Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Łoboz, Małgorzata" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    „Śniegiem zaprawione cukry” − frenetyczna wizualizacja przestrzeni w „Agaj-Hanie ”Z. Krasińskiego. Glosa
    About the frantic landscape in "Agaj-Han" by Z. Krasiński
    Autorzy:
    Łoboz, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2012178.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Opis:
    This article is concerned with the aesthetic differentiation of the landscape in the novel Agaj-Han by Z. Krasiński. The novel constitutes a literary experiment, in which the author presents dilemmas of an individual who wants to achieve freedom. Agaj-Han can be perceived as a combination of a historical novel and romance enriched with the element of the Gothic genre, which is characterized by the original and colourful exoticism, acoustical effects and a very sensual visualization of the landscape inspired by Byron.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2010, 59, (3); 241-253
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ikona Beethovena i korespondencja sztuk. Kilka interpretacjach literackich
    The icon of Beethoven in the selected literary interpretations
    Autorzy:
    Łoboz, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2012649.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Ludwig van Beethoven
    muzyka w literaturze
    korespondencje sztuk
    music in literature
    correspondence of art
    Opis:
    The article describes various aspects of the 19th-century myth of Beethoven that can be found in selected works of the 19th and 20th century. In literary adaptations, the Beethoven's myth is realised in a very unambiguous way, yet the issue should be treated more broadly. The selected literary works discussed in the article are typical examples of the iconic images of Beethoven although they vary in the aspects of both form and content. The present article uses certain determiners as presented by Irena Poniatowska in her paper The Iconic Image of Beethoven in Polish Poetry. The analysis of specific semantic fields (suffering, overcoming suffering and victory over suffering) suggested by Poniatowska may seem not entirely verifiable, however, the universal aspect of literary interpretations is guaranteed by the expressive ideas concealed in the music and the fragmentation of composition frequently employed by Beethoven. The Beethoven case was an inspiration for creating many different literary representations of an icon. The nostalgic image of ponds in Soplicowo (Pan Tadeusz by Adam Mickiewicz) is just one of many possible ways of translating a literary text into a particular work of music. Revolutionary phrases by Ujejski (Translations of Beethoven) are a perfect illustration of Beethovenian emphasis related to overcoming suffering. Both examples prove that the 19th-century literary adaptations are more consistent with the overall concept of correspondence of arts (synaesthesia) than any of the 20th century realizations (i.e. Quasi uni fantasia by Teresa Weyssenhoff, Beethoven by Zbigniew Herbert or Beethoven’s Tomb, Niobe by Konstanty Ildefons Gałczyński) as those focus more on the portrayal of the personage, who experienced both failure and victory, and therefore seem to have more loose connection with specific works of Beethoven. 
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 93-108
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Bo jak poezja i sztuka, tak miłość jest ideą”. Józefa Kremera peregrynacja do grobu Julii w Weronie
    “Just like poetry and art − love is a concept”. Józef Kremer’s pilgrimage to the grave of Juliet in Verona
    Autorzy:
    Łoboz, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2012060.pdf
    Data publikacji:
    2009
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Opis:
    The subject of this article is the interpretation of one part of “Journey to Italy” by J. Kremer (1859-1864) which describes his visit to Verona (in 1852). This description constitutes an intellectual pilgrimage to Shakespearean literary tradition of drama (Romeo and Juliet). Kremer moralized this legend seeing the cause of the characters' tragedy in the 'sin' of their passion. At the same time he was fascinated by the parable of complexity of human lot and relativity of moral values. The text by Kremer explains the importance of the literary legend of which there are few reinterpretations in Polish romanticism. The most important part of this description is a very interesting essay about love. This essay can be regarded as the interpretative key to the romantic understanding of the literary legend.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2009, 57, (2); 149-162
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Napłakać się z Chopinem. Stefana Witwickiego śpiew przez łzy
    Crying with Chopin. The sorrowful songs of Stefan Witwicki
    Autorzy:
    Łoboz, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2012712.pdf
    Data publikacji:
    2017-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Stefan Witwicki
    Fryderyk Chopin
    pieśń
    romantyzm w muzyce
    muzyczność literatury
    song
    the Romantic trend in music
    musicality in literature
    Opis:
    The article focuses on the artistic collaboration of the Romantic poet Stefan Witwicki with Frederic Chopin. Chopin’s compositions called Polish Songs  (op.74) are the most noteworthy example of the correspondence of music and literature in Polish Romanticism. The first seven songs inspired by Witwicki’s lyrics were created between 1828 and 1831 (the composer, however, had never played them during his concerts). The fact that Chopin’s songs combine both the sentimental and the insurgent tradition is essential for the understanding of the compositions. The interpretation of the selected poems of Witwicki shows that one can distinguish at least three types of nostalgia present in his works. They are as follows: nostalgic love, the nostalgic feeling connected with the collapse of the November Uprising and nostalgia caused by parting with family. It was observed that  Chopin and Witwicki easily succumbed to the feeling of nostalgia. Witwicki dedicated his Pastoral Songs to Chopin in 1830 and the composer began to write music for ten of Witwicki’s songs. His first composition was called The Wish. After leaving Warsaw, Chopin continued his work and composed A Fickle Maid, The Messenger, The Warrior, Drinking Song, Witchcraft. Other songs such as Troubled Waters, The Bridesgroom Return, The Ring, and Spring were written in Paris in the years 1838 – 1840. Witwicki’s death in 1847 came as a great shock for Chopin, he often complained about his loneliness. The close relationship of Chopin and Witwicki manifested itself not only in their artistic collaboration but also in their private lives.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 363-379
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies