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    Wyświetlanie 1-5 z 5
    Tytuł:
    From Baranowski to Baranauskas, from James to Ngũgĩ: Post-Colonial Aspects of Linguistic Switch
    Autorzy:
    Bukowiec, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1798580.pdf
    Data publikacji:
    2020-11-21
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Antanas Baranauskas
    Ngu˜g˜ wa Thiong’o
    multilingualism
    literature and collective identity
    comparatisme quand même
    world literature
    Opis:
    The article attempts to perform a comparative study of the phenomenon of the so-called linguistic switch, i.e., a change of languages in which the writer creates his/her works. One side of the analysis focuses on nineteenth-century Lithuanian poets, represented mainly by Antanas Baranauskas, and the other on the contemporary Kenyan prose writer Ngu˜g˜ wa Thiong’o. The juxtaposition of ı such extremely distant authors: 1. allows a better understanding of the specificity of multilingualism in both eighteenth-century Lithuanian literature and contemporary fiction; 2. proves once again the universality of postcolonial sensitivity; 3. constitutes an attempt at comparative thinking in the context of world literature.
    Źródło:
    Studia Interkulturowe Europy Środkowo-Wschodniej; 2020, 13; 219-245
    1898-4215
    Pojawia się w:
    Studia Interkulturowe Europy Środkowo-Wschodniej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Who Was He? Internment, Exile and Ambiguity in Norbert Gstrein’s Novel Die englischen Jahre (The English Years) (1999)
    Autorzy:
    Löschnigg, Martin
    Powiązania:
    https://bibliotekanauki.pl/articles/2049119.pdf
    Data publikacji:
    2021-10-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Austrian literature
    World War II
    ‘enemy alien’ internment Britain
    Jewishness
    fictional biography
    Opis:
    Winner of the Alfred Döblin Preis in 1999, the novel Die englischen Jahre by the Austrian novelist Norbert Gstrein deals with internment and exile in Britain dur- ing and after the Second World War. It centres on the (fictitious) character of Gabriel Hirschfelder, a writer and refugee from Nazi-occupied Austria who is detained, with oth- er ‘enemy aliens,’ in a camp on the Isle of Man. There, Nazi sympathisers are interned together with Jewish and political refugees, and the central chapters in the novel depict the conditions and resulting conflicts in the internment camp. Hirschfelder dies in exile at Southend-on-Sea, having confessed shortly before his death that he killed a fellow inmate. This confession as well as reports of a transport of internees sunk off the coast of Scotland in 1940 incite a young Austrian woman to try to solve the mystery surrounding Hirschfelder and his allegedly lost autobiography The English Years. The paper discusses how Gstrein combines different genres like the historical novel/historiographic metafic- tion and the whodunit as well as using multiple narrative perspectives and refractions to pinpoint questions of shifting identities and allegiances, and of belonging and alienation in the wake of internment and exile.
    Źródło:
    Anglica. An International Journal of English Studies; 2021, 30(3); 47-63
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literary Reflections on Postimperial Violence in East-Central Europe after 1918: Wittlin – Hašek – Vančura
    Autorzy:
    Alfrun, Kliems,
    Powiązania:
    https://bibliotekanauki.pl/articles/897160.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    World War I
    Polish Literature
    Czech Literature
    Jaroslav Hašek
    Vladislav Vančura
    Józef Wittlin
    Fragmentation of Space
    Barbarization and Self-Barbarization
    Opis:
    This paper discusses questions like the irony of history, the lack of illusions, and the prophecy of violence in three classic World War I novels by Jaroslav Hašek, Vladislav Vančura and Józef Wittlin, written in the decades after 1918. The novels have at least three aspects in common: first, the poetics of each is marked in a compressed way by the style of narrating the assassination in Sarajevo in 1918; second, three picaresque figures – Švejk, Řeka and Niewiadomski, respectively – standing in the centre of each novel; and, third, in addition to the war itself, each novel looks proleptically at its consequences, even if the narrated time does not extend to the end of the war. The paper tries to reflect on the novels as the literature of post-imperialist violence. Rhetorical figures of barbarization and self-barbarization, inversion of subject and object, fragmentation of space are particularly significant in the books, demonstrating the aesthetic processing of the reversal from euphoria, over the end of the war, to frustration, over the continuing violence. More specifically, these figures correspond with a remarkable degree with the unfulfilled peace after 1918.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(1 (464)); 65-79
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Віра як квінтесенція концептуальної картини світу письменників-полемістів епохи раннього бароко
    Faith as the Quintessence of the Conceptual World View of Writers- Polemists of Ukrainian Early Baroque
    Autorzy:
    Slipushko, Oksana
    Katyuzhynska, Anastasiya
    Powiązania:
    https://bibliotekanauki.pl/articles/2154610.pdf
    Data publikacji:
    2019-12-10
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    faith
    religion
    God
    conceptual world view
    polemical literature
    Union of Brest
    Early BaroqueMeletij Smotrytskyj
    Christophor Filalet
    Hypatius Potij
    Opis:
    The article investigates the peculiarities of the interpretation of faith as a quintessence in the conceptual world view of writers-polemists of the Early Baroque epoch. It is clarified that religious and literary controversy was caused by the adoption of the Union of Brest. In Ukrainian society, in fact, there was a schism between the supporters of different religious denominations into those who supported or rejected the Union. Therefore, the aim of the polemists was to establish the veracity of faith. The works of M. Smotrytskyj, Ch. Filalet, and H. Potij are created in accordance with the conceptual space of polemical literature of the Early Baroque epoch and represent diametrically opposed opinions on the interpretation of the Union. M. Smotrytskij and Ch. Filalet are against the Union and Catholicism, and as such express the idea of the necessity to protect the Greek Orthodox Church. Against this view, H. Potij demonstrates solidarity with the conception of the supporters of the Union, which contradicts the main ideas of M. Smotrytskij and Ch. Filalet. However, the concept of faith as the main condition of Christian life and the manifestation of spiritual values of personality acquires the highest axiological characteristic in the works of the polemists. Faith is the dominant philosophical and ideological category of the conceptual world view of the writers, a peculiar key to the implementation of the authors’ position in the controversy. The ideological sense of their works, which is embodied in religious concepts, represents the peculiarities of the outlook of the Early Baroque epoch. In the works of the polemists, the first priority is faith, which is God’s gift and creates existential dimensions of personality. Actually, faith is conceived as the basis of human life and the formation of a mentally conscious and value-oriented nation.
    Źródło:
    Studia Polsko-Ukraińskie; 2019, 6; 82-95
    2353-5644
    2451-2958
    Pojawia się w:
    Studia Polsko-Ukraińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Survival is insufficient”: The Postapocalyptic Imagination of Emily St. John Mandel’s Station Eleven
    Autorzy:
    Feldner, Maximilian
    Powiązania:
    https://bibliotekanauki.pl/articles/888831.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Canadian literature
    Emily St. John Mandel
    Station Eleven
    science fiction
    postapocalyptic novel
    postapocalyptic imagination
    end-of-the-world narratives
    Opis:
    Postapocalyptic narratives proliferate in contemporary fiction and cinema. A convincing and successful representative of the genre, Emily St. John Mandel’s Station Eleven (2014) can nevertheless be distinguished from other postapocalyptic texts, such as Cormac McCarthy’s The Road (2006), Margaret Atwood’s Maddaddam trilogy, and the television series The Walking Dead (2010–). The novel does not focus on survival, struggle, and conflict but rather examines the possibility and necessity of cultural expression in a postapocalyptic setting, demonstrating the importance and value of art and memory even in strained circumstances. As a result, it presents an unusually optimistic and hopeful vision of an otherwise bleak future.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/1; 165-179
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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