Autor: Szczepkowska, Ewa - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: TEMATYKA KULINARNA W POLSKIEJ WSPÓŁCZESNEJ POPULARNEJ PROZIE KOBIECEJ
CULINARY MOTIFS IN POPULAR POLISH CONTEMPORARY WOMEN’S FICTION
Autorzy:: Szczepkowska, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/444723.pdf
Data publikacji:: 2017-06-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: popular woman’s fiction
culinary code
housewife
post-feminism
downshifting narratives
culinary metaphor
nourishment – spiritual equivalent
Opis:: This article concerns culinary motifs found in popular women’s fiction at the turn of the 20th and 21st centuries. Women’s fiction is either indifferent to culinary topics or interested in them as a theme, metaphor or recipe. Culinary topics as the main theme appear in novels written by Kalicińska, Enerlich, and Ficner-Ogonowska. I. Sowa employs a culinary code as a metaphor for contemporary urban life style which is marked by consumerism, excess of consumer goods and an intense rivalry. Kalicińska’s novel cycle is an example of downshifting narratives appreciated by some feminists as a way to promote ecology and a women’s community. Culinary novels authored by Enerlich and Ogonowska do not popularize the culinary culture, but rather commercialize it.
Źródło:: Acta Neophilologica; 2017, XIX/1; 269-281
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: KRYTYKA TEATRALNA ADAMA GRZYMAŁY-SIEDLECKIEGO
THEATRE CRITICISM OF ADAM GRZYMAŁA-SIEDLECKI
Autorzy:: Szczepkowska, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/444738.pdf
Data publikacji:: 2016-06-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: theatre criticism,
theoretician of the theatre,
the Great Theatre Reform,
reviewer,
interwar period
Opis:: The article presents the figure of Adam Grzymała-Siedlecki, a forgotten writer, who was a playwright, novelist, biographer, director, manager of Cracow theatre. He was also a theatrical reviewer and a historian and theoretician of the theatre. One of his most important activities was theatre critcism. His attitude to theatre evolved during a few decades. At the begining of the XX century he was impressed by the ideas of the Great Theatre Reform es- pecially those ones represented by Gordon Craig. Polish critic considered theatre as an autonomic art, appreciated the setting for a theatre play and the main role of a director. In interwar period, when he worked as a reviewer in Kurier Warszawski, he became more traditional and conservative: according to him the most important person in the play is an actor. In his reviews he also called for a repertoire based on Polish comedies, realistic dramas and Polish classics. The view that the fundamental value of the theatre is the interaction between the audience and the actors stands him out in the context of the Young Poland theatre criticism.
Źródło:: Acta Neophilologica; 2016, XVIII/1; 135-150
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Szczepkowska, Ewa" wg kryterium: Autor

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język