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Wyszukujesz frazę "Joseph Conrad" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Identity, Fidelity, and Cross-Cultural Relationships in Joseph Conrad’s Almayer’s Folly
Autorzy:
McParland, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2049070.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Joseph Conrad
Almayer
Malay
Europe
identity
narrative
fidelity
ethics
cross-cultural
colonial
Opis:
Almayer’s Folly (1896) by Joseph Conrad challenged the conventions of the fictional romance while confronting the need of native-born Malayans and other Asian individuals to find voice and identity in an imperial context. Along with the narrative voice in this text are the many other voices of those who have been colonized. Fidelity to one’s identity and openness to relationships across cultures lies at the crux of this study. Conrad’s critics of the 1950s and 1960s dismissed his first novel as a romance with a weak subplot. However, that subplot, about Almayer’s daughter Nina and her love affair, sets forth moral claims of loyalty and fidelity that must be taken into account. For her relation- ship with a Malay prince expresses a love that is binding and enduring, one that crosses boundaries and divisions and is an apt model for our culturally convergent world. Conrad creates a dialectic of intercultural subjectivities to make a point about identity, loyalty, and self-fashioning. Whereas Almayer is portrayed as foolish and inflexible, his daughter, Nina, faces significant issues of identity, as she has to choose between the traditional, indigenous heritage of her mother and her father’s modern European aspirations. With Almayer’s Folly, Joseph Conrad showed himself to be an international novelist who could develop a story with an inter-racial and intercultural cast of characters.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(1); 97-109
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Heart of Darkness: Piercing the Silence
Autorzy:
Khan, Almas
Powiązania:
https://bibliotekanauki.pl/articles/889018.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
prose fiction
Joseph Conrad
Edward Said
Chinua Achebe
Africa
Victorian society
colonial subjugation
silence
Opis:
‘Dead silence’ can resonate with more meaning than the spoken word, the absence of oral discourse signaling the presence of an unsettling subject, as Edward Said commented in Culture and Imperialism. Heart of Darkness pierces this silence through its assessment of Victorian society’s corrosive capitalist core. The novella’s symbolism and collapse of binaries anticipates modernism, and these techniques allow Conrad to censure white men, both those with real and petty power; and white women, who are depicted as colonialism’s passive or active enablers. This portrayal ultimately condemns the characters’ brutality even as it expresses cynicism about humanity’s potential for compassion.
Źródło:
Anglica. An International Journal of English Studies; 2014, 23/1; 73-82
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawdy Lokeli. Literackie reprezentacje ludobójstwa częściowego w Wolnym Państwie Kongo 1880–1908
Autorzy:
M, Nijakowski, Lech
Powiązania:
https://bibliotekanauki.pl/articles/897456.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
studia postkolonialne
studia nad ludobójstwem
Wolne Państwo Kongo
Joseph Conrad
Mario Vargas Llosa
„Jądro ciemności”
„Marzenie Celta”
Opis:
The article analyzes selected literary representations of partial genocide in the Congo Free State (1880–1908) as documents of the discourse of truth (in the sense of M. Foucault) in a given era. Considerations use achievements of the postcolonial studies as well as genocide studies. The analysis focuses on the comparison of two books – Heart of Darkness by Joseph Conrad and The Dream of the Celt by Mario Vargas Llosa. The author reconstructs the way indigenous people are presented in both novels, showing elements of the racist discourse in Conrad’s novel and the changes that Llosa introduced. He describes the character of Kurtz (a colonist and an order represented by him) as “empty signifiers” of the colonial system. The article analyzes the extent to which both authors adequately presented the functioning of the colonial system. It indicates the dimensions of Casement’s exclusion – the main character of Llosa’s novel – referring also to the analysis of gender studies. The author concludes that both works reveal the weakness of criticism undertaken from the particular position – Llosa and Conrad were high rank men in the hierarchy of the global capitalist society. Regardless of the intent, they reproduce the discourse of truth, establishing not only the subject of cognition, but also their own identity.
Źródło:
Przegląd Humanistyczny; 2015, 59(2 (449)); 105-115
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jane Austen (dla) Josepha Conrada
Autorzy:
Karol, Samsel,
Powiązania:
https://bibliotekanauki.pl/articles/897008.pdf
Data publikacji:
2019-10-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Jane Austen
Joseph Conrad
Edith Wharton
Henry James
Virginia Woolf
Janeitism
Gra losu
the making of England’s Jane
janeityzm
Opis:
The understanding of Jane Austen was for Joseph Conrad (probably) the condition of the understanding of the English soul as such. And, even if we roam around fascinating hypotheses, it is worth formulating them – mainly because they are a new key to the reading of the works of the author of Lord Jim. His problems with the literary heritage of Austen could be affected by different, numerous factors: 1) the growing popularity of Janeites; 2) the authority of, appreciating the author of Mansfield Park, Henry James; 3) the feeling of being lost of the Polish writer in the situation of the late novelist debut; 4) the literary tradition of the Ukrainian School in the Polish Romanticism, in which he was raised and he formed his personality. Conrad could make an attempt of dealing with, incomprehensible for himself, Austen in the 1910s, in the period of jubilees of the editions of her novels. In this spirit, it is worthy to read again such prose texts of Conrad, as: Zwycięstwo (1915) and Ocalenie (1920), but above all – the earliest from this group – Gra losu (1913).
Źródło:
Przegląd Humanistyczny; 2019, 63(2 (465)); 77-90
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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