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Wyszukujesz frazę "time and space" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Teatralizacja: pogranicze życia i teatru
Autorzy:
Braun, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/2030750.pdf
Data publikacji:
2017-12-16
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Theatricality
theatre
character
space (in theatre and in theatricality)
time (in theatre and in theatricality)
teatralizacja
teatr
postać
przestrzeń (w teatrze i w teatralizacji)
czas (w teatrze i w teatralizacji)
Opis:
“Theatricality” is a term describing the use of theatrical means of expression in various domains of life. It is an added, spectacular, visual, performative, and dramatic element of different social events and activities. Theatricality it is an area where two entities—life and art—meet, which results either in conflict or in unification. Life transforms into theatre and theatre transforms into life. Theatricality is, thus, a transient region between life and art. Consequently, it is a model example of a border zone. From centuries theatricality was used as a means in the process of interhuman communication. It served to amplify and facilitate interhuman communication and gave it a specific meaning. Theatricality was also employed as a powerful instrument of manipulating and falsifying messages. In contemporary theatre artistic creation is the primary goal and aesthetics takes primacy over all other objectives and values motivating and permeating theatre work. In theatricality the reasons and goals of using theatrical and theatre-like means of expression are practical—such as, for example, religious, social, political, or commercial. Theatre aspires (not always successfully) to situating its works in the realm of art, on the universal and transhistorical level, while theatricality is practically oriented.
Źródło:
Tematy i Konteksty; 2017, 12, 7; 44-57
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny. Glosy, hipotezy, interpretacje
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny [Officium parvum Conceptionis Immaculatae]. Statements, Hypotheses, Interpretations
Autorzy:
Sulikowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/451095.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
The Little Office of the Immaculate Conception of the Holy Mary in the Polish tradition
Blessed Virgin in the European culture
language forms of sacrum presence
genres within a poetic cycle Biblical languages in the Little Office (Latin, Greek, Hebrew) mosaistic and Christian motifs stylistic tropes in the prayer within the Little Office
Biblical allusions and motifs prayer prosody and performing problems of the prayer
problem of archaisms preserved within the text performed nowadays
role of the Little Office in the spiritual life in Poland
changes in space and time concerning performing the prayer
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny w polskiej tradycji Najświętsza Maryja Panna w kulturze europejskiej
językowe formy obecności sacrum
gatunki w obrębie cyklu poetyckiego
języki biblijne w godzinkach (łacina, greka, hebrajski)
motywy mojżeszowe i chrześcijańskie
stylistyczne tropy w modlitwie godzinek
biblijne aluzje i motywy
prozodia modlitwy i problemy z jej odmawianiem
problem archaizmów zachowanych we współcześnie wykonywanym tekście
rola godzinek w duchowym życiu Polski
zmiany w czasie i przestrzeni dotyczące wykonywania modlitwy
Opis:
The article concerns an Old Polish matins to the Holy Mary from the 17th century, which were created as a sung prayer, especially for laics. Its composition is similar to the breviary office of the Catholic Church, whereas the versification is based on prominent poetry examples from the Polish Renaissance (Jan Kochanowski, Mikołaj Sęp Szarzyński et al.). The author states that this form of prayer was attacked or even ridiculed in the times of reformation and counter-reformation by Protestant writers. Thanks to philological analysis of every distich – with consideration of the European background – the author shows intense and direct relations of the text to the Bible in Renaissance translations (priest Jakub Wujek, the Gdańsk Bible) and sometimes also to Marian apocryphic texts. A crucial role is played here by the symbolism of numbers (especially 7, 3, 1) and the semantic differences in many lexemes and language forms of the virtually 16th century Polish, if compared with contemporary Polish. A full concretization of this poetic cycle becomes visible when the text is sung first – hence the musical and prosodic aspects of the Little Office: its melodic line, physiological effects as the deepening and regularity of the breath have been considered. This is the way the prayer influences the human body, it opens and purifies the spiritual space for the influence of God’s grace. The author localized the prayer within the daily cycle of Old Polish and contemporary civilization, he pointed out the radical changes in life habits within the last century and an evolution of folk spirituality. The Little Office also has its place in the weekly cycle whereby every part is assigned to one specific day of the week. During the philological and prosodic analysis potential performers of the Little Office in Old Poland from the circles of peasants and craftsmen were named. The text has been well acquired in the community for twenty generations – the Little Office is often sung from memory exclusively. Because of the sociological changes it pervaded, thanks to the Roman-Catholic liturgy, into the contemporary urban ceremonial. 1
Źródło:
Tematy i Konteksty; 2016, 6(11); 254-301
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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