Temat: Polish theatre - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Дискурс України у просторі польського театру (на прикладі репертуару польської сцени у Львові першої половини ХІХ ст.)
Ukrainian Discourse in the Field of Polish Theatre (The Case of the Lviv Polish Theatre’s Repertoire in the 1st Half of the 19th Century)
Autorzy:: Harbuziuk, Maja
Powiązania:: https://bibliotekanauki.pl/articles/1844593.pdf
Data publikacji:: 2015-07-26
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Polish Theatre in Lviv
Ukrainian-Polish theatre relationships in C19
Y. N. Kaminsky
phenomenon of multicultural Lviv
Opis:: An overview of play scripts with a Ukrainian component from the repertoire of the Polish Theatre in Lviv in the first half of the 19th century was conducted for the first time in Ukrainian theatre studies. The content of various works was analysed and the presence of Ukrainian people as characters in musical and dramatic plays was revealed. The presence of Ukrainian discourse in Polish theatre of that period is proved and a short outline of its special features and the way it represented Ukrainian people on a foreign theatre stage is presented. The article pays special attention to the presence of Ukrainian women and their image as «gender symmetry» in Ukrainian discourse in the above mentioned plays. The continuous history of performances that include Ukrainian characters on Lviv’s Polish stage in the given period is emphasized.
Źródło:: Studia Ucrainica Varsoviensia; 2015, 3; 251-269
2299-7237
Pojawia się w:: Studia Ucrainica Varsoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Andrzej Wajda’s Two Hamlets and One Macbeth: The Director’s Struggle with Shakespearean Tragedy in the Changing Contexts of Polish History
Autorzy:: Fabiszak, Jacek
Powiązania:: https://bibliotekanauki.pl/articles/888889.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: William Shakespeare
Hamlet
Macbeth
Andrzej Wajda
Polish theatre productions
Opis:: Andrzej Wajda is a renown Polish theatre and ﬁlm director, whose achievements have been recognised by theatre and ﬁlm artists and critics all over the world (he has been awarded an Oscar). He has directed four versions of Hamlet and two versions of Macbeth (one for Polish television in 1969, the other for the Stary Theatre in Kraków in 2004). I propose to look at three productions to trace Wajda’s evolution in his approach to Shakespearean tragedy: Hamlet III, scenes of which were ﬁrst staged in the Royal Castle of Wawel in Cracow, and then at the Stary Theatre in 1981. It was a Hamlet which addressed signiﬁcant Polish problems (Wawel being a symbol of Poland, its historical power, the seat of the powerful Jagiellonian dynasty).1 The context of the production is also very signiﬁcant: the time of the Solidarity festival, as it is now called in Poland (on 13 December 1981 martial law was introduced in Poland), so the performance could not help avoiding political issues. The director’s next take at Hamlet (his fourth attempt) occurred in 1989, another critical year in the Polish post-war history; surprisingly enough, the production was not so much Poland-oriented or politically involved as the previous version; instead Wajda poses questions about the condition of theatre in Poland and anticipates a less pressing need for politicising theatrical performances in the years to come. His Macbeth in turn was produced at the time of Poland’s engagement in the war on terrorism in Iraq; modern war of the ‘civilised world’ becomes a most signiﬁcant frame for the production, but not the only one. The performance, showing the Macbeths as an elderly couple who are confronted with possibly the last chance to make a diﬀerence in their life, touches upon both getting old and a long-term marriage.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/3; 97-106
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Od antologii do antologizowania. Przypadek nowego dramatu polskiego
From Anthology to Anthologizing. The Case of New Polish Drama
Autorzy:: Sobiecka, Anna
Powiązania:: https://bibliotekanauki.pl/articles/2129207.pdf
Data publikacji:: 2022-06-12
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: antologia
antologizowanie
nowy dramat polski
„teksty dla teatru”
anthology
anthologizing
new Polish drama
“texts for theatre”
Opis:: Artykuł charakteryzuje antologie nowego dramatu polskiego, które zawierają teksty dramatyczne powstałe po przełomie 1989 r. Jego celem jest analiza procesu przemiany antologii, rozumianej jako sztuka wyboru, w antologizowanie, mieszczące się na granicy praktyki teoretycznoliterackiej czy nawet pewnej strategii metodologicznej. W dalszej perspektywie badawczej mieszczą się także pytania o naturę tekstu dramatycznego ewoluującego od klasycznie rozumianego dramatu ku „tekstom dla teatru”.
The article attempts to describe the anthologies of a new Polish drama. The selected anthologies contain dramatic texts written following the breakthrough of 1989. The aim of this article is to analyse the process of transformation of anthology (understood as the art of selection) into anthologising, which verges on theoretical and literary practice, or even a certain methodological strategy. The research perspective presented in this paper seeks further examination of the very nature of dramatic texts, which seem to evolve from the classical concept of drama into “texts for theatre”.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2022, 12 (15); 213-226
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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