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Wyświetlanie 1-7 z 7
Tytuł:
Reception of the Bible in Modern Bulgarian Culture: The (Post)Secular and the National
Autorzy:
Drzewiecka, Ewelina
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/985654.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
modernity
postsecular
national
Bible
Bulgarian culture
Opis:
The paper raises the question of the Bible’s reception in modern Bulgarian literature and literary studies in the perspective of postsecular thought. The main question is interpreted with relation to the place of the Bible in the Orthodox cultural context, as well as the well-established autostereotype of Bulgarian literature as reflecting the pragmatism and religious indifference of Bulgarians. Focusing on the case of Nikolay Raynov’s (1889–1954) blasphemous novel Between desert and life (1919) and the discussion on Pencho Slaveykov’s (1866–1912) ‘religiosity’, the paper reveals the problems with both the notion of ‘religious’ within the framework of modernity and the pressing issue of the Bulgarians’ (ir)religiosity from the point of view of national identity. In this context, the question of how Bulgarian literary studies are bound by the secularization narrative manifests itself as fundamental. The history of the interpretation of the ‘religious’ in literature seems to be a very good indicator of the Bulgarian path to modernity.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 145-165
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metamorfozy Judasza. Autorskie parafrazy biblijne jako świadectwo przemian kulturowych (na przykładzie literatury bułgarskiej)
The Metamorphoses of Judas. Authors’ Biblical Paraphrases as a Testimony of Cultural Changes (in Bulgarian Literature)
Autorzy:
Drzewiecka, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/2012478.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
metamorfoza
Judasz
apokryf
nowoczesność
literatura bułgarska
metamorphosis
Judas
apocrypha
Modernity
Bulgarian literature
Opis:
The paper is devoted to the problem of the (Judeo-)Christian (biblical) tradition functioning in (post-)modern culture from the perspective of the history of ideas. The starting point is the metamorphosis of both the Bible as a text and apocrypha as its creative (re)interpretation. The objects of interest are literary paraphrases of the Evangelic story about Judas as a figure of the fallen man. In order to reveal the fundamental ideological changes of (post-)modernity there are presented functionalizations of the greatest sinner in modern Bulgarian apocrypha. It is shown that authors’ metamorphosis of Judas have made him a significant figure of the (post-)modern man. Therefore, the (post-)modern metamorphosis of the (Bulgarian) apocrypha about the God’s traitor on the one hand show the effects of the collapse of the Enlightenment project of human emancipation, and thus testify to the process of the man’s sliding into the tragic immanence, on the other − they reveal − according to Charles Taylor, Agata Bielik-Robson and Philip Rieff − the sense-making potential of para-phrase as a poetic repetition.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 143-163
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dystopia w warunkach ponowoczesności? Przypadek bułgarski
Dystopia in the conditions of Postmodernity? A Bulgarian case
Autorzy:
Drzewiecka, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/2013659.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Weselin Stojanow
literatura bułgarska
dystopia
parafraza biblijna
ponowoczeność
Veselin Stoyanov
Bulgarian literature
Biblical paraphrase
Postmodernity
Opis:
The topic of the paper is Gnostic, and therefore total, experience of the world as a bad place in the context of the postulate (resulting from the postmodern critical attitude) to replace the total programs of the world’s transformation with partial transformations. A novel by Veselin Stoyanov (1957−2014) constitutes the subject matter of the analyses. The interpretative perspective is given by the utopian/ dystopian discourse, especially by the category of ‘dystopia’ as interpreted by M. Keith Booker. The reflection is focused on the consequences of the author’s attempt at reinterpreting and even unmasking a total thought, as well as on the diagnosis of world’s corruption in relation to the social criticism. Therefore, a crucial meaning is given to the question of the writer’s involvement, and finally − to the status of evil in literature. The paper raises the question of the functioning of the dystopia in the conditions of postmodernity.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 435-453
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shattering Myths: The Curious History of the Bulgarian Law of Obligations
Autorzy:
Radosveta, Vassileva,
Powiązania:
https://bibliotekanauki.pl/articles/902606.pdf
Data publikacji:
2020-03-11
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Bulgarian Law of Obligations and Contracts
history of Bulgarian law
history of the Bulgarian law of obligations
influences of Bulgarian law
Italian Codice Civile
comparative legal history
patterns of legal change
myths in legal history
communist law of contract
Fascist law of contract
Bułgarskie prawo o zobowiązaniach i umowach
historia prawa bułgarskiego
historia bułgarskiego prawa zobowiązań
wpływy na prawo bułgarskie
włoski Codice Civile
porównawcza historia prawa
uwarunkowania zmian prawa
mity w historii prawa
komunistyczne prawo umów
faszystowskie prawo umów
Opis:
While Bulgarian scholars concur that Bulgaria’s Law of Obligations and Contracts, which was enacted in 1950 and which is still in force today following cosmetic changes in the early 1990s, is an original Bulgarian legal text, archival and comparative research shows that it is heavily based on the Italian Codice Civile of 1942. Why would a communist country seek inspiration in a country with a Fascist ideology? Exploring the reasons behind this legislative choice as well as the reasons why this ‘dark’ secret was buried for so long challenges traditional taxonomies of comparative law, reveals the peculiar patterns of legal change, including the key role of the legal scholar in the process, and demonstrates the power of comparative law in shattering myths in legal history.
Źródło:
Studia Iuridica; 2019, 82; 309-327
0137-4346
Pojawia się w:
Studia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Beyond the definition. Allegory in Bulgarian literary thought and Atanas Dalchev’s poetry
Poza definicję. Alegoria w bułgarskiej myśli o literaturze i poezji Atanasa Dalcheva
Autorzy:
Rikev, Kamen
Powiązania:
https://bibliotekanauki.pl/articles/2012643.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
alegoria
trop
Atanas Dalchev
literatura bułgarska XX wieku
poezja chrześcijańska
allegory
trope
20th-century Bulgarian literature
Christian poetry
Opis:
The paper reviews Bulgarian definitions of allegory appearing in dictionaries and reference books. It reveals several paradoxes concerning the usage of the terms “alegoria” (алегория) and “inoskazanie” (иносказание) in contemporary Bulgarian language. Contrary to the lack of critical interest towards allegorical expression in 20th-century poetry, the author argues that several of Atanas Dalchev’s poems (most notably “Hospital” and “The House”) can be successfully interpreted allegorically.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 197-209
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Point of View and the Modalities of Narrative
Punkt widzenia a modalności narracyjne
Autorzy:
Tenev, Darin
Powiązania:
https://bibliotekanauki.pl/articles/2012790.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
narratologia
modalność
logika wilomodalna
punkt widzenia
bułgarska Szkoła Guillaumistów
narratology
modality
multimodal logic
point of view
Bulgarian Guillaumist School
Opis:
In this paper I will envisage the relationship between narrative modalities and point of view with the help of the narratological theory of Christo Todorov, who is a representative of the Bulgarian Guillaumist school. First, I will point to the multimodality of narrative modal logic with its combination of different types of modal categories (alethic, deontic, volitive, etc.). Then I will introduce Christo Todorov’s distinction between modal and transmodal categories, according to which modality (ability, desire, obligation) is what characterises the actions and transmodality (perception, emotion, intellection) is what characterises the subject of action. Along with Todorov I will claim that there are both modal and transmodal points of view, but unlike him I will define the point of view based not on the subject-image but on the directedness it introduces. My point will be that there is a double direction of the point of view: on the one hand, the direction of the subject to the object, and, on the other, the direction from one modality to another. This double direction, I will argue, is at the very basis of narrative logic, or of what I would call the ‘narrative potentiality.’
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.1; 27-42
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Rzeka krwi” i pewien możliwy dialog międzykulturowy
The “river of blood” and a possible intercultural dialogue
Autorzy:
Szwat-Gyłybowa, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/2012594.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
kultura bułgarska
malarstwo historyczne
Antoni Piotrowski
Iwan Wazow
topos rzeki
mit narodowy
dialog międzykulturowy
Bulgarian culture
historical painting
Ivan Vazov
topos of the river
national myth
intercultural dialog
Opis:
The article represents an attempt to reflect on the possible causes of a positive reception in Bulgaria for the painting entitled The Batak Massacre (1892) by a Polish artist, Antoni Piotrowski. This work is considered one of the most eloquent visualizations of the traumatic events of significance to Bulgarians that took place during the so-called anti-Turkish April uprising in 1876. Due to the entanglement of circumstances the massacre in Batak has grown to the status of a national myth. The artist, well acquainted with the current situation in the Balkans (which is documented in his autobiography), could not have, however, been fully aware of the semantic potential of the associations invoked by his painting. The topos of the “river of blood”, placed at the centre of attention, interpreted by Piotrowski in a manner differing from that in Southern Slavic folklore or Bulgarian literature, becomes the starting point for the author’s reflections on the repertoire of associations that this work could invoke in the recipient “initiated” into the meanders of their own culture, as was Ivan Vazov, the writer and apologist for the painting. The suggested research approach can be put in the realm of a particular imagology based on the reconstruction of possible strategies to negotiate meanings in intercultural relations.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 271-290
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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