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    Wyświetlanie 1-4 z 4
    Tytuł:
    Beyond the definition. Allegory in Bulgarian literary thought and Atanas Dalchev’s poetry
    Poza definicję. Alegoria w bułgarskiej myśli o literaturze i poezji Atanasa Dalcheva
    Autorzy:
    Rikev, Kamen
    Powiązania:
    https://bibliotekanauki.pl/articles/2012643.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    alegoria
    trop
    Atanas Dalchev
    literatura bułgarska XX wieku
    poezja chrześcijańska
    allegory
    trope
    20th-century Bulgarian literature
    Christian poetry
    Opis:
    The paper reviews Bulgarian definitions of allegory appearing in dictionaries and reference books. It reveals several paradoxes concerning the usage of the terms “alegoria” (алегория) and “inoskazanie” (иносказание) in contemporary Bulgarian language. Contrary to the lack of critical interest towards allegorical expression in 20th-century poetry, the author argues that several of Atanas Dalchev’s poems (most notably “Hospital” and “The House”) can be successfully interpreted allegorically.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 197-209
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pisarz poza ojczyzną: sylwetka Jurija Szewelowa
    Autorzy:
    Stefanowska, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/1789990.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Displaced Person’s camps
    Ukrainian literature of the 20th century
    Ukrainian emigration
    literary revival
    Opis:
    In the second half of the 1940s, Ukrainian literature outside of Soviet Ukraine experienced an unusually intensive period of development in the Displaced Person’s camps in western Germany and Austria. Thrown together from various regions of Ukraine, writers managed to develop an amazing literary activity. A key role in this period was played by one of the most important Ukrainian émigré scholar, literary critic and essayist – Yuryii Shevelov (born on 17 December 1908 in Kharkiv, died 12 April 2002 in New York.) Having emigrated to Germany in 1944, he taught at the Ukrainian Free University in Münich (1946–9) and obtained a doctorate there (1949). He was also a vice-president of the MUR literary association (1945–8) and edited a monthly journal Arka. Shevelov is the author of some 500 articles, reviews, and books on Slavic philology and linguistics and the history of literature. He was one of the organizers of émigré literary life in Germany after the Second World War. In the postwar period Yurii Shevelov (pseud: Yu. Sherekh) has been the most infl uential literary critic within the Ukrainian émigré community in the West. In his articles in the journal Arka (1947–8) he formulated the principles of a ‘national-organic style’ and stimulated a lively discussion that continued for some time. Another émigré critic, Volodymyr Derzhavyn, produced articles that combined the Neoclassicist and modernist approaches. They both began a discussion that contributed to a revival of postwar Ukrainian literature. The principal intellectual discord between them was an understanding of what “national” means and what kind of tradition should serve as a “source of revival” for Ukrainian culture in exile. His numerous articles in the fi eld of literature and literary criticism were collected in Ne dlia ditei (Not for Children, 1964), Druha cherha: literatura, teatr, ideolohiï (The Second Round: Literature, Theater, Ideologies, 1978), and Tretia storozha (The Third Watch, 1991). Most of these essays were reprinted in Kharkiv in 1998 in a two-volume edition Porohy i zaporizhzhia (The Rapids and zaporizhzhia).
    Źródło:
    Studia Ucrainica Varsoviensia; 2017, 5; 262-277
    2299-7237
    Pojawia się w:
    Studia Ucrainica Varsoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kafka i Felicja. Romans epistolarny
    Autorzy:
    Stanisław, Kowalczyk, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/897306.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Franz Kafka
    the 20th-century epistolography
    love in modern literature
    the 20th-century autobiography
    epistolografia XX w.
    miłość w literaturze nowoczesnej
    autobiografia XX w.
    Opis:
    Kafka belongs to the greatest letter writers of the 20th century, but his epistolary prose does not enjoy the popularity it deserves. Kafka’s letters present problems in a different way than his fictional works. They should be read both as a biographical document and a literary text corresponding with the short stories and novels of the author of The Metamorphosis. The article discusses Kafka’s letters to Felice Bauer, a young woman he loved and with whom he was twice engaged. In reality this story ended with a disaster, however its resulted was a remarkable literary text. Elias Canetti called the letters to Felice “the second Trial”; in fact, this epistolary series resembles a novel in letters rather than writing correspondence, such as the one left by Joyce, Mann or Gombrowicz. It offers a fascinating, extraordinary range of emotional experience, style and deep self-analysis. At the same time, it arouses concern due to obsessiveness, repetitions, helplessness of the hero.
    Źródło:
    Przegląd Humanistyczny; 2016, 60(4 (455)); 71-81
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    My – kobieta, pisarka. Metafora kobiecego losu w utworze „Knížka s červeným obalem” Alexandry Berkovej
    We – a woman, a writer. The metaphor of a woman’s fate in “Knížka s červeným obalem” by Alexandra Berková
    Autorzy:
    Czaplińska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2012656.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Alexandra Berková
    Knížka s červeným obalem
    czeska literatura XX wieku
    czeska literatura kobieca
    écriture féminine
    intertekstualność
    Czech literature of the 20th century
    Czech literature written by women
    intertextuality
    Opis:
    The article is an attempt to re-interpret Knížka s červeným obalem by Alexandra Berková which is shown as a text having very strong connotations with works of European literature. The author of the article  indicates many intertextual references that can be found in the Berkova’s text both on the intertexual, as well as hypertextual level (according to Gérarde Genetta’s thypology), which relate to the output of writers such as primarily James Joyce, but also Bohumil Hrabal, Josef Škvorecký or Giacomo Boccacio. Despite previous classification of Knížka s červeným obalem as a short stories cycle, the author proves that the text is a novel that reflects the scheme of a Bildungsroman and a metaphorical picture of women’s experiences, women who live through each stage of their lives and at the same time search for the possibility of expressing themselves in the text of culture. The article discusses also the issue of écriture feminine and the question whether Berkova’s text can be classified as “women’s writing”.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 351-364
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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