Temat: semantyka językowa - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Barwy w językowej kreacji ojca w powieściach nadniemeńskich Elizy Orzeszkowej
The colors in the linguistic creation of the father in „Upon the Niemen” novels of Eliza Orzeszkowa
Autorzy:: Skorupska-Raczyńska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/1595485.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:: language creation of the world
semantics
color
językowa kreacja świata
semantyka
barwa
Opis:: Fathers, step-father, caregivers in the ‘upon the Niemen’ novels by Eliza Orzeszkowa are fi gures clearly outlined. Their creations are made also by the means of color, light and shadow. Writer, creating the characters of fathers, stepfather and caregivers operates with the color subtly and sparingly, especially in the description of their clothes and bodies. Names, defi nitions of glow, light and shadow are the components serving the verbalization and dynamization of feelings, experiences and behaviors, as well as descriptions of the personality in the characteristics of characters. Creation of men are also served by the background and the environment color, which is a typical aspect of the novel design by Orzeszkowa.
Źródło:: Studia Językoznawcze; 2014, 13; 211-228
1730-4180
2353-3161
Pojawia się w:: Studia Językoznawcze
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Językowa kreacja matki w Nad Niemnem Elizy Orzeszkowej
The linguistic creation of mother in On the banks of the Neman by Eliza Orzeszkowa
Autorzy:: Skorupska-Raczyńska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/1595585.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:: language creativity of the world
semanticity
lexicology
językowa kreacja świata
semantyka
leksyka
Opis:: The analysis of the content of Eliza Orzeszkowa’s epic On the Banks of the Neman allows to distinguish the following different types of mother created by the writer: the Polish Mother, Mother-Kitten, Mother-Cuckoo, Distant Mother, and Mother Willow. Wisely devoted to her children, Maria Kirłowa is the Polish Mother type: she runs her farm all by herself, is a keeper-at-home, and, being a single mother, brings her children up to function well in the society of the second half of the twentieth century. Another mother, the proud patriot Mrs Andrzejowa Korczyńska, constitutes a monumental character. As a widow living up to her ideals she is – as it may seem – a woman to follow, but, alienated from her environment, she fails. Her son takes advantage of her knowing that his mother will do anything for him, like mother kitten. Starzyńska is the Mother-Cuckoo; she abandons her children, Janek and Antolka, to be brought up by someone else. The reason is that this woman’s need to re-marry is stronger than her maternal feelings. Selfcentered Emilia is the Distant Mother, that is to say one that is absent from the process of her children’s development. Emilia’s role of Witold and Leonia’s mother is taken over by Marta, who, as Mother-Willow, brings them up, feeds them, teaches, comforts, spoils, but also sets requirements, cares, and, fi rst of all, is always there for them. In the complex reality of the second half of the twentieth century the situation of the Polish women was quite diffi cult, also in the maternal duties they fulfi lled; those were perceived and realized very differently by different mothers, which we fi nd notably refl ected in the realistic novel On the Banks of the Neman by Eliza Orzeszkowa.
Źródło:: Studia Językoznawcze; 2013, 12; 189-205
1730-4180
2353-3161
Pojawia się w:: Studia Językoznawcze
Dostawca treści:: Biblioteka Nauki

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