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Wyświetlanie 1-9 z 9
Tytuł:
On the Zero Viewpoint in Drama
O zerowym punkcie widzenia w dramacie
Autorzy:
Nabiałek, Magda
Powiązania:
https://bibliotekanauki.pl/articles/2012757.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
dramat
punkt widzenia
perspektywa
narracja
drama
point of view
perspective
narration
Opis:
The author discusses the question of the so-called zero viewpoint in the context of the presence of epic elements in the dramatic text. Using the category of perspective in her study, she observes that one of the characteristic features of drama is the intersection of dramatic background and the protagonist’s perspective. Contrary to the traditionally accepted view, the author argues that it is natural for drama to position the addressee not simply outside or inside the dramatic microcosm but at the point of a permanent intersection of these two lines. It is this moment of overlap between the extra- and intra-textual perspectives that she defines as the zero viewpoint. The variety of solutions by means of which this perspective can be achieved is demonstrated on excerpts she analyses from Bolesław Leśmian’s The Possessed Fiddler, Tadeusz Różewicz’s The Trap, and Marian Pankowski’s Camping Rough.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 155-172
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Point of View (in Four Ways)
Punkt widzenia (w czterech odsłonach)
Autorzy:
Mitosek, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/2012760.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
punkt widzenia
Henry James
Włodzimierz Odojewski
Claude Simon
Szczepan Twardoch
point of view
Opis:
The article aims to analyse four important point of view novels, namely Henry James’ The Ambassadors, Zasypie wszystko, zawieje [Everything Will Be Covered by the Snow] by Włodzimierz Odojewski, The Flanders Road by Claude Simon, and Morfina [Morphine] by Szczepan Twardoch. The notion of point of view serves as a starting point for considering the epistemological aspects of the novel and for tracing its evolution. James, both in his theory and novelistic practice, uses the point of view to make the character’s consciousness the main theme of his novels. Odojewski employs internal monologue to render the characters’ perspective, while Simon combines internal monologue with other voices. Finally, Twardoch’s novel can be interpreted as a parody of the point of view technique.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 129-140
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Point of View in Translation: Edgar Allan Poe’s "The Cask of Amontillado" Translated into Polish
Punkt widzenia w przekładzie: „The Cask of Amontillado” Edgara Allana Poego w polskich tłumaczeniach
Autorzy:
Łaszczuk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2012758.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
translatologia
narratologia
punkt widzenia
językoznawstwo
stylistyka
translation studies
narratology
point of view
linguistic
stylistics
Opis:
The article examines the notion of point of view (POV) in translation by drawing on examples from selected Polish translations of Edgar Allan Poe’s The Cask of Amontillado. First, the paper deals with the question of narratologically-oriented research in translation studies and outlines a short history of the concept of point of view with an overview of definitions proposed by literary scholars. It is argued that recent linguistic analyses of point of view have contributed to examining the notion of POV in literary translations. The article also systematises different research approaches that have been developed to study “point of view in translation.” Finally, the paper follows the linguistically-oriented conception of point of view in order to examine translation shifts with regard to the linguistic indicators of POV, including time markers and modality, based on examples from Polish translations of Poe’s short story.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 141-154
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Second-Person Narratives in Non-Fiction
Narracja drugoosobowa w niefikcji
Autorzy:
Jeziorska-Haładyj, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2012788.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
narracja drugoosobowa
reportaż
punkt widzenia
Oriana Fallaci
second-person narrative
reportage
point of view
Opis:
The aim of the article is to analyse the particularity of second-person narratives in non-fiction. Their special status results from the fact that telling another person his or her own story is a convention in fiction but occurs rarely in everyday communication. In non-fiction narratives, the problem of different perspectives (of the narrator and the addressee) is particularly valid, i.e. often the point of view of the narrative “you” is only a disguised point of view of the “I.” The analysis of A Man by Oriana Fallaci shows the shift from the melting of perspectives to an evident distance. In Hanna Krall’s Hamlet, the “I” presents the “you” with an ultimate interpretation of his life.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 43-54
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between Testimony and Irony: Points of View in “Chernobyl Prayer. A Chronicle of the Future” by Swietlana Alexievich
Między świadectwem a ironią: punkty widzenia w „Czarnobylskiej modlitwie. Kronice przyszłości” Swietłany Aleksijewicz
Autorzy:
Horodecka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2012787.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
reportaż literacki
Swietłana Aleksiejewicz
punkt widzenia
świadectwo
ironia
literary reportage
Swietlana Alexievich
point of view
testimony
irony
Opis:
The article is an analysis of Swietlana Alexievich’s book Chernobyl Prayer. A Chronicle of the Future and aims to examine its predominant narrative strategies. The author points to the role of monologues, mottos, irony, titles, and subtitles, which help to describe the process of showing the witness’ point of view and, simultaneously, Alexievich’s interpretation of the gathered data.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 55-68
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Віра як квінтесенція концептуальної картини світу письменників-полемістів епохи раннього бароко
Faith as the Quintessence of the Conceptual World View of Writers- Polemists of Ukrainian Early Baroque
Autorzy:
Slipushko, Oksana
Katyuzhynska, Anastasiya
Powiązania:
https://bibliotekanauki.pl/articles/2154610.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
faith
religion
God
conceptual world view
polemical literature
Union of Brest
Early BaroqueMeletij Smotrytskyj
Christophor Filalet
Hypatius Potij
Opis:
The article investigates the peculiarities of the interpretation of faith as a quintessence in the conceptual world view of writers-polemists of the Early Baroque epoch. It is clarified that religious and literary controversy was caused by the adoption of the Union of Brest. In Ukrainian society, in fact, there was a schism between the supporters of different religious denominations into those who supported or rejected the Union. Therefore, the aim of the polemists was to establish the veracity of faith. The works of M. Smotrytskyj, Ch. Filalet, and H. Potij are created in accordance with the conceptual space of polemical literature of the Early Baroque epoch and represent diametrically opposed opinions on the interpretation of the Union. M. Smotrytskij and Ch. Filalet are against the Union and Catholicism, and as such express the idea of the necessity to protect the Greek Orthodox Church. Against this view, H. Potij demonstrates solidarity with the conception of the supporters of the Union, which contradicts the main ideas of M. Smotrytskij and Ch. Filalet. However, the concept of faith as the main condition of Christian life and the manifestation of spiritual values of personality acquires the highest axiological characteristic in the works of the polemists. Faith is the dominant philosophical and ideological category of the conceptual world view of the writers, a peculiar key to the implementation of the authors’ position in the controversy. The ideological sense of their works, which is embodied in religious concepts, represents the peculiarities of the outlook of the Early Baroque epoch. In the works of the polemists, the first priority is faith, which is God’s gift and creates existential dimensions of personality. Actually, faith is conceived as the basis of human life and the formation of a mentally conscious and value-oriented nation.
Źródło:
Studia Polsko-Ukraińskie; 2019, 6; 82-95
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Point of View and the Modalities of Narrative
Punkt widzenia a modalności narracyjne
Autorzy:
Tenev, Darin
Powiązania:
https://bibliotekanauki.pl/articles/2012790.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
narratologia
modalność
logika wilomodalna
punkt widzenia
bułgarska Szkoła Guillaumistów
narratology
modality
multimodal logic
point of view
Bulgarian Guillaumist School
Opis:
In this paper I will envisage the relationship between narrative modalities and point of view with the help of the narratological theory of Christo Todorov, who is a representative of the Bulgarian Guillaumist school. First, I will point to the multimodality of narrative modal logic with its combination of different types of modal categories (alethic, deontic, volitive, etc.). Then I will introduce Christo Todorov’s distinction between modal and transmodal categories, according to which modality (ability, desire, obligation) is what characterises the actions and transmodality (perception, emotion, intellection) is what characterises the subject of action. Along with Todorov I will claim that there are both modal and transmodal points of view, but unlike him I will define the point of view based not on the subject-image but on the directedness it introduces. My point will be that there is a double direction of the point of view: on the one hand, the direction of the subject to the object, and, on the other, the direction from one modality to another. This double direction, I will argue, is at the very basis of narrative logic, or of what I would call the ‘narrative potentiality.’
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 27-42
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Responsibility – an Anthropological Outline
Autorzy:
Stanisław, Jędrczak,
Powiązania:
https://bibliotekanauki.pl/articles/902637.pdf
Data publikacji:
2020-03-08
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
proleptic view on personhood
responsibility
pseudo-Diodorian modality
freedom of will
consensus
guilt
proleptyczna koncepcja osoby
odpowiedzialność
modalność pseudo-Diodorowa
wina
Opis:
In the article, I try to present an outline of the theory of responsibility. Its double root – based on the logical distinction between criterion and testimony – is derived from Abelard’s anthropology of action and the theory of personhood developed by Timothy Chappell. Initially, I discuss the metaphysical difficulties related to the problem of freedom (especially linked with determinism). Afterwards, following Abelard, I try to indicate an anthropological justification of punishment based on guilt. The last part of the paper is devoted to the attempt to enter the free will into a broader view of Chappell’s theory. The aim of the work is to prepare the ground for future studies on the proleptic notion of personhood and its further application within the philosophy of law.
Źródło:
Studia Iuridica; 2019, 82; 131-148
0137-4346
Pojawia się w:
Studia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Points of View and the Daily Press at the Turn of the 19th and 20th Centuries
Punkt widzenia a prasa codzienna na przełomie XIX I XX wieku
Autorzy:
Pietrzak, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2012786.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
prasa dziewiętnastowieczna
gazeta
gatunek
zbiorowy punkt widzenia
niejednorodnośc
awangarda
19th-century newspaper
daily
genre
collective point of view
heterogeneity
avant-garde
Opis:
The following article concerns the issue of point of view in Polish daily newspapers at the end of the 19th century. The daily is considered here as a coherent and cogent literary work based on fictional as well as non-fictional genres and their specific layout. The author proves that what makes the press characteristic in terms of points of view is not so much the introduction of a new, individual voice but rather the introduction of a collective perspective in several variants. Literary fictional genres serve as an instrument of the counterpoint in that they provide an individual position, usually one that is opposed to what one can read in the feature sections.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 69-84
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-9 z 9

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