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    Wyświetlanie 1-6 z 6
    Tytuł:
    “Dinner by the River” and “Driving to the Airport”: Andrew Taylor’s Polish Ash Poems and Jacques Derrida’s Cinder
    Autorzy:
    Wolny, Ryszard W.
    Powiązania:
    https://bibliotekanauki.pl/articles/888849.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Australian poetry
    Andrew Taylor
    “ash poems”
    Jacques Derrida
    Martin Heidegger
    Polska
    Opis:
    Andrew Taylor (b. 1940), one of the most eminent living Australian poets, has had a lasting relationship with Poland and Opole in particular. As a result of one of his several visits to Opole, he wrote two poems, “Dinner by the River,” which was later included in the volume edited by Peter Rose The Best Australian Poems 2008 (Melbourne: Black Inc., 2008), and “Driving to the Airport,” which appeared in The Unhaunting (London: Salt, 2009). Both poems were originally included in the volume Australia: Identity, Memory and Destiny (ed. Wolny and Nicieja, Opole 2008). The aim of this paper is, therefore, to explore the image of Poland, and the Odra River in particular, the Australian poet has created, alongside the memories of the past his visit to Poland evoked. The elements that unite the Polish poems are the ones connected with coal, soot, fi re, ashes, embers and what Jacques Derrida called cendre (cinder) in one of his most important books, Feu la cendre [Cinders] (Minneapolis, London 2014).
    Źródło:
    Anglica. An International Journal of English Studies; 2019, 28/3; 125-132
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Violence of Duality in Adrienne Kennedy’s Funnyhouse of a Negro
    Autorzy:
    Ha, Quan Manh
    Hogan, Conor
    Powiązania:
    https://bibliotekanauki.pl/articles/888936.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    American drama
    Adrienne Kennedy
    Funnyhouse of a Negro
    Black Arts Movement
    Jacques Derrida
    Opis:
    Adrienne Kennedy’s psychodrama Funnyhouse of a Negro personifies in her protagonist, Sarah, the internalized racism and mental deterioration that a binary paradigm foments. Kennedy also develops the schizoid consciousness of Sarah to accentuate Sarah’s hybridized and traumatized identity as an African American woman. Kennedy’s play was controversial during the Black Arts Movement, as she refrained from endorsing black nationalist groups like Black Power, constructing instead a nightmare world in which race is the singular element in defining self-worth. In her dramatized indictment of both white supremacy and identity politics, American culture’s pathologized fascination with pigmentation drives the protagonist to solipsistic isolation, and ultimately, to suicide. Kennedy, through the disturbed cast of Sarah’s mind, portrays a world in which race obsession triumphs over any sense of basic humanity. The play urges the audience to accept the absurdity of a dichotomized vision of the world, to recognize the spectral nature of reality, and to transcend the devastation imposed by polarizing rhetoric.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/1; 121-134
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Of Motion and Emotion: The Mechanics of Endurance in Peter Carey’s The Chemistry of Tears
    Autorzy:
    Šlapkauskaitė, Rūta
    Powiązania:
    https://bibliotekanauki.pl/articles/888945.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    archive
    Carey, Peter
    museology
    memory
    Derrida, Jacques
    Opis:
    Guided by Jacques Derrida’s observations about the aporetic logic of the archive, this reading of Peter Carey’s novel The Chemistry of Tears (2012) relies on contemporary philosophical discourse about the human-thing interface to examine the correlations between pra ctices of mourning, memory, and museology as unfolded in the narrative. The central image of an automaton operates as an extended metaphor both for the metafi ctional feat of the novel, and imagination in its broadest sense, wherein we are reminded of the ethical obligations that things, especially technology, call for. Above all, Carey reveals the porosity of the boundaries between organic and inorganic substance, tethering matter to metaphysics, desire to detritus, and the present to the past.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/1; 101-118
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Survey on the Semantic Field of ‘Vagabond’
    Autorzy:
    Ray, Avishek
    Powiązania:
    https://bibliotekanauki.pl/articles/888679.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    semantic field
    signification
    Derrida, Jacques
    linguistics
    contingency
    Opis:
    How we perceive a certain concept is grounded in the ‘language game’: the values, prejudices, dispositions, and cultural baggage among its interpretive communities. In other words, there is no ‘true meaning’ inherent in a word per se; rather the meaning is derived out of what Derrida (1993) calls the ‘chain’ of signifi cation: the context, history, contingency, and often semantic contradictions that render a word polysemic. Taking off from here, this paper seeks to unpack the social ‘constructivism’ immanent in the a priori assumptions that cloak the idea of the ‘vagabond’. While invoking the contingency in the genesis and semantic history of ‘vagabond’ as a case study, this paper illustrates how meanings of certain heuristic concepts – in this case, ‘vagabond’, without a fixed referent – are often (re)configured, not because of reasons entirely linguistic, but rather due to changes in the prevailing epistemic paradigms.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/2; 51-60
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
    Autorzy:
    Pietrzak, Wit
    Powiązania:
    https://bibliotekanauki.pl/articles/888802.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Maldoon, Paul
    poetry
    foreignness
    ethics
    Derrida, Jacques
    Opis:
    In the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is vested in the act of speaking, which either acknowledges the irreducible otherness implicit in the poem or imposes an essentially colonial point of view. The ethical dimension as it is probed here is derived from some insights of J acques Derrida, especially his lectures delivered in the 1990s.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/1
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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