/777134.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Źródło:
    Slavia Occidentalis; 2015, 72/2; 229-237
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hrvatska kratka priča i Antun Gustav Matoš
    Croatian Short Story and Antun Gustav Matoš
    Autorzy:
    Sablić Tomić, Helena
    Powiązania:
    https://bibliotekanauki.pl/articles/635730.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modernism
    short story
    Antun Gustav Matoš
    plot
    citation
    Opis:
    Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
    Antun Gustav Matoš has affirmed the Croatian short story and that is why his short story collections have initiated a major „breakthrough” in terms of this genre’s reception. His narrative oeuvre includes the following collections: Iverje (Wood Shavings, 1899), Novo iverje (New Wood Shavings, 1900) and Umorne priče (Tired Tales, 1909). Depending on the type of motif, his short stories have been read as follows: 1. stories about local people and events; 2. humorous stories about people at home and abroad; 3. stories about unusual, unbelievable „unreal” events; 4. stories of enchanting and yearning love; 5. lyrical cadenzas. His symbolic-grotesque-fantastic story Moć savjesti (The Power of Conscience) marked his entry into the world of narrative literature. In this story, the binary relationship between the theme and the motif is recognised in the gap between the world of wakefulness and the world of dreams, reality and fantasy, what is real and what is unreal, the actual life and the ideal life, the object and the subject. At the same time, however, Matoš is trying to unite these opposites. In his other short stories, unusual plots become an expression of a deep ontological crisis which engulfed the European culture and art during modernism. The maxim of modern art at the turn of the century is „the world is a text”: art is a subjective reconstruction of the world and therefore plots, with all their logical cause and effect relationships, are no longer important since they cannot express other spheres of consciousness. In his short stories, the bizarre plots were used by Matoš to join two worlds, the world of outward reality and the world of imagination, the empirical and the fantastic, the possible and the impossible.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 7
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nenad Vekarić, Vlastela grada Dubrovnika. Korijeni, struktura i razvoj dubrovačkog plemstva, Hrvatska akademija znanosti i umjetnosti. Zavod za povijesne znanosti u Dubrovniku, Posebna izdanja, knj. 17 sv. 1, Zagreb-Dubrovnik 2011, ss. 347.
    Autorzy:
    Wróbel, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/909864.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Źródło:
    Balcanica Posnaniensia Acta et studia; 2012, 19, 1; 326-331
    0239-4278
    2450-3177
    Pojawia się w:
    Balcanica Posnaniensia Acta et studia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trebaju li čudovišta, mutanti i utvare glasati? Monstruozna hrvatska lirika i načelo demokratske jednakosti
    Should Monsters, Mutants, and Ghosts Vote? Monstrous Croatian Lyric and the Principle of Democratic Equality
    Autorzy:
    Vuković, Tvrtko
    Powiązania:
    https://bibliotekanauki.pl/articles/636224.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Croatian Lyric
    performativity
    monstrosity
    humanity
    democracy
    Opis:
    The paper starts from the assumption that Croatian modern lyric, from Matoš to Maleš, is haunted by various monsters, phantoms and mutants, and possessed by ghosts. Phantasmal hair speaks, the body changed by illness acquires autonomy, bird-men, space-twins and angels inhabit the humanized world, the dead seek eternity, the turtle measures itʼs own existence in relation to space and time, and Jesus-fish according to the degree of its own evolutionary transformation, while language cyborgs and hybrid beings are born. The lyric about monsters is itself a monstrous discourse. In this discourse human existence is necessarily contaminated by the abhuman and the parahuman, language includes its own mutations, and the encounter with meaning depends on the ultimate deformation, hybridization and disappearance of meaning. Thus, in the very center of our humanity, in the artistic form that determines the measure of the humanity of our community, questions about what is humane and inhumane, how to determine the boundary between them, and is not the general understanding of humanity always-already determined by oneʼs own inhuman or a-human are raised. Looking at a series of lyric texts, the paper will analyze these relationships and subsequently show their possible political and legal effects. I will refer to theoreticians who read the lyric as a linguistic event and performative type of utterance (J. Culler, P. de Man, B. Johnson, and others) and to thinkers who, to say it simply, perceive the ideas of equality, law and justice as phantasmal, mutated, scandalous or monstrous democracy (G. Agamben, J. Rancière, J. Derrida, J-L. Nancy and others).
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 285-301
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tragedija i optimizam, identitet i gluma: hrvatska feministička teatrologija
    Tragedy and Optimism, Identity and Role-Playing: Croatian Feminist Theatrology
    Autorzy:
    Badurina, Natka
    Powiązania:
    https://bibliotekanauki.pl/articles/635610.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Croatian theatrology
    Croatian feminist theory and criticism
    performativity
    tragedy
    Lada Čale Feldman
    Nataša Govedić
    Dubravka Crnojević Carić
    Suzana Marjanić
    Branko Gavella
    Opis:
    The article outlines the last 20 years of Croatian feminist theatrology and its relation to national and Western theoretical currents, as well as to specific historical contexts. Appearing for the first time in the nineties, with Lada Čale Feldman’s analysis of contemporary women playwrights, Croatian feminist theatrology has developed rapidly. In 2001 a first overview of the discipline was written by the same author, in which the position of Croatian theatrology in relation to the Western theoretical mainstream was defined in postcolonial and gender terms as a self-conscious Other with hidden subversive potential. While most of the feminist theatrological works in the nineties were characterised by their opposition to the monolithic definition of the nation by pointing out its non homogeneous nature (for example, in Dubravka Crnojević Carić’s analysis of historical plays in national theatres), in the noughties new topics are introduced: theatre and performance as bodily experience, performativity (Judith Butler’s theory critically revisited by Lada Čale Feldman), multiple identity of the actress in her interchange with the audience, and ethical responsibility and social role of the theatrical event (Nataša Govedić). These topics develop previous theoretical issues and the personal concerns of their authors, as well as being a response to current national theatrical productions and to historical and political contingencies marked by the collective disenchantment of the post-transition age and new risks of repatriarchalisation. The idea of active participation in society in order to change and improve it (in particular by using the power of the theatre in countering social violence, as in the work of Nataša Govedić), is strictly connected to the ancient question of tragic predestination and the inevitability of misfortune, which introduces into Croatian theatrology the issue of the tragic worldview in feminist criticism and epistemology.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 43-54
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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