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Tytuł:
Ogród Wallenroda i tajemnica Wajdeloty
Wallenrod’s Garden and the Mystery of Wajdelota
Autorzy:
Fiećko, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/2012181.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
motyw
Mickiewicz
Konrad Wallenrod
garden
motif
Opis:
In his article Wallenrod’s Garden and the Mystery of Wajdelota the author analyses the role of the motif of garden in Adam Mickiewicz’s epic poem Konrad Wallenrod. The conventionality of the use of the term ‘garden’ is emphasized by pointing to the fact that there were some changes introduced to the order of the valley near the Neman River, which were conducive to his amorous meetings with his Ladylove. The manner in which the picture of ‘the garden’ is outlined in the poem is confronted by the author with the classical and romantic gardening styles. It is stressed that the poet distances himself from the two schools, which results from, among other things, the emphasis on the beauty of the valley, a garden created by Nature herself. The motif of the garden played an important role in Konrad’s last conversation with Aldona, when the main hero of the poem tried in vain to persuade his wife to escape to Lithuania. He tempted her with a mirage of regained happiness, appealed to their mutual memories, in which this old and still existing garden, a witness of their love, occupied the central place. While analyzing the strategy of insistence used by Wallenrod in this situation, the author of the article referred to the conception of memory proposed by a German researcher, Jan Assmann. In the last part of the essay the character of the relationship between Wallenrod and Halban is considered along with the attempt to unravel the mystery hidden in the words “my son!”, which the old Lithuanian bard, the patron of Konrad’s spy mission, used in their last conversation.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 219-232
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogród i opowieść. Przyczynek do teorii narracyjności ogrodów
The garden and story − a contribution to the theory of garden narrative
Autorzy:
Kaczmarczyk, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2012194.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
narracja
percepcja
przestrzeń narracyjna
garden
narrative
perception
narrative space
Opis:
The author considers diverse connections between the garden and narrative i.e. Numerous possibilities of constructing narrative in a garden or about a garden. Subsequently, two models of garden narrative are distinguished: sequential and situational narrative. These are further analyzed with the use of specific examples: Japanese Pure Land gardens, European Kalvarian gardens and 18th century English gardens, such as Stowe and Stourhead.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 41-58
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody Stiftera
Stifter’s Gardens
Autorzy:
Mazur, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/2012200.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
Adalbert Stifter
garden
Adalbert Stifter
Opis:
The article deals with the motif of garden in the work of Adalbert Stifter (1805-1868), an eminent author of Austrian Biedermeier prose, but also an inheritor of German classicism. Pictorial garden space plays a very important role in the plot and characters’ configurations in several Stifter’s short stories and novels (among others: Colorful Stones, Brigitta, Two Sisters, The Wanderer in the Forest, Indian Summer). The Garden, natural border-space between nature and civilization, evocates the condition of mental and primary ethical order, which is typical of Biedermeier style. Three dimensions of the motif are to be discussed: garden as the icon of development and inner growth of an individual (Bildung tradition); garden as love scenery and place of decline (Bible allegory) and garden as oeconomia divina (i.e. divine order of natural wildness, which can be destroyed by man’s hybris − or human order of artificial wildness, which represents existential and metaphysical harmony of human life). There are plenty of classical, biblical, romantic and modern topoi that create poetical topography of Stifter’s garden, among them: Arcadia, locus amoenus, Eden, hortus conclusus, Rose’s Garden of Love, Utopia, idyll, pantheistic and contemplative vision of nature, “atmosphere” and impression, ecology idea. Due to this, the garden motif in Stifter’s work corresponds perfectly to his philosophical conception (known as Gentle Law, das sanfte Gesetz), which explains the world as a kind of natural and cultural unity.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 247-268
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody Charosa. Ogród i Śmierć w wybranych utworach poezji nowogreckiej
Charos’s Gardens. Garden and Death in selected works of Modern Greek poetry
Autorzy:
Borowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2012190.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
śmierć
poezja nowogrecka
garden
death
Modern Greek poetry
Opis:
The author concentrates upon the symbolic connection between the Garden and the Death in Modern Greek culture and literature beginning with the real garden of Empress Sissy, Achilleion, which after the tragic death of her son prince Rudolph underwent a sudden change from locus amoenus to a cemetery-like hermitage. Then the author passes on to Missolunghi Heroon to analyse Kostis Palamas’s poem Young Girl on the tomb of Marcus Botsaris (He Pedoula) full of motifs and allusions both to the ancient learned tradition and to the Modern Greek folk-songs. The traditional popular image of the Other World is clearly akin to the one known from the Homeric epic, a Medieval Byzantine poem Digenis Akritas or a Cretan Renaissance katabasis poem Apokopos by Bergadis. It finds its most original realization in the Greek folk songs −moirologia, where the popular imagination has created highly emotional descriptions of the horrible garden of Charos − Death, where deceased children “grow” as flowers, dead youths as trees and elders serve as its fence.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 119-134
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cypriana Norwida ogród świata − symbolika kwiatów w perspektywie europejskiego modernizmu
Cyprian Norwid’s world garden − the symbolism of flowers in the perspective of European modernism
Autorzy:
Samsel, Karol
Powiązania:
https://bibliotekanauki.pl/articles/2012187.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
kwiat
symbol
Cyprian Norwid
modernizm
garden
flower
modernism
Opis:
The author attempts to present the garden motif, especially − the flower motif, in the writings of one of the most original Polish poets of the 19th century. In France, as an inheritor of romanticists, Norwid continuously participated in the forming of modernist poetics with their distinctive features like ethical naturalism, prophetism and also negative ontology. In this frame, the garden as a motif seems to be not only infinite space, but also a manufactory, an area of absence and oblivion, and at last − a place of illumination.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 157-174
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ignacy Krasicki w ogrodzie
Ignacy Krasicki in the garden
Autorzy:
Doktór, Roman
Powiązania:
https://bibliotekanauki.pl/articles/2012185.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
Ignacy Krasicki
garden
Opis:
Ignacy Krasicki was not merely the most distinguished writer of the Polish Enlightenment, but also “the prince of poets” − to use a phrase from the period. He occupied a prominent position in the hierarchy of the Catholic Church, as the bishop of the Warmia region in north-eastern Poland and archbishop of Gniezno. He was a passionate and highly competent art collector. His collection included numerous and diversified works of art: pieces of sculpture, painting, drawing and engraving. Moreover, Krasicki was a dedicated gardener. His episcopal residence at Lidzbark (Heilsberg) in Warmia was surrounded by an exquisite English garden. According to many of his contemporaries, it was the most beautiful garden in this part of Poland, if not in Europe. Krasicki’s passion for gardening was, in part, a result of his family roots in landed gentry. But, unquestionably, it was also due to the fashion of the period. His garden, surrounding what used to be a castle of the Teutonic Knights, was, in a certain measure, a retreat for Krasicki, an exile (after the first partition of Poland Krasicki became a Prussian subject). In Polish history he was one of the first spiritual predecessors of the great exiles and expatriates from the period of Romanticism. Last but not least, his Warmian garden was a realm of beauty which is created like a grand lyric.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 177-190
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wtajemniczenia w ogrodzie dzieciństwa
The initiations in the garden of childhood
Autorzy:
Kalinowski, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2012201.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
topos
przestrzeń
Novalis
garden
space
Opis:
The article in question is about one of the fragments of Novalis’s prose found in The Novices of Sais (the original title: Die Lehrlinge zu Sais), which is commonly categorised as a fairy-tale about Hyacinth and Rose Petal. The main interpretative aim of the article was to identify the Novalis’s project of human cognition and achievement of ever deeper levels of consciousness. Within the framework of the deepening of such a mode of analysis, the problem of creating the events setting and the characters of the literary piece are highlighted and become situated in the terms of symbolic imagination. In the light of this type of conduct, the topos of garden in Novalis’s work becomes a figure beyond the image of order and wealth created in the culture of the Enlightenment or the space of security and moderateness as shaped by the Sentimentalism. The Novalis’s early Romantic understanding of the garden (and more broadly of nature) was associated with the belief that it is the space of constant and infinite existential and spiritual initiations for a sensitive individual.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 233-245
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słoń a sprawa miejska. Ogród zoologiczny w Warszawie i konflikty wokół nowoczesnej sfery publicznej (1872–1914)
Autorzy:
Augusiak, Michalina
Krupiński, Piotr
Powiązania:
https://bibliotekanauki.pl/chapters/984631.pdf
Data publikacji:
2021-02-17
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Źródło:
Almanach antropologiczny. Communicare. Tom 8. Miasta/Zwierzęta; 112-122
9788323548805
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wołyński raj techniczny. Tymon Zaborowski i „ogród przedziwny” ruskiego czarownika Jamedyka Bluda bohatera poematu bohaterskiego „Zdobycie Kijowa”
The Volhynian technical paradise. Tymon Zaborowski and the “extraordinary garden” of a Ruthenian sorcerer Jamedyk Blud, the hero of a heroic poem „The capture of Kiev”
Autorzy:
Stankiewicz-Kopeć, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2012183.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
Krzemieniec
Tymon Zaborowski
garden
Opis:
A heroic poem The Capture of Kiev (1818) by Mickiewicz’s contemporary, Tymon Zaborowski, the graduate of the Volhynian Gimnasium (based on Boleslaw the Valiant’s Kiev expedition) appears to be an interesting record of literary imagination as well as aesthetic and cultural awareness of the author of the transitional period. This reflection primarily refers to these fragments of the poem which concern the Ruthenian sorcerer Jamedyk Blud − the teacher of Vladimir the Great’s sons and an ally of Yaroslav in the battle with Polish people, as well as his extraordinary island-garden. Jamedyk Blud’s island presented in The Capture of Kiev is not only an idyllic depiction of a paradise on earth, another mythological vision of the Fortunate Isles, or a Volhynian Arcadia −poetically realized according to the principles of the contemporary art of gardening. Blud’s extraordinary island created by Zaborowski has another nature since it is also the “garden of experiments”, the “garden of technical tests”. This kind of vision results from technical, mechanical and physical fascinations held by Zaborowski and his friends from Kremenets. From today’s perspective, it is this technical aspect of Jamedyk Blud’s residence that appears to be a particularly interesting record of Zaborowski’s wide-ranging fascinations as for the author of the transitional period.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 205-217
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O warszawskich ogrodach Bolesława Prusa uwag kilka
A few comments on Bolesław Prus’ Warsaw gardens
Autorzy:
Bachórz, Józef
Powiązania:
https://bibliotekanauki.pl/articles/2012199.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
Warszawa
Bolesław Prus
garden
Warsaw
Opis:
Prus always liked and appreciated natural landscapes. He considered them to be a part of the miracle of life. Repeatedly in his writings Prus expressed his admiration for every living creature and fought against wanton cruelty of people towards animals and plants. Prus’ attitude to nature could be compared to the stand ecologists take nowadays, but he was aware of the fact that when defending nature compromise solutions must be taken into account. Warsaw parks were the subject of his interest both in his journalistic work and in his novels. In the second half of his life he willingly visited the health resort in Nałęczów to rest and recruit his health in the parks. Warsaw Saski Garden was the subject of Prus’ early work, a scenic draft which belongs to the already forgotten so called “physiologies” i.e. reporter monographs of places and professions. Saski Garden together with the biggest park of Warsaw city centre, Łazienki, were also often described by Prus in weekly chronicles. Some of the main motifs in The Doll are set in Łazienki Park. Prus’ descriptions of gardens are full of humour e.g. the water in Saski Garden pond is often so murky “as if European politics has been bathed in it”. Prus notes down amusing behaviours as well as hooligans’ actions and even, once, the presence of muggers. However, in the picture of reality painted by Prus, which is often marked with bitterness and covered with sadness, the parks of the city belong to the area of desired peace from the troubles of everyday life.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 269-281
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dževada Karahasana pisanie ogrodów
Dževada Karahasan − Garden Writing
Autorzy:
Bogusławska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2129177.pdf
Data publikacji:
2022-06-12
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Dževad Karahasan
ogród
arabeska
antologizowanie
islamska duchowość
Bośnia
garden
arabesque
anthologizing
Islamic spirytuality
Bosnia
Opis:
Przedmiotem analizy w tym artykule jest zbiór esejów Knjiga vrtova (Księga ogrodów) pióra jednego z najważniejszych współczesnych pisarzy Bośni i Hercegowiny, Dževada Karahasana. Tom jest autorską konfiguracją różnych tematycznie tekstów, które łączy motyw i metafora ogrodu. Księgę można potraktować jako literacką kolekcję ogrodów, która dla autora staje się ramą opowieści o przesyconej duchowością islamu kulturze Bośni, widzianej zarówno w specyfice lokalnej, jak i perspektywie uniwersalnej. Także pod względem kompozycji Księga Karahasana nawiązuje do architektury ogrodu, co łatwo można skojarzyć z etymologią terminu antologia, oznaczającą zbiór/bukiet kwiatów. U bośniackiego pisarza kompozycyjno-narratologiczna funkcja ogrodu zyskuje określony, orientalny układ odniesienia − przede wszystkim w postaci Księgi tysiąca i jednej nocy, gdzie ogród staje się węzłowym elementem niemal każdej, składającej się na to dzieło historii. Namysł nad literackim konceptem Karahasana, zmaterializowanym w Księdze ogrodów, ma być próbą odpowiedzi na pytania o to, w jaki sposób doświadczenie oraz tradycja islamskiej kultury piśmienniczej i wizualnej (arabeska) modeluje autorski
The subject of analysis in this article is the collection of essays Knjiga vrtova (“The Book of Gardens”) by one of the most important contemporary writers of Bosnia and Herzegovina, Dževad Karahasan. This volume is the author’s compilation of texts on various topics that are linked together by the theme and the metaphor of a garden. The Book can be treated as a literary collection of gardens, which becomes a framework for a story about the culture of Bosnia steeped in Islamic spirituality; the culture that is seen both from the specifically local as well as universal perspective. Even in terms of composition, Karahasan’s Book refers to the architecture of a garden, which can be easily associated with the etymology of the term anthology meaning ‘a collection/bouquet of flowers’. In the work of the Bosnian writer, the compositional and narratological function of the garden is given a defined, oriental frame of reference − primarily in the form of The Book of One Thousand and One Nights, where the garden becomes a key element of almost every story that makes up this work. The reflection on Karahasan’s literary concept that reveals itself in The Book of Gardens is an attempt to answer questions about how the experience and tradition of Islamic literary and visual culture (arabesque) influence author’s act of anthologizing, and how they affect contemporary perceptions of Bosnianness.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2022, 12 (15); 227-241
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ikonografia ogrodów symbolizmu rosyjskiego. Bez
Iconography of the Gardens of Russian Symbolism. Lilac
Autorzy:
Malej, Izabella
Powiązania:
https://bibliotekanauki.pl/articles/2012189.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
ikonografia
symbolizm rosyjski
bez
garden
iconography
Russian Symbolism
lilac
Opis:
Lilac has been the symbol of Russian gardens for ages, gradually becoming their inseparable attribute. The Russian word ‘’ (lilac) is derived from Greek ‘syrinx’ meaning a pipe (musical instrument). This name has also its own mythic explanation of double i.e. Greek and Scandinavian origin. Since the 19th century lilac has been attracting attention of many Russian poets and painters, becoming the source of their inspiration. The most eminent painter of lilac is Mikhail Vrubel, whose “portraits” of lilac: Lilac bush () , 1900) and Lilac (, 1900 and 1901) are magical, ambiguous and  stunning with their enchanting, iridescent colours and the atmosphere of mystery. Vrubel gives his paintings a profound philosophical meaning playing with the ambivalence of his subject. This subject is the transformation of Chaos into Cosmos. The same attitude can be observed in the poems of A. Blok, K. Balmont, I. Annenski. In each of the iconic representations of lilac analysed by the author of this article, lilac obtains the status of a symbol as an artistic sign with a complex semantic structure and definite, melancholically sensual emotional quality. In this way lilac becomes an iconic announcement with a multi-level structure for Russian symbolists. The process of perception of poetry and paintings becomes the way a realibus ad realiora, from matter to feeling. It leads to the conclusion that Russian artists of the turn of the 19th and 20th centuries saw in lilac the sign of a higher, better world, where all its elements (real, mystic, mythic and fantastic) coexist, the sign of yearning for the idea of harmony.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 135-155
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody (i parki) Tadeusza Różewicza. Przemiany zdegradowanego toposu
Tadeusz Różewicz’s gardens and parks. Transformations of the degraded topos
Autorzy:
Wójcik, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2012198.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
topos
Tadeusz Różewicz
garden
Opis:
The subject of the article is the topos of garden (over time replaced more and more with that of a park) as presented in the broadly viewed poetry of Tadeusz Różewicz. The comparative context for the description of manifold meanings and functions of this topos is composed of references to the poetry of garden lyric masters i.e. Leopold Staff, Bolesław Leśmian, Jarosław Iwaszkiewicz. The reconstruction of the complexity of garden topos allows seeing it as one of the most important figures in Tadeusz Różewicz’s poetry, as it is the figure of reflection on the condition of spirit and the state of culture in the 20th century.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 283-296
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Róże dla osłów. Topika ogrodowa w „Hortulus elegantiarum” Wawrzyńca Korwina
Roses for asses. Garden topos in „Hortulus elegantiarum” by Wawrzyniec Korwin
Autorzy:
Buszewicz, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/2012197.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
topos
Wawrzyniec Korwin
garden
Opis:
Lorenz Rabe, a 15/16th century Silesian humanist and teacher known by his Latin name, Laurentius Corvinus, wrote a number of poems and schoolbooks in Latin. Among his works was Hortulus elegantiarum, containing a collection of hints on elegant Latin style and its examples. The manual, whose editio princeps appeared in 1502, was dedicated to the students of the Jagiellonian University. It had around 25 editions. The main purpose of this paper is to discuss the preface and the afterword to the Hortulus in the context of loci communes concerning the garden metaphor. In Corvinus’ Hortulus the metaphor may be read in different ways: as a book, a pupil’s mind or author’s creative invention. The first way is used in Corvinus’ afterword and preface, whose palimpsest structure (evoking Apuleius’ Metamorphoses) emerges from the analysis included in the main part of the article. Two other ways of application of the metaphor are connected with Corvinus’ dedicatory poem to Cracow students. The dedication is briefly discussed at the end of the paper.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 13-25
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody cudze, ogrody własne. Ogrody Juliana Ursyna Niemcewicza
Someone else’s and one’s own gardens. Julian Ursyn Niemcewicz’s gardens
Autorzy:
Rejman, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/2012184.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
Julian Ursyn Niemcewicz
podróż
Ursynów
garden
travel
Opis:
J.U. Niemcewicz spent his life travelling around the world not excluding Poland. He saw numerous gardens and described many of them in his diaries, letters and travel journals. Niemcewicz was also familiar with English treatises on designing and planting gardens and he held Delille’s narrative poems in high esteem. Polish gardens are always for Niemcewicz lonely islands emerging from the panorama of ruined, poor and devastated Polish provinces. They are an alien but attractive phenomenon. The creation of gardens is interpreted by Niemcewicz as a way of escaping: the reality of extreme poverty (Helena Radziwiłłowa’s Arkadia), the torment of wasted life (Szczęsny Potocki’s Sofiówka), the history (the Bystry family’s Iwańczyce) and the never-ending patriotic duties (Ludwik Kropiński’s Woroczyn). They are also an attempt at realizing a dream, an attempt doomed to fail (Niemcewicz’s Ursynów).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 191-204
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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