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Wyświetlanie 1-2 z 2
Tytuł:
Zasada nemo plus iuris in alium transferre potest a dobra wiara nabywcy autorskich praw majątkowych
Autorzy:
Giesen, Beata
Powiązania:
https://bibliotekanauki.pl/articles/47089946.pdf
Data publikacji:
2022-05-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
acquisition of author’s economic rights from an unauthorized person
good faith of a purchaser of author’s economic rights
nemo plus iuris principle in the field of copyright
the importance of the transferor’s legitimacy theory for trading in author’s economic rights
nabycie autorskich praw majątkowych od nieuprawnionego
dobra wiara nabywcy autorskich praw majątkowych
zasada nemo plus iuris w obszarze prawa autorskiego
znaczenie teorii legitymacji zbywcy dla obrotu autorskimi prawami majątkowymi
Opis:
Contractual transfer of author’s economic rights will be effective only when the transferor was authorized to dispose of such rights. Acquiring a right from a person who is not authorized to alienate it is not known to copyright law. In this respect, the Roman principle of Nemo plus iuris in alium transferre potest quam ipse habet is fully applied, which entails a number of consequences. One of such consequences is the uncertainty as to the dispositive effect of an agreement obligating to transfer such rights, which in the era of mass trading in author’s economic rights may lead to significant distortions. Therefore, some proposals are formulated in the literature to protect good faith purchasers. For instance, it is suggested that Art. 169 of the Polish Civil Code may be applied to intangible property rights. Verifying the legitimacy of such a proposal requires the examination of legislative motives behind the solution adopted in the regulation mentioned above and the assessment of those motives from the perspective of the copyright law principles. What is of crucial importance here is to answer the question about the role of the possession of a thing for the legal substantiation of good faith acquisition from an unauthorized person. Rejection of the theory which derives the legitimacy of the person disposing of the right from the very fact of them possessing the thing in fact opens way to consider whether it is possible to adopt a similar solution in the copyright law. The author’s monopoly is completely independent from the possession of the object in which the work is possibly embodied. Therefore, is it dogmatically legitimate to apply Art. 169 of the Civil Code to a purchaser of author’s economic rights? The article attempts to answer this question.
Źródło:
Studia Iuridica; 2021, 89; 88-110
0137-4346
Pojawia się w:
Studia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maska artystyczna – pomiędzy dobrem osobistym, artystycznym wykonaniem a utworem
Autorzy:
Giesen, Beata
Kurosz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/47409114.pdf
Data publikacji:
2021-10-18
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
maska artystyczna
sztuczna tożsamość
osobowość cyfrowa
wizerunek artystyczny
artistic mask
artificial identity
digital personality
artistic image
Opis:
The artistic mask, understood as a “factitious”, creatively developed identity of a person, escapes the long-accepted, and already well-established in the private law, classifications of legal interests. This makes it difficult to answer the fundamental question of whether, and if yes, then subject to what conditions, the artistic mask is protected, and also to establish the legal framework for contractual disposal thereof. This problem becomes particularly important these days, as discussions across a variety of platforms are being held on the development of one’s own personality, self-creation, how we present ourselves to others, and how far we can control how others present us. Moreover, the structure of the mask draws our attention to the area where the material, or tangible, and the immaterial, intangible, interpenetrate each other, the area that is characterized by the conflict of interest, whether or not it pertains to property-related, or economic, interest. The academic research undertaken so far allows to conclude that there are many faces of the artistic mask. Therefore, a question arises whether it is possible at all to assign it to one of the categories of protected interest that is already recognized by the law, namely an image, a work or artistic performance, or it is a new type of legal interest. In our opinion, the problem of the artistic mask is not an anachronistic one, or an artefact from the times of a pursuit to find the grounds for protection of the artists-performers. The analysis of those who practice as performers allows us to observe that the structure of the mask combines two elements, i.e. the identity and the medium. It is a characteristic feature of the mask that everything that makes up the identity, namely the character, the appearance of an impersonated character, is not real, as it would be in the case of an image of a human being, but is artificially created. Unlike is usually the case with a copyrighted work, it is not a physical object that is the carrier, or the medium, for the mask, but a human being. It can be stated that in the case of the mask, the human being is the original copy of the “work”. However, the concept of holding copyright to one’s own person is excluded as such.
Źródło:
Studia Iuridica; 2021, 87; 81-112
0137-4346
Pojawia się w:
Studia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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