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    Wyświetlanie 1-9 z 9
    Tytuł:
    Kobieta w dawnej literaturze polskiej. Inspiracje, wzorce, twórczość
    The Woman in Old Polish Literature. Inspirations, Patterns, Works
    Autorzy:
    Künstler-Langner, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/1798579.pdf
    Data publikacji:
    2020-11-21
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    woman
    old literature
    European culture
    autobiography poetry
    Opis:
    This paper presents the images of women in European culture and Old Polish Literature. The works devoted to women from the Middle Ages to Baroque focused on their social and political duties or artistic creation. The authors chose different literary forms: chronicles, poems, epigrams, laments, odes, sonnets, or epic works. The created characters included: a saint, a beloved lady, a donna angelicata, a hero of a chronicle or an autobiography. The works described their life, creative activity, or artistic aspirations. Some of them are panegyric poems, religious works, meditations, or love poetry. Women with an amazing sense of observation were discovering the space of literature and were participating in a world in its dynamic changes. They were excellent creators of humanistic and religious literature, referring to ancient tradition and European values.
    Źródło:
    Studia Interkulturowe Europy Środkowo-Wschodniej; 2020, 13; 153-181
    1898-4215
    Pojawia się w:
    Studia Interkulturowe Europy Środkowo-Wschodniej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Чари і пекло Мароко. Українсько-мароканський діалог поколінь у польській рецепції
    Magic and hell of Morocco (Ukrainian-Moroccan dialogue of generations in the Polish interpretation)
    Autorzy:
    Sobol, Walentyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2154612.pdf
    Data publikacji:
    2019-12-10
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    travelogue
    autobiography
    Morocco
    intertextuality
    emigration literature
    palimpsest
    Opis:
    The author of the article, Walentyna Sobol, analyzes documentary and literary books from Morocco and two émigré writers about Morocco. These are “Spells of Morocco” – the Ukrainian forgotten author Sofia Jabłońska (1907–1971) and “Moon in Tears” – contemporary writer Morocco Ouard Saillo, born in Morocco in 1974. Ouardy Saillo’s book, decorated with photos of the Saillo family, was written in German. For the first time is published in Polish translated by Barbara Otwinowska (published in 2005 in Warsaw). In 2018, in Kiev were published 107 photographs of Sofia Jabłońska from her times of work and travel around the world, including Morocco. The goal of the article is to reveal the phenomenon of persistence and bravery of both writers, different, but sometimes very similar intertextuality . The narrative of the documents is examined using a methodological approach, especially in terms of: “intertextuality is a study of the memory of literature” (Tadeusz Sławek). Using modern research in anthropology, including the lexicon of the culture of memory “Modi memorandi”, the author of the article investigates the phenomenon of intertextuality in the narratives of Jabłońska and Saillo. This comparative study of the autobiographical works of Ukrainian and Moroccan writers in Poland not only reveals the conclusions, but also opens wide research perspectives.
    Źródło:
    Studia Polsko-Ukraińskie; 2019, 6; 99-114
    2353-5644
    2451-2958
    Pojawia się w:
    Studia Polsko-Ukraińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Autobiograficzny tekst Andruchowycza Tajemnica. Zamiast powieści. Kultura ukraińska w przekładzie
    Andrukhovych’s Autobiographical Text Mystery. Instead of a Story. Ukrainian Culture in Translation
    Autorzy:
    Korostatevych, Lesia
    Powiązania:
    https://bibliotekanauki.pl/articles/2154668.pdf
    Data publikacji:
    2020-08-26
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    autobiography
    culture
    translation
    Andrukhovych
    untranslatability
    novel
    cultural elements
    Opis:
    The aim of this article is to describe the definition of a “cultural element” and to provide an analysis of the methods used in the translation of Yurii Andrukhovych’s autobiographical text The Secret. Instead of a Novel. The work was published in 2007 by the publishing house Folio in Kharkiv (Ukraine), and it was translated into the Polish language by Michał Petryk. “Cultural elements” mean here those elements of the text that are a part of the culture of a given country. These include such elements as personal and generic titles, phrases, fragments of texts from a country’s literature, statements by famous people related to the important events that happened in the country. They also include the social, political, scientific, and cultural environment, including music, cinematography, and more. Yurii Andrukhovych outlines many of the details that were characteristic for the USSR and tries not to distort the facts. The Secret is an autobiographical novel; therefore, it contains many reminiscences about the Soviet Union, Ukrainian culture, and literature. An autobiography becomes a kind of time machine for him, an attempt to reconstruct the past. Therefore, he pays a lot of attention to the smaller things and tries to convey the details of the atmosphere of the time described. Because of this, the work is saturated with cultural elements that may cause untranslatability. The cultural elements mentioned in Yurii Andrukhovych’s text and the correlation of translation have not been often analysed in the past scientific studies; hence, this creates a need for scientific research. The scope of this study is limited to the group of literary-political cultural elements. The article analyses the methods chosen by the translator and compares the level of equivalence of the translated text to the original; also, it finds the causes of untranslatability of the novel.
    Źródło:
    Studia Polsko-Ukraińskie; 2020, 7; 223-232
    2353-5644
    2451-2958
    Pojawia się w:
    Studia Polsko-Ukraińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tellers and Experiencers in Autobiographical Narratives: Focalization in “Peeling the Onion” by Günter Grass and “The Liars’ Club” by Mary Karr
    „Ja” opowiadające i „ja” przeżywające w narracjach autobiograficznych – fokalizacja w „Przy obieraniu cebuli” Güntera Grassa i „The Liars’ Club” Mary Karr
    Autorzy:
    Fonioková, Zuzana
    Powiązania:
    https://bibliotekanauki.pl/articles/2012761.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    autobiografia
    punkt widzenia
    fokalizacja
    Grass
    Karr
    autobiography
    perspective
    focalization
    Opis:
    This article examines the narrative point of view in two autobiographical texts, pointing out the diverse effects the narratives achieve by means of different focalization strategies. After a short explication of the split between the narrator and protagonist in life stories, I look at focalization techniques in Günter Grass’s Peeling the Onion (2006), where the perception of the present self continuously interferes in the depiction of the past. The superior knowledge available to the narrator at the time of narration leads to an interpretation of the depicted events that the experiencing self could not provide. I argue that although the book calls attention to the constructive nature of memory and narrative that necessarily affects retrospective accounts of the past, it also states its preference for the lens of the present by employing focalization through the narrating I. I subsequently contrast Grass’s text and its narrative strategies with Mary Karr’s childhood memoir The Liars’ Club (1995) and demonstrate how this narrative attains its realistic effect by engaging the child protagonist as the predominant focalizer. By shifting focalization between the narrating I and the experiencing I, involving either the suspension or application of the narrator’s current knowledge, Karr manipulates readers’ engagement with the narrative, such as their empathy and moral judgement. Furthermore, the text communicates a sense of identity and continuity between the experiencer and the teller, which stands in sharp contrast to the emphasis Grass’s narrative puts on the distance between these two positions. Finally, I briefly address the challenges presented by recent conceptions of identity construction to the distinction between the narrating I and the experiencing I, suggesting that these narratological concepts retain their relevance to discussions of autobiographical texts as literary works rather than stages of self-creation.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 113-128
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    To See Oneself Through the Eyes of Others and Through the Eyes of Books: Perspective in Bohumil Hrabal’s Autobiographical Texts
    Przeglądać się w innych i w książkach: punkt widzenia w prozie autobiograficznej Bohumila Hrabala
    Autorzy:
    Tlustý, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/2012784.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Bohumil Hrabal
    autobiografia
    autofikcja
    perspektywa
    tożsamość
    autobiography
    autofiction
    perspective
    identity
    Opis:
    This study analyses the use of perspective in the autobiographical trilogy (In-House Weddings, Vita Nuova and Gaps) and the late “journalistic” texts by the Czech writer Bohumil Hrabal. The article examines Hrabal’s play with perspective on several levels: on the narrative level, Hrabal experiments with the narrative voice and focalization, and views himself through the eyes of his wife Elisˇka, who is also the narrator of the whole trilogy; this strategy allows him to gain distance from the “I-perspective” and to touch upon sensitive moments of his life (particularly auto-censorship, his relationship with the Communist authorities, and various fears). Furthermore, Elisˇka’s view clashes with the view of Hrabal as a character in the narrative world, which results in an original autobiographical polyphony; the article presents a detailed scrutiny of these perspectives with regard to time. Drawing from hermeneutics as a way of self-understanding shaped by texts and culture, the analysis of perspectivity will demonstrate that Hrabal also views himself through the eyes of books and cultural images; additionally, the article points to parallels with Hrabal’s other works, particularly Too Loud a Solitude. Finally, Hrabal’s playful use of perspective concerns the question of identity: the textual self that appears in the stream of images manifests itself in constant motion, thus unveiling the non-substantiality and openness of human identity. In this way, Hrabal’s writing about himself approximates the view of self in Eastern philosophies (esp. Buddhism and Taoism − Hrabal’s sources of inspiration) as well as contemporary cognitive approaches to the theory of autobiography (Paul John Eakin).
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 85-98
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Атропологія родинної пам’яті і філософія витривалості
    Anthropology of Family Memory and the Philosophy of Endurance
    Autorzy:
    Sobol, Walentyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2154651.pdf
    Data publikacji:
    2020-08-26
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    family memory
    endurance philosophy
    Baroque autobiography
    Philip Orlik’s diary
    Opis:
    The article analyses the manuscript of Philip Orlik’s diary (1672–1742). The Ukrainian hetman was writing it for twelve years, between 1720 and 1732. The author’s focus is Orlik’s autobiography. It is a very important part of the diary and is related to the exile period of his life. The diarist had given that chapter a separate title – “Pro memoria. Na cześć i chwałę Bogu w Trojcy Świętej jedynemu Amen” [“Pro Memoria. For the Glory of God in Holy Trinity United Amen”]. The purpose of the article is to investigate the anthropology of family memory in the diary as a pledge of the author’s endurance. Orlik perceived the diary as an interlocutor, so there is a peculiar, emotionally sensitive link between the diary and the diarist. The diary is characterised by persuasiveness. In order to illustrate it, the author of the article provides quotations from the diary without translation. The original language of Orlik’s manuscript is the Old Polish language inlaid with Latin. The diarist had put down into the diary copies of the most important letters. He wrote the letters in French and Latin. The Polish language was used exclusively in his correspondence with King Stanislav. The author analyses the autobiographical note in the context of the diary genre, defining it as a model of baroque autobiography that resonates throughout the text of the diary.
    Źródło:
    Studia Polsko-Ukraińskie; 2020, 7; 13-29
    2353-5644
    2451-2958
    Pojawia się w:
    Studia Polsko-Ukraińskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zmiennie niezmienny. Franz Kafka w listach do rodziców
    Changeably unchangeable. Franz Kafka in letters to parents
    Autorzy:
    Kalinowski, Daniel
    Powiązania:
    https://bibliotekanauki.pl/articles/2012558.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Franz Kafka
    epistolografia
    autobiografia
    poetyka lęku
    epistolography
    autobiography
    poetics of fear
    Opis:
    The article puts forward the theme and style specificity of Franz Kafka’s correspondence with his parents. Firstly, the letters feature information about facts from Kafka’s biography, his existence-related choices, as well as social and religious views; secondly, they refer the reader to the figures of speech and communicative games typical of the world of literature. The metamorphoses of style found in the analysis of Kafka’s letters require the reader to see the author as a literary figure and a human being; a person who does not create borders between his literary output and everyday existence. What is more, he is a person who found space of artistic fulfillment even in the relationship with his own parents. The analysis of Franz Kafka’s correspondence in the present article was conducted in two thematic sections. First section regards the issue of the writer’s attempts to acquire housing and existential independence from his parents. The other section describes Kafka’s efforts to protect his privacy in time of his lethal illness. In the case of both thematic sections, Kafka turns out to be an excellent stylist, changing his narrative style from one attracting the addressees emotionally to one repelling them. Another writing technique, constantly present in Kafka’s epistolography is stylistic dialectic which consists in exaggerating or downplaying phenomena, facts and inner states. As a result, thanks to his literary artistry Kafka achieves predominance of literary form over biographical reality as well as of symbolic and mythical images over the univocality of his lethal illness.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 29-46
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fotografia pierwszego stopnia – o niemożliwości powrotu do źródła. Na przykładzie Mercedesa-Benza Pawła Huellego
    Autorzy:
    Olga, Osińska,
    Powiązania:
    https://bibliotekanauki.pl/articles/897637.pdf
    Data publikacji:
    2020-01-13
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Photography
    autobiography
    fiction
    referentiality
    irony
    mise en abyme
    narrative
    cyclicality
    postmemory
    photographiness
    Opis:
    The article compares two memoirs about family’s histories from 2001: In the Garden of Memory by Joanna Olczak-Ronikier and Mercedes-Benz by Paweł Huelle, in which photographs play an important role: In the Garden of Memory by Joanna Olczak-Ronikier and Mercedes-Benz by Paweł Huelle. While in the former, more old-fashioned family’s biography, the function of photos is to prove the trustworthiness (referentiality) of the narrative, in the latter, which is rather an autofictional novel, reading photos becomes a starting point for blurring non-fiction biography with fictional Dichtung. The aim of the study on Mercedes-Benz’study carried out by the author of this article is to outline the concept of the photography in the first degree. That is also why the mise en abyme and the postmemory are contextually recalled.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(4 (467)); 63-76
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kafka i Felicja. Romans epistolarny
    Autorzy:
    Stanisław, Kowalczyk, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/897306.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Franz Kafka
    the 20th-century epistolography
    love in modern literature
    the 20th-century autobiography
    epistolografia XX w.
    miłość w literaturze nowoczesnej
    autobiografia XX w.
    Opis:
    Kafka belongs to the greatest letter writers of the 20th century, but his epistolary prose does not enjoy the popularity it deserves. Kafka’s letters present problems in a different way than his fictional works. They should be read both as a biographical document and a literary text corresponding with the short stories and novels of the author of The Metamorphosis. The article discusses Kafka’s letters to Felice Bauer, a young woman he loved and with whom he was twice engaged. In reality this story ended with a disaster, however its resulted was a remarkable literary text. Elias Canetti called the letters to Felice “the second Trial”; in fact, this epistolary series resembles a novel in letters rather than writing correspondence, such as the one left by Joyce, Mann or Gombrowicz. It offers a fascinating, extraordinary range of emotional experience, style and deep self-analysis. At the same time, it arouses concern due to obsessiveness, repetitions, helplessness of the hero.
    Źródło:
    Przegląd Humanistyczny; 2016, 60(4 (455)); 71-81
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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