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    Wyświetlanie 1-10 z 10
    Tytuł:
    Motyw krwi w poezji Inny Lisnianskiej
    (Motif of blood in the Inna Lisnianskaya’s poetry
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481212.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Inna Lisnianskaya
    Motif of blood
    Opis:
    Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
    Źródło:
    Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
    "Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
    Autorzy:
    NDiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/482215.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    suicide
    suicidal motif
    suicidology
    Russian literature
    Opis:
    Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
    Źródło:
    Acta Polono-Ruthenica; 2015, 1, XX; 91-102
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Człowiek wobec tajemnicy śmierci w krótkich formach prozatorskich Michaiła Arcybaszewa
    Man in the face of the death’s mystery in short prose forms of Mikhail Artsybashev
    Autorzy:
    Witczak, Patryk
    Powiązania:
    https://bibliotekanauki.pl/articles/482633.pdf
    Data publikacji:
    2018-09-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Mikhail Artsybashev
    Russian emigration
    motif of death
    Opis:
    From the earliest times, people have been bending over the issue of death, trying to reach its essence. Therefore, death has become one of the leading literary motifs. The article analyses human attitudes towards death depicted in short prose forms of Mikhail Artsybashev. The writer took the position that the mystery of death is impenetrable and all attempts to discover it do not bring any expected results. The essence of death can be reached neither by mind nor through any mystical knowledge. It just needs to be accepted.
    Źródło:
    Acta Polono-Ruthenica; 2018, 3, XXIII; 59-68
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Сборник рассказов Шляхтич Завальня, или Беларусь в фантастичных повествованиях Яна Барщевского в контексте русской готической прозы
    Collection of stories „Nobleman Zawalnia, or Belarus in Fantastic Stories by Jan Barszczewski in the context of Russian gothic prose
    Autorzy:
    Macapura, Liudmila
    Powiązania:
    https://bibliotekanauki.pl/articles/482348.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    gothic novel
    gothic tradition
    supernatural
    motif
    poetics
    Opis:
    The article deals with the collection of stories by J. Barszczewski Nobleman Zawalnia, or Belarus in Fantastic Stories (Szlachcic Zawalnia czyli Białoruś w fantastycznych opowiadaniach, 1844-1846) in the context of Gothic literary tradition in Russian literature of the 30-40-es of the XIXth century. The author comes to the conclusion that folk motives in the cycle Nobleman Zawalnia... transform under the influence of Gothic literary tradition, which could be perceived by J. Barszczewski indirectly, through the oeuvre of other authors. The usage of comparative methods allows to find out typological relations between the cycle by Barszczewski and the cycles of stories Evenings on a Farm near Dikanka by N. V. Gogol and An Evening on Khoper by M. N. Zagoskin.
    Źródło:
    Acta Polono-Ruthenica; 2016, 1, XXI; 195-203
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
    “LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444291.pdf
    Data publikacji:
    2017-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    dream motif
    oneiric poetry
    Teffi (Natalia Buczyńska)
    Opis:
    This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.
    Źródło:
    Acta Neophilologica; 2017, XIX/2; 145-153
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Мотив воды в творчестве Марины Цветаевой
    Autorzy:
    Янчук, Елена
    Powiązania:
    https://bibliotekanauki.pl/articles/2057472.pdf
    Data publikacji:
    2021-09-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    russian poetry
    water
    motif
    Marina Tsvetaeva
    metaphorization
    Opis:
    В настоящей статье представлен системный анализ мотива водыв творчестве Марины Цветаевой. Исследовательской задачей является попытка проследить, каким образом конкретная и простая лексема «вода» участвует в смыслопорождающем поэтическом процессе, доказать особое значение этого мотива какважного признака творческого мышления, миросозерцания и творческой индивиду альности в целом. В статье на обширном материале (около 630 примеров), взятом из поэтических и прозаических текстов, рассматриваются основные значения мотива воды и их функциональные особенности в индивидуально-авторской картине мира М. Цветаевой. Вода, не утрачивая природной конкретности, становится одним из важных инструментов метафоризации процессов и явлений не только физического, но и духовного мира поэта.
    This article is devoted to the analysis of the motif of water in the works of Marina Tsvetaeva. The main goal is to trace how the concrete and simple lexeme “water” participates in the meaning-generating poetic process, and to prove the specialsignificance of this motif as an important sign of her creative thinking, worldview and creative personality in general. The article uses extensive material (about 630 examples) taken from poetic and prose texts to consider the main meanings of the motif of water and its functional features in the individual author’s viewpoint. Water, without losing itsnatural concreteness, becomes one of the important tools for metaphorizing the processes and phenomena of not only the physical, but also the spiritual world of the poet.
    Źródło:
    Acta Polono-Ruthenica; 2021, 3, XXVI; 41-57
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Сербско-русские мотивы в общеславянском контексте (Н. Иваштанин Влюблённое солнце)
    Serbo-Russian motif in Slavonic context. (N. Ivanshtanin The Sun in Love”)
    Autorzy:
    Dmitrovskiy, Aleksei
    Powiązania:
    https://bibliotekanauki.pl/articles/482404.pdf
    Data publikacji:
    2010-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    lyrical image of Russia
    Serbo-Russian motif
    Slavonic
    Opis:
    The article deals with a lyrical image of Russia and its structure in the Serbian historical consideration, expressive emotions and in the common origins of Slavonic self-consciousness namely: “cosmos - soul - word”.
    Źródło:
    Acta Polono-Ruthenica; 2010, 1, XV; 67-76
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Проблематика избранных произведений Романа Сенчина краткий обзор критических и литературоведческих статей)
    ANALYSIS OF SELECTED LITERARY WORKS OF ROMAN SENCHIN (A SHORT REVIEW OF CRITICAL AND LITERATURE MAGAZINE ARTICLES)
    Autorzy:
    Pańkowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444442.pdf
    Data publikacji:
    2017-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Roman Senchin
    Senchin’s characters
    Senchin’s “little people”
    “new realism”
    death motif
    Opis:
    Roman Senchin (born in 1971) is one of the most expressive spokesmen for his generation and one of the most prominent exponents of “new realism” of “the noughties”. The aim of this article is to identify central motifs in selected literary works of this contemporary Russian writer and literary critic, to present his artistic conception of creating a character, and to show distinguishing features and characteristics of Senchin’s “little man”. This paper analyzes Senchin’s three collections of short stories and stories: Nothing scaring (Ничего страшного, 2007), Moscow shadows (Московские тени, 2009), On the black stairs (На чёрной лестнице, 2009).
    Źródło:
    Acta Neophilologica; 2017, XIX/2; 155-168
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    LOST IN THE TEXTUAL MAZE? CONCEALMENTS AND DOUBLINGS IN PETER STRAUB’S MR. X
    Autorzy:
    Studniarz, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/444919.pdf
    Data publikacji:
    2010-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    textual intricacy,
    doubling,
    lack of closure,
    motif of doppelganger,
    subtext,
    mise en abyme
    Opis:
    The article explores the textual intricacy and the epistemological uncertainty projected by the 1999 novel of Peter Straub titled Mr. X. Already the title of the novel hints at secrecy, hidden identities, and cryptic messages. Indeed, the novel seems to be conceived as a cryptogram and a kind of literary “Russian doll”. This applies as much to the person of the narrator as to the construction of the narrative, its layers upon layers of secrecy and deception. This cryptic character of the novel is reinforced by the lack of closure and the ambiguity of the ending: “the fog” that shrouds everything as well as “undecipherable signs” that Ned meets along the way serve as a trope that projects the implied reader’s loss of certainty. The sense of being lost in the textual maze is compounded by the abundant instances of doubling and mirroring in the text. This is first observed in the composition of the novel as the dual-level narrative, consisting of the part narrated by Ned, and of the diary of Mr. X, the mysterious figure seen by Ned in his dreams, later revealed to be his father. The two, Ned and Mr. X, in their own peculiar ways act out the same pattern: Ned’s quest to find out the identity of his father is paralleled by his father’s (futile) attempts to confirm his own unearthly origins. However, duality is most powerfully expressed by the motif of doppelganger: Ned, the narrator, in time realizes the existence of his not-entirelyhuman brother, Robert, his “shadow self”, his “dark half”. Finally, even the novel, Mr. X, finds itself reflected in the work of fiction written by Mr. X, a story titled Blue Fire. Blue Fire, introduced at length into the narrative, serves as its specular text, mise en abyme, encapsulating its two central themes, as verbalized by the narrator: “the obsession with the ancestral house” and “the flight from and the pursuit of the Other”.
    Źródło:
    Acta Neophilologica; 2010, XII; 193-202
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nie do przebycia? O granicach i ich przekraczaniu w powieści "Tunel" Magdaleny Parys
    Autorzy:
    Masiakowska-Osses, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2089997.pdf
    Data publikacji:
    2021-09-25
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    border motif
    transgression
    Tunel by Magdalena Parys
    German-German border
    history of Germany
    Opis:
    This article is an analysis of Tunel (The Tunnel), the novel by Magdalena Parys, a Polish author living in Germany. The action of the book focuses on the fictional construction of an escape tunnel built under the border wall between the western and eastern part of Berlin in the early 1980s. This, somehow, predestines Parys’s work to be read in the context of transgression, and crossing limitations. Starting with the writer’s non-literary inspirations, the article shows the multiplicity of literal and metaphorical meanings of the term “border” and examines how the motif functions in the presented world.
    Źródło:
    Acta Neophilologica; 2021, 2, XXIII; 229-240
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-10 z 10

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