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    Wyświetlanie 1-3 z 3
    Tytuł:
    Notes to Continue Thinking about Feminist Artivism in Mexico
    Autorzy:
    Noriega Vega, Cecila Itzel
    Pardo Ibarra, Una
    Powiązania:
    https://bibliotekanauki.pl/articles/50673160.pdf
    Data publikacji:
    2024-08-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    feminist artivism
    Mexico
    feminist aesthetic-political practice
    historiography of art
    Opis:
    Despite the large number of feminist artistic practices in Mexico that clearly ascribe to women’s rights and the fight against gender violence, there is a historiographical problem regarding the use of a term capable of accounting for the social impact of these practices. Therefore, one may suggest analysing the plurality of terms to understand the increasingly present use in Mexico in recent years of the term feminist artivism. We identify how the use of the term evokes a diversity of cultural agents that may or may not be linked to the world of art, which requires its own discussion so that we might understand the scope and limitations of these artistic practices and how we study them. One of the main problems is the development of feminist artivism in the context of neoliberalism and globalisation, where some artistic practices can be ascribed to this term but can end up contributing to mercantilist logic. Likewise, there are many subversive actions with aesthetic potential that this term omits, which force us to rethink artistic frameworks. Thereby, as a way of offering a term that seeks to account for the characteristics of current art, we propose incorporating the concept of feminist aesthetic-political practices. It is not our intention to offer an unequivocal and unstable category but rather to show the complexity that goes through the artistic and cultural practices that are positioned by feminism today. Finally, as far as methodology is concerned, we suggest writing based on situated knowledge and acknowledging the potential of oral history. Also, we try to give voice to a plurality of stories and experiences, from different disciplinary fields and to establish intergenerational dialogues, as an exercise in collaborative reflection, or accompanied thought, that allows us to raise the problem in its complexity.
    Źródło:
    Ikonotheka; 2023, 33; 163-182
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
    Autorzy:
    Giunta, Andrea
    Powiązania:
    https://bibliotekanauki.pl/articles/50672821.pdf
    Data publikacji:
    2024-08-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Latin America
    Argentina
    Chile
    dictatorship
    post-dictatorship
    art feminist historiography
    comparativism
    Opis:
    The purpose of this article is to employ a comparative approach that allows us to understand the approaches towards art historiography articulated in two countries of South America. Although women artists had organised themselves early on in societies, in women’s exhibitions, and were one of the driving forces in art, when we look at how the art canon has been configured in these countries, we must move to the end of 20th century and the beginning of 21st to find consistent work that dissociates itself from dominant patriarchal perspectives. In this article, I propose to approach this process comparatively, looking at two periods: first, the eighties-nineties and the introduction of gender studies; and second, the exhibitions, research and books produced, above all, since 2000. In both periods, I shall also consider the artistic activism that generated historiography. In the two cases studied, Argentina and Chile, the tension between democracy and dictatorship will also be considered as a relevant factor that has interrupted a process that had begun in the 1970s and would be resumed with the return of democracy.
    Źródło:
    Ikonotheka; 2023, 33; 145-162
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
    Autorzy:
    Gliński, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/50670415.pdf
    Data publikacji:
    2022-09-22
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    medievalism
    arcade architecture
    arcades
    art historiography
    Polska
    West Prussia
    Silesia
    Lesser Poland
    Lublin Province
    Opis:
    Travelling across present-day Poland, it is only exceptionally possible to come across a specific type of historic urban and rural houses with a ground-level section open on three sides and supported on columns or posts. Yet still in the first half of the 20th century, in some areas of Europe this type of a house was commonly found, and already a century earlier it had intrigued researchers investigating among other things, its origins of development. Within the current borders of Poland, arcaded houses are found in greater concentration in territories that in the past belonged to different political organisms and thus their research was conducted with the adoption of different optics. It is noteworthy that arcades were easily subjected to various more or less conscious manipulations in order to justify their native character, sometimes understood as belonging to particular peoples, regions, nations or even races. The paper provides hypothesis that arcades are a construction element extremely liable to ideologisation. In order to illustrate this problem, the paper presents methods of interpreting the origin of arcades in former East and West Prussia, Silesia, Lesser Poland and Lublin Province in the period from almost the beginning of the 19th century, when researchers started to be interested in this element, until 1939 when Erich Kulke’s book was published, which was the clearest result of arcades’ ideologisation. These interpretations were divided into a few main groups, which made it possible to compare the narratives and to show how the same arguments could lead to different conclusions. Unique issues, characteristic only of particular regions, were also identified. Ultimately, an attempt was made to answer the question of what influenced the liablity of arcades to ideologisation. Since the authors of the research, often architects, promoted the preservation and use of arcades referring to old patterns in new developments, the question was also asked whether such developments actually occurred.
    Źródło:
    Ikonotheka; 2021, 31; 9-23
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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