- Tytuł:
-
Fotografia i historia w narracji Leszka Szarugi (powieść "Zdjęcie")
A photograph and a story in Leszek Szaruga’s narrative (his novel "A Photograph") - Autorzy:
- Wądolny-Tatar, Katarzyna
- Powiązania:
- https://bibliotekanauki.pl/articles/521415.pdf
- Data publikacji:
- 2012
- Wydawca:
- Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
- Tematy:
-
literary references of a photograph
literary references of history
history in an “anthology of private narratives"(coined by Leszek Szaruga)
photograph in an “album from a historic archive” (coined by Leszek Szaruga)
novelistic polylogue - Opis:
- Leszek Szaruga’s novel is built by two interweaving narrative sequences which may be arbitrarily called photographic and historical ones. Photography and history function here through literature, in a closed off and finite semiotic system – constituted by a novel. It is literature which establishes the scope of reference for them. A photograph here is repeatedly a part of somebody’s story (by inscribing itself into the anthology of private narratives), while a story is somebody’s “photograph” (by inscribing itself into the album taken from history archives). Historic qualities of photography and, conversely, photographic ones of history determine each other mutually. A photograph presenting starving people in Africa triggers a character’s reflection, whereas co-existence of beauty and terror in a photograph makes him embark on a number of actions: photographing the photograph, or optical enlarging of its details. This, in turn, seems to constitute a kind of simulation of participating in the presented events which indicates taking up a hermeneutical game with reality. 20th century history of Poland, viewed from a perspective of the 1990s, is being written out for a set of life histories of people who represent different generations, thus forming a historic narrative chain in the novel. The novel’s polylogue on historical topics, as well as reflection revealed by the character under the influence of the viewed photograph create a dynamic anthropological project based on an assumption that being outside history is utopia, while existence means activeness, consciousness, and responsibility.
- Źródło:
-
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2012, 3; 5-16
2083-7275 - Pojawia się w:
- Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
- Dostawca treści:
- Biblioteka Nauki
Artykuł