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Wyświetlanie 1-3 z 3
Tytuł:
The new sexual offences in the light of digitalisation
Autorzy:
Ambrus, István
Powiązania:
https://bibliotekanauki.pl/articles/48899286.pdf
Data publikacji:
2023-01-23
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
criminal law
cyberflashing
deepfake
revenge porn
upskirting
Opis:
Digitalisation has given rise to many new types of offences against sexual autonomy that previously either did not exist or at least were not so easily and quickly perpetrated. The first of these is the category of deepfakes. The term “deep” refers to the deep learning, AI-based technology; “fake” denotes a manipulation, which, in summary, is the use of algorithms to manipulate images or video footage to make it possible to mount someone’s face in a lifelike form on the footage – typically pornographic footage – that does not initially depict them. In practice, however, deepfakes are used not only in connection with pornographic content but often also to discredit political or business opponents. Revenge porn usually involves publishing pornographic images of the victim by the former partner out of jealousy or revenge for the break-up of a relationship. Such images or videos may be of the (typically nude) victim himself or herself, a sexual act between the perpetrator and the victim, or may be manipulated images rather than real ones, where revenge pornography is combined with deepfakes. Upskirting literally means “photographing under a skirt”, which typically involves taking unauthorised pictures or videos of female victims’ crotches. Of course, cameras existed before the advent of digitalisation, but it is only in the last decade or so that large numbers of people have a smartphone with the ability to take high-quality pictures of virtually every passer-by. Unfortunately, technological progress in this area has had a criminogenic effect, since it is easy to take such pictures or videos of an unsuspecting victim quickly and often unnoticed using a mobile phone. Cyberflashing is the phenomenon of sending a picture or video of the offender’s genitalia to the victim via a digital device without prior consent or agreement.
Źródło:
Studia Iuridica; 2022, 93; 7-19
0137-4346
Pojawia się w:
Studia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwie lub trzy Kasandry i co o nich wiem. Kilka uwag
Two or three Cassandras and what I know about them. Some observations
Autorzy:
Wesołowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2013686.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Homer
Ajschylos
Eurypides
Seneka
wieszczenie
wykluczenie
niedowierzanie
motyw zemsty
Aeschylos
Euripides
Seneca
foretelling
isolation
disbelief
motif of revenge
Opis:
Cassandra is a peculiar female character in ancient mythology and literature. She appears as early as Homer’s epic, and then incidentally in Aeneid. A would-be lover of Apollo, seer, doomed to disbelief, concubine of Agamemnon, and killed with him on their arrival to Mycenae, she is tragic and it is the tragedy, where she is presented most fully, i.e. in plays by Aeschylus, Euripidesand Seneca. However, her personality traits are so poorly determined that it leaves room for the authors’ actions organising her profile anew. Andso, in Aeschyluss he is a prophetess of her impending death, but she does not try to defend herself. In Seneca, she relates what is covered from spectators’ eyes. She happens to be the symbol of reconciliation, but in Euripides’ Helen she personifies the element of revenge. She is Apollo’s medium, and at the same time she apparently discredits his prophetic power since she was able to cheat him on some occasions. Her attitude towards Agamemnon is vague, because she bemoans his death the same way Helen, whom she hates, mourns Hector’s death. Only the Greek Troades provides an opinion on the beauty of the prophetess. Afterall, Helenand Cassandra’s fatesare mysteriously intertwined. We have the right to suppose that Clytaemestra’s calling Cassandraa female swan is not accidental, although it formally seems to refer to her stage “muteness”.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 35-46
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Homo malus. Zło jako zasada świata w myśli Emila Ciorana
Autorzy:
Sławomir, Piechaczek,
Powiązania:
https://bibliotekanauki.pl/articles/897294.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
existentialism
pessimism
good
evil
envy
hatred
resentment
revenge
God
evil demiurge
egzystencjalizm
pesymizm
dobro
zło
zazdrość
nienawiść
uraza
zemsta
Bóg
zły demiurg
Opis:
The article, referring to Emil Cioran’s thought, focuses on the philosophical analysis of the phenomenon of evil and the role it plays in human life. According to Cioran, a man does not incline to good, but as a slave of own individuality, wants to affirm his existence, thus human relationships are a chain of envy, hatred, resentment and revenge. Despite the fact that life in society founded on these feelings is unbearable, a man deliberately chooses the way of being based on them, as they are the only ones which add strength, drive his actions and the whole history. This, in turn, leads Cioran to the conclusion that only evil has substance and really exists, and its ubiquity and the role of the principle of movement indicate that the world could not be created by a good god, but an evil demiurge. Imperfection of a demiurge led him to create the world, which took over all his qualities. This is the bungled world, where everything gets destroyed, and in which everybody must cope with his destructibleness and passing on his own.
Źródło:
Przegląd Humanistyczny; 2016, 60(2 (453)); 57-69
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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