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Wyświetlanie 1-5 z 5
Tytuł:
Społeczność wiary i ironii: (proto)postkolonialne wątki we wczesnej eseistyce W.B. Yeatsa
Autorzy:
Wit, Pietrzak,
Powiązania:
https://bibliotekanauki.pl/articles/897071.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
W. B. Yeats
postkolonializm
esej
kultura literacka
Opis:
The article focuses on W.B. Yeats’s early critical and theoretical writings with a view to demonstrating the poet’s idea of poetical culture as a means towards moulding the identity of Ireland outside the polarity of English colonial discourse and Irish extreme nationalist agenda. It is argued that Yeats envisages the poetical culture as built around two ideals. On the one hand, he recommends the return to oral poetry as a source of symbolic continuity of Irish identity; on the other he infuses his belief in symbolic truth with an ironic doubt as to the possibility of ever unveiling that truth. Yeats’s idea is then set against Edward Said’s and Homi Bhabha’s theories of postcoloniality.
Źródło:
Przegląd Humanistyczny; 2015, 59(2 (449)); 23-31
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Breaking Up the Language: The Struggle With(in) Modernity in J.H. Prynne’s Biting the Air
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/888777.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
J. H. Prynne
Theodor Adorno
Martin Heidegger
modernity
reification of language
reconstitution of self
Opis:
The essays focuses on J. H. Prynne’s Biting the Air. Taking as a departure point Adorno’s idea of the role of art in society, it is argued here that Prynne’s sequence of poems thematises a conflict between the supremacy of the science- and market-oriented narratives of suppression of society and the attempts to subvert that narrative through a reinvention of the signifying process of language. Prynne resorts to radical parataxis in order to undermine the ostensibly natural hegemony of accepted idioms of science and market economy, offering a dense network of meanings that cannot be reduced to a flat formula.
Źródło:
Anglica. An International Journal of English Studies; 2014, 23/1; 5-18
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/888802.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Maldoon, Paul
poetry
foreignness
ethics
Derrida, Jacques
Opis:
In the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is vested in the act of speaking, which either acknowledges the irreducible otherness implicit in the poem or imposes an essentially colonial point of view. The ethical dimension as it is probed here is derived from some insights of J acques Derrida, especially his lectures delivered in the 1990s.
Źródło:
Anglica. An International Journal of English Studies; 2017, 26/1
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ted Hughes and Poetry as Spiritual Restitution
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/888634.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Ted Hughes
shamanism
the white goddess
modern poetry
spirit
Opis:
The article explores Ted Hughes’s poems and criticism with a view to demonstrating that his poetry represents a willing exposure to the greatest of traumas in order to recuperate from them a spiritual energy. It is argued here that since, according to Hughes, the modern world is a civilisation of repression, the poet’s task is to alleviate this pain at the price of his own suffering. In this sense the poet plays the function of the shaman, who knows that his power derives from the pain he undergoes on behalf of his community. Rather than spirits, however, the poet-shaman in Hughes seeks the favour of what Robert Graves called the white goddess, who can bestow her blessing on the poet or mercilessly plunge him into ruin.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 119-132
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s “Fireflies”
Autorzy:
Pietrzak, Wit
Marzec, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/888779.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Frank Ormsby
Fireflies
Wallace Stevens
Northern Irish poetry
imagination
Opis:
Although Frank Ormsby’s poetry is associated with what Terry Eagleton has called tropes of irony and commitment, his 2009 collection Fireflies inclines, rather surprisingly, towards Wallace Stevens’s idea of imagination as a force impacting reality. Reading Ormsby’s volume against a selection of poems by Stevens unravels what appears to be a consistent affinity between the author of Harmonium and the Ulster-born poet. This affinity manifests itself, as the present paper aims to show, in the fact that in Fireflies, much like in Stevens, a form of perception of reality is delineated that is never to stagnate into an achieved balance.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 111-120
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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