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Wyświetlanie 1-2 z 2
Tytuł:
The House of Aion in Nea Paphos: seat of an artistic synodos?
Autorzy:
Jastrzębowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2033315.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
triclinium
mosaics
paintings
Dionysus
Apollo
Muses
theater
associations
Opis:
The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wall paintings from the House of Aion at Nea Paphos
Autorzy:
Jastrzębowska, Elzbieta
Powiązania:
https://bibliotekanauki.pl/articles/1682773.pdf
Data publikacji:
2019-05-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Paphos
House of Aion
wall paintings
stratigraphy
muses
Thalia
Urania
Euterpe
Opis:
This paper studies a collection of painted plaster fragments excavated between 1984 and 1989 in the northern part of the so-called House of Aion, that is, three small rooms (Nos 3, 13, 14, 15 and 7). The architectural context of these finds and their dating is first recapitulated: the house was constructed in the second half of the 4th century only to be demolished by a strong earthquake at the end of the century or the beginning of the following one. Most of the plaster pieces were small and of little significance in terms of the remaining colors, but a few from Room 7 were sufficiently well preserved to support a reconstruction of parts of five figural images (three muses, Apollo and a mask) and determine their hypothetical position in this room. Parallels, in painting and floor mosaics, range from Ephesos and Kos in the east to Vichen (Luxembourg) in the west. Based on the iIonographic identification, the 4th century AD Muses from Paphos could be recognized as: a standing Thalia holding a mask, a seated Urania and a standing Euterpe with a double flute in her hand, accompanied by Apollo holding a lyre. Together they constituted typical decoration of a Mediterranean Roman house, common from the early Empire through late antiquity.
Źródło:
Polish Archaeology in the Mediterranean; 2018, 27(1); 527-597
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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