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Wyszukujesz frazę "Kalinowski, Daniel" wg kryterium: Autor


Wyświetlanie 1-4 z 4
Tytuł:
Wtajemniczenia w ogrodzie dzieciństwa
The initiations in the garden of childhood
Autorzy:
Kalinowski, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2012201.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
topos
przestrzeń
Novalis
garden
space
Opis:
The article in question is about one of the fragments of Novalis’s prose found in The Novices of Sais (the original title: Die Lehrlinge zu Sais), which is commonly categorised as a fairy-tale about Hyacinth and Rose Petal. The main interpretative aim of the article was to identify the Novalis’s project of human cognition and achievement of ever deeper levels of consciousness. Within the framework of the deepening of such a mode of analysis, the problem of creating the events setting and the characters of the literary piece are highlighted and become situated in the terms of symbolic imagination. In the light of this type of conduct, the topos of garden in Novalis’s work becomes a figure beyond the image of order and wealth created in the culture of the Enlightenment or the space of security and moderateness as shaped by the Sentimentalism. The Novalis’s early Romantic understanding of the garden (and more broadly of nature) was associated with the belief that it is the space of constant and infinite existential and spiritual initiations for a sensitive individual.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 233-245
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zmiennie niezmienny. Franz Kafka w listach do rodziców
Changeably unchangeable. Franz Kafka in letters to parents
Autorzy:
Kalinowski, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2012558.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Franz Kafka
epistolografia
autobiografia
poetyka lęku
epistolography
autobiography
poetics of fear
Opis:
The article puts forward the theme and style specificity of Franz Kafka’s correspondence with his parents. Firstly, the letters feature information about facts from Kafka’s biography, his existence-related choices, as well as social and religious views; secondly, they refer the reader to the figures of speech and communicative games typical of the world of literature. The metamorphoses of style found in the analysis of Kafka’s letters require the reader to see the author as a literary figure and a human being; a person who does not create borders between his literary output and everyday existence. What is more, he is a person who found space of artistic fulfillment even in the relationship with his own parents. The analysis of Franz Kafka’s correspondence in the present article was conducted in two thematic sections. First section regards the issue of the writer’s attempts to acquire housing and existential independence from his parents. The other section describes Kafka’s efforts to protect his privacy in time of his lethal illness. In the case of both thematic sections, Kafka turns out to be an excellent stylist, changing his narrative style from one attracting the addressees emotionally to one repelling them. Another writing technique, constantly present in Kafka’s epistolography is stylistic dialectic which consists in exaggerating or downplaying phenomena, facts and inner states. As a result, thanks to his literary artistry Kafka achieves predominance of literary form over biographical reality as well as of symbolic and mythical images over the univocality of his lethal illness.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 29-46
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odra − rzeka życzeń
The Oder − a wishing river
Autorzy:
Kalinowski, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2012590.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Odra
moty rzeki
antropologia literatury
geopoetyka
the Oder
theme of river
anthropology of literature
geopoetics
Opis:
The Oder as a topic in Polish literature has not enjoyed so much interest among artists and literary scholars as the Vistula. It is worth noting that before it became the symbol of the ideological-political discourse after World War II, it had appeared in the pages of Polish literature in various contexts of meaning much earlier. It appeared in the works of literature, not only chronicles, dated as early as the time of Romanticism. Later, the river played a part in ideological contexts in Polish literature of the period of  the Partitions. The Oder appeared anew in the works of the period 1918−1939 to richly manifest its presence in contemporary literature. The river, depending on the political and cultural situation of Poland, according to the wishes of external decision-makers or autonomous decisions of the writers, took on a specific form of art, bringing along content which reaches beyond geography or custom...
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 335-356
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wiadomość ze Wschodu. Motywy orientalne w twórczości Franza Kafki
Autorzy:
Daniel, Kalinowski,
Powiązania:
https://bibliotekanauki.pl/articles/897137.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Franz Kafka
reception of the Orient in literature of the West
comparative literature
recepcja Orientu w literaturze Zachodu
komparatystyka literacka
Opis:
Franz Kafka was a writer interested in the European intellectual vision of the East. As an intellectual of the German cultural circles he was familiar with contemporary types of reception of the Orient (literary, philosophical and religious aspects), both in positive and negative terms. In several of his works (The Great Wall of China, An Old Manuscript, Jackals and Arabs) he employs oriental motifs to express his own, autonomous worlds of imagination and thought. Although they relate to the Western European projections of the East, Kafka was generally more interested in outlining a situation of tension between the rational and impulsive factor in human consciousness, or expressing the sense of alienation felt by an individual towards a modern state. In addition to these factors, for Kafka the Orient was also a way to manifest his own responsibility for creating literature understood as a way of spiritual development.
Źródło:
Przegląd Humanistyczny; 2016, 60(4 (455)); 43-56
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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