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Wyświetlanie 1-5 z 5
Tytuł:
Виндоуз или Windows? Кириллица и латиница в названиях торговых марок (на материале современных русских художественных текстов)
Виндоуз or Windows? Cyrillic and Latin scripting for trademark names (in contemporary Russian fiction texts
Autorzy:
Prokopczuk, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/444431.pdf
Data publikacji:
2019-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
verbal trademarks
modern Russian literature
script mixing
Opis:
This paper discusses the usage principles of Cyrillic and Latin scripting for foreign-lan-guage commercial names in Russian fiction in the late 20th and early 21st centuries. These include the following factors: the existing tradition concerning the employment of foreign language words in Russian texts; the possibility of employing different fonts as means of indirect valuation and of indication that the speech subject belongs to a certain social group, as well as stylistic and morphologic factors related to a possibility (or impossibility) for a trade mark to obtain Russian case endings; the iconic function of a font; a language game.
Źródło:
Acta Neophilologica; 2019, XXI/1; 19-29
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transmedialne losy wybranych fragmentów XVI- i XVII-wiecznej poezji i prozy Johna Donne’a jako ilustracja społecznej użyteczności śmiechu
Transmedial Exploitation of Selected Passages of John Donne’s 16th- and 17th-century Poetry and Prose as an Illustration of the Social Usefulness of Laughter
Autorzy:
Gładkowska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/444923.pdf
Data publikacji:
2020-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
early modern literature
John Donne
transmedia and humour
social function of laughter
philosophical message and comic relief
Opis:
This article indicates the specific manner in which early modern literature is exploited in contemporary media. It focuses on the interaction involving the trans-position of philosophical texts to the domain of laughter embedded in the everyday life of the modern recipient. Selected passages of John Donne’s (1572-1631) prose and poetry serve to illustrate how an old literary work encourages new creativity, how it transcends the boundaries set by a given epoch, culture and form, to undergo a specific thematic and structural transformation. What seems particularly interesting in this process is the conversion of philosophical sadness into a useful joke incorporated in, inter alia, the transition from meditation to motivation, from inspiration to action. In other words, this article examines laughter provoked at the interface between a profound philo-sophical message and popular entertainment which combines images and words and activates the intellect as well as the senses and emotions. Such foundations give rise to a transmedia message being socially functional – not only as comic relief, but also as a didactic tool for shaping attitudes.
Źródło:
Acta Neophilologica; 2020, XXII/1; 113-126
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Повесть Кампанила святого Марка М. Шишкина в интернет-журнале, на сцене и в радиоэфире: Интерпретация позиции автора
Autorzy:
Кравченкова, Евгения
Powiązania:
https://bibliotekanauki.pl/articles/1902674.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Shishkin Mikhail
Kobelev Nikita
St Mark’s Campanile
modern Russian literature
metatext
the authorial intent
irony
title
Opis:
Михаил Шишкин написал Кампанилу Святого Марка (2011) как документальную повесть, основанную на письмах супругов-социалистов Франца Брупбахера и Лидии Кочетковой. Режиссер Никита Кобелев представил аудиоверсию и театральную интерпретацию в 2012 г. В трех вариантах одного и того же текста авторский замысел может быть выражен через прямую речь автора, заглавие, иронию и композицию. В настоящей статье Кампанила рассматривается как метатекст, в котором персонаж является писателем и, таким образом, за мыслями и идеями персонажа скрывается авторский замысел. Кобелев, напротив, подчеркивает свою точку зрения на поступки и идеалы героев. В радиопостановке он анализирует достижения и потери женщины в революционной работе, а в спектакле режиссер акцентирует внимание на мечте Франца о семейном счастье.
Mikhail Shishkin wrote St Mark’s Campanile (2011) as a documentary short novel, based on letters of the socialist couple Franz and Lidia. Director Nikita Kobelev presented an audio version and a theatrical interpretation of the novel in 2012. In three variants of the same text the authorial intent can be expressed through the direct speech of the author, title, irony and composition. In the present article St Mark’s Campanile is considered as a metatext in which the character is a writer and, thus, the authorial intent is hidden behind the character’s thoughts and ideas. Kobelev, on the contrary, emphasizes his point of view on the characters’ actions and ideals. In the radio drama he analyses achievements and losses of a woman involved in revolutionary activities, and in the stage performance the director focuses on Franz’s dream of family happiness.
Źródło:
Acta Polono-Ruthenica; 2021, 2, XXVI; 53-62
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramaturgia Nikołaja Kolady i jekaterynburgska bohema na łamach czasopisma Didaskalia w latach 2000-2003
The plays of Nikolaj Kolada and the Yekatirenburg Bohemians as presented in ,,Didaskalia magazine in 2000-2003
Autorzy:
Strycharski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/482503.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nikolaj Kolada
modern Russian drama
Russian literature
Yekatirenburg
Opis:
In the article the author examines sparse mentions of the modern Russian drama which development has progressed much in Yekatirenburg. An analysis of the articles mentioning the modern drama proves the author’s statement about N. Kolada, having educated a group of talented playwrights and being the most popular modern dramatist in Russia as well as abroad in spite of his peculiar aesthetic and poetic outlook.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 119-126
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bajki o krytyce. Andriej Nemzer − „król” współczesnej krytyki literackiej w Rosji
FAIRYTALES ABOUT CRITICISM. ANDREI NEMZER − “THE KING” OF MODERN LITERARY CRITICISM IN RUSSIA
Autorzy:
Karwacka, Monika
Powiązania:
https://bibliotekanauki.pl/articles/445068.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary criticism
Andrei Nemzer
Russian literature
modern criticism
Opis:
This paper attempts to present and analyze Andrei Nemzer’s literary criticism which in his opinion is an a priori stance on Russian modern literature and criticism. The author examines Nemzer’s critical discourse in order to reveal his unjustified pride and confidence in the area of literary criticism. The paper presents opinions of other Russian modern critics whose activity is aimed at improving the condition of the domestic literature rather than depreciating it as Nemzer does. The analysis of Nemzer’s texts proves that his criticism within the last decades has gone into the direction of a negative critique of Russian modern literature and thus discouraging young talented writers in Russia.
Źródło:
Acta Neophilologica; 2016, XVIII/2; 203-211
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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