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    Wyświetlanie 1-3 z 3
    Tytuł:
    Англофонный диптих о России и русских Вирджинии Вулф и Джона Стейнбека
    Autorzy:
    Weretiuk, Oksana
    Powiązania:
    https://bibliotekanauki.pl/articles/1022357.pdf
    Data publikacji:
    2020-10-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Russian character
    Woolf
    Steinbeck
    Russian soul
    Russian mind
    Opis:
    The paper deals with the reception of the Russian character (mind and soul) by two prominent anglophone writers: Virginia Woolf and John Steinbeck. Virginia Woolf recognizes the Russians and their soul through the perception of the great Russian masterpieces of Tolstoy, Dostoevsky, and Chekhov (The Russian Point of View, essay, 1925); Steinbeck’s A Russian Journal, 1948, presents the Russians as they were observed by the American author in their everyday life, rebuilding their country after WWII. The genre specificity of each work, the differences of time, emotions and purpose of writing, the Russian “experience” of each author, determine a certain heterogeneity of understanding of Russia and Russians; nevertheless, both form a heterogeneous whole of the Anglophone perception.
    Źródło:
    Studia Rossica Posnaniensia; 2020, 45, 2; 9-22
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Podwodne, kosmiczne, duchowe. Miasta rosyjskie a sfera publiczna w filmach skandynawskich dokumentalistów
    Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries
    Autorzy:
    Mrozewicz, Anna Estera
    Powiązania:
    https://bibliotekanauki.pl/articles/920061.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Scandinavian documentary films
    Russia
    Russian soul
    cosmic imaginary
    place
    city
    heterotopia
    private/public
    ecology
    Marja Pensala
    Boris Bertram
    Ada Bligaard Søby
    Opis:
    The article discusses three documentaries made since 2000 by Scandinavian filmmakers: the Finnish director Marja Pensala’s The Eclipse of the Soul (2000) and two films by Danish authors: Boris Bertram’s Tankograd (2010) and Ada Bligaard Søby’s The Naked of Saint Petersburg (2010). All the films are portraits of Russian cities and their residents. In my study, I draw on concepts such as the “Russian soul”, private/public and bytie (the spiritual being)/byt (the daily grind), which, as I argue, are important aspects of all three films, and at the same time, useful tools for their analysis. Common to these documentaries is the fact that the authors direct their attention to the asymmetrical relation between the state’s position of power and its largely powerless citizens. The constitutive element of a city as such – being a public space, i.e. a space to which all people should have equal access and rights – appears largely distorted. As a consequence, the residents escape from their stark reality to create alternative, imaginary spaces – be it a lost paradise, like the underwater city of Mologa in Pensala’s film, a cosmic heterotopia, like the space of art in Bertram’s Tankograd, or a spiritual universe, like in Søby’s short documentary. In all these films, the directors’ point of reference – their cultural perspective – is emphasized as a filter, through which the Russian reality is perceived.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 173-192
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „…читая в ногу души прекрасные порывы”: смех аутсайдера и русский ХХ век в Неизвестных письмах Олега Юрьева
    „…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s Unknown letters
    Autorzy:
    Voloshchuk, Ievgeniia
    Powiązania:
    https://bibliotekanauki.pl/articles/2224210.pdf
    Data publikacji:
    2022-06-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    intercultural literature
    outsider
    postmodernism
    literary canon
    comic
    Yuryev
    Opis:
    The paper deals with the specifics of outsiders’ laughter in the book Unknown letters (Неизвестные письма/Unbekannte Briefe, Russian 2014, German 2017) by a Russian-German writer Oleg Yuryev. In particular, it analyzes how Russian cultural and historical traumas of the 20th century were reinterpreted in the book from the perspective of an ironical outsider. In doing so, it focuses on a fictional letter by the writer Leonid Dobychin, which is contextualized with fictional letters of Jakob Michael Reinhold Lenz and Ivan Pryzhov, representing previous historical and cultural periods. Yuryev’s ironic reflections on the Russian historical reality and literary scene of the 20th century manifest themselves at different levels, from the positioning of outsiders’ laughter in relation to the official and marginal hierarchies of the literary canon to the postmodernist play with the traditions of literary classics. In addition, the paper addresses the inter- and/or transcultural aspect of outsiders’ laughter in Yuryev’s book.
    Źródło:
    Studia Rossica Posnaniensia; 2022, 47, 1; 111-128
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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