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    Wyświetlanie 1-6 z 6
    Tytuł:
    Chcą nas zmienić w reliefy i rzeźby...
    Autorzy:
    Patrycja, Cembrzyńska,
    Powiązania:
    https://bibliotekanauki.pl/articles/897480.pdf
    Data publikacji:
    2017-09-08
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    war memorial
    anti-monument
    collective memory
    the uncanny (das Unheimliche)
    Poles and their vampires
    demilitarizing of culture /non-war memorials
    memetics
    Opis:
    They Want to Change Us into Reliefs and Sculptures... This article discusses a role of war memorials in popularizing militarism, war bravery and the idea of dying for the homeland. Following Krzysztof Varga (a writer) and Krzysztof Wodiczko (a visual artist), the monumental structures of national memory become here a subject of critical reflection. They both show the deadly hypnotizing power of memorials over people. To this end, they create an oneiric reality, in which the sacred objects of national tradition come to life and “vampirize” the would-be patriots. The task of the hypnotic and critical style of interpreting memorials is, as it is proved, “to demilitarize” (“disarm”) our culture.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(2 (457)); 23-33
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W cieniu radiacji. Seksualizacje bomby atomowej w kulturze popularnej lat 40. i 50. w Stanach Zjednoczonych
    Autorzy:
    Piotr, Urbanowicz,
    Powiązania:
    https://bibliotekanauki.pl/articles/897532.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    World War II
    atomic bomb
    sexualization
    popular culture
    science fiction
    Opis:
    The aim of the article is to present a phenomenon of the sexualization of an atomic bomb in the popular culture of the 1940s and the 1950s in the United States. On the basis of sociological and cultural studies, the author lists the functions of this phenomenon. Furthermore, he uses the examples of press reports and popular cinema to indicate that the sexualization of the atomic bomb resulted from fear of sterilization and assimilation of soldiers coming back from the front. The analysis concerns the film I Married a Monster from Outer Space (1958). The author proves that science fiction films conceptualize social concerns, and accustom the viewers with atomic tension by means of appropriate narratives.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(1 (456)); 33-41
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Сучасна українська проза після 24 лютого 2022: рецепція війни
    Autorzy:
    Trofymenko, Tetiana
    Powiązania:
    https://bibliotekanauki.pl/articles/46145041.pdf
    Data publikacji:
    2023-12-10
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    modern Ukrainian literature
    war
    fiction
    non-fiction
    cancel culture
    essay
    Opis:
    Modern Ukrainian Prose after 24 February 2022. Reception of the War: The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position and broadcast the situation of Ukrainians to the international community through the mobile genre of short journalistic prose. At the same time, the revaluation of values experienced currently by millions of Ukrainians is manifested in the tendency to cancel everything Russian, which affects the course of the literary process and the distribution of roles among its players, as well as causes the appearance of texts whose style is dominated by hatred of the enemy of the occupier.
    Źródło:
    Studia Interkulturowe Europy Środkowo-Wschodniej; 2023, 16; 97-113
    1898-4215
    Pojawia się w:
    Studia Interkulturowe Europy Środkowo-Wschodniej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Mixed identity of circumstances”: Bronisław Malinowski in Australia and Melanesia
    Autorzy:
    Kosecki, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/2049064.pdf
    Data publikacji:
    2021-10-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Australia
    Bronisław Malinowski
    civilization
    First World War
    German culture
    Melanesia
    ‘savages’
    Opis:
    During his stay in Australia and Melanesia from 1914 to 1920, the anthropo- logist Bronisław Malinowski frequently experienced dichotomous and contradictory atti- tudes to people, places, and events: the contrast between the ‘civilized’ Australia and the ‘savage’ Melanesia; the background of the Austria-ruled Poland in which he grew up and the British-dominated Australia, Austria’s enemy in the First World War; the emotional tension of simultaneous attraction to two women – Nina Stirling of Adelaide and Elsie Rosaline Masson of Melbourne; the dilemma of the ‘heroic’ versus the ‘unheroic’ related to the war. Most of the dualities of Malinowski’s Australian-Melanesian experience, re- flected in letters to his mother Józefa Malinowska, Elsie R. Masson, and in Diary in the Strict Sense of the Term (1989), were resolved at the end of the period, which became a turning point in his life.
    Źródło:
    Anglica. An International Journal of English Studies; 2021, 30(1); 35-51
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Po co nam postapokalipsy? Kultura postapokaliptyczna na początku XXI wieku z perspektywy kultur Zachodu
    Autorzy:
    Karolina, Wierel,
    Powiązania:
    https://bibliotekanauki.pl/articles/897484.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    post-apocalypse
    post-apocalyptic culture
    catastrophe
    nuclear war
    atomic bomb
    books
    reading
    post-humanism
    new humanities
    affirmative humanities
    ecology
    ecocriticism
    Opis:
    In the article I wonder about the reasons for the growing popularity of the postapocalyptic works in the pop culture of the early 21st century. The world after the collapse of the Western civilization is created in various literary, film and photographic forms, the examples of which I present in my study. The alternative post-apocalyptic reality is the postindustrial reality, archaized and non-anthropocentric. The technological regress presented in the works is based on imaginings of the end and is analogous to the fall of humanity among those people who survived after the “end” or were born afterwards. In the post-apocalyptic works of the turn of the 20th and 21st centuries it can be noticed that the authors of the vision of world “after to end” abandoned an extremely negative tone.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(1 (456)); 11-20
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kina warszawskie: wrzesień–grudzień 1939 roku
    Autorzy:
    Karol, Szymański,
    Powiązania:
    https://bibliotekanauki.pl/articles/896997.pdf
    Data publikacji:
    2017-09-11
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Warsaw during World War II
    September 1939 campaign
    culture under German occupation
    history of cinemas
    film distribution
    cinema audience
    film as a propaganda tool
    Opis:
    Karol Szymański depicts the history of the Warsaw cinemas and analyzes the cinema repertoire in the particular time from September to December 1939 (that is from the outbreak of World War II, through the defense and the siege of Warsaw, until the first months of the German occupation) taking into account a wider context of living conditions in the capital as well as a changing front and political situation. The author draws attention, among other things, to the rapid decrease in the cinema audience in the first week of September. As a consequence cinemas ceased to work, which made them unable to fulfill their informational or propaganda role and provide the inhabitants of the fighting city with the escapist or uplifting entertainment. During the siege of Warsaw some cinemas changed their functions and became a shelter for several thousand fire victims and refugees, while others were irretrievably destroyed in bombings and fires. In turn, after the capitulation and takeover of the city by the Germans, some of the most representative cinemas which survived (they were entirely expropriated by the administration of the General Government) began to gradually resume their activity from the beginning of November. By the end of 1939 there were already eight reactivated cinemas in Warsaw, including one (Helgoland, former Palladium) intended only for the Germans. These cinemas showed only German films – they were entertaining productions which were well-executed, devoid of explicit propaganda or ideological elements, with the greatest stars of the Third Reich cinema. However, December 1939 brought also the first action of the Polish resistance against German cinemas and cinema audience in Warsaw, which in the years to come developed and became an important element of the civilian fight against the occupant.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(2 (457)); 161-179
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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