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    Tytuł:
    Królewicz jezuitą, król opatem. Wątek „zakonny” w ikonografii Jana Kazimierza
    The prince as a Jesuit, the king as an abbot. The “monastic” theme in the iconography of John II Casimir
    Autorzy:
    Skrodzka, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/560297.pdf
    Data publikacji:
    2016-12-31
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Zygmunt III Waza
    ikonografia
    jezuici
    abdykacja
    pobożność
    Sigismund III Vasa
    iconography
    Jesuits
    abdication
    piety
    Opis:
    Abstrakt Królewicz Kazimierz Waza wychowywał się na dworze swego ojca Zygmunta III w atmosferze pogłębionej pobożności. Skutkiem tego było jego wstąpienie do zakonu jezuitów. Królewicz ostatecznie opuścił klasztor i sięgnął po koronę królewską. Do życia zakonnego powrócił po swej abdykacji. Niniejszy artykuł prezentuje dzieła sztuki upamiętniające związki Jana Kazimierza z życiem zakonnym. Wśród nielicznej grupy są: emblemat, medal i ryciny, a także nagrobek Jana Kazimierza w Paryżu. Wszystkie te obiekty są świadectwem głębokiej pobożności Jana Kazimierza.
    The young Casimir Vasa was brought up at the court of his father, Sigismund III Vasa, in the atmosphere of great devotion, which made him enter the order of Jesuits. Even though he decided to leave the monastery and to take the Polish crown, he came back to the life of a monk after his abdication. The present paper presents the very few pieces of art commemorating the monastic life of John Casimir: an emblem, a medal, some prints and his tomb in Paris. All those objects demonstrate the deep piety of the king.
    Źródło:
    Folia Historica Cracoviensia; 2016, 22; 437-450
    0867-8294
    Pojawia się w:
    Folia Historica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Missa pulcherrima” Bartłomieja Pękiela. Historyczny, biograficzny i stylistyczny kontekst utworu
    Autorzy:
    Zając, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/669077.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Pękiel
    the Royal Band
    Sigismund III Vasa
    Wladyslaw IV
    the Swedish Deluge
    the Wawel Cathedral Band
    form of Mass
    Opis:
    The main aim of this study was to present the outstanding composition created by Bartłomiej Pękiela, Missa Pulcherrima, giving the historical, biographical, and stylistic context. The author succinctly depicted, first the historical background in which the composer lived and created, sketching the rulers of Poland of the time: Sigismund III, Vladislaus IV and John Casimir, against the important political events of the period. Having delivered the most up-to-date research, he carried on to a closer presentation of the composer himself, with a few biographical details, like these of his work as the Royal Choirmaster in Warsaw, and then the Cathedral Choirmaster at the Wawel Castle in Cracow. The author of this paper drew heavily on the studies made by eminent Polish musicologist, Rev. Hieronim Feicht (1894–1967), whose research on the biography and compositions of Bartłomiej Pękiel has not be rivaled so far by anything equally insightful and exhaustive. This study is an attempt to show Pękiel’s Missa Pulcherrima in the context of mass service compositions, proving that in its extraordinary composing and stylistic values it definitely differs from the other mass pieces by this composer written in the old style (stile antico). The said composition was created after 1655, when Pękiel moved from Warsaw to Cracow so as to undertake the position of the Cathedral Choirmaster at the Wawel Castle. Most probably, it was his last composition. A liable review of Bartłomiej Pekiel’s Missa Pulcherrima was rendered by expert in the Old Polish Music, Ewa Obniska: “Without doubt, it is the most outstanding old Polish mass, the stunning composition of outstanding artistry and unparalleled subtlety of melodic side […] the most tremendous religious masterpiece of the Polish Baroque – amongst those few which have lost nothing of their influential power despite centuries passing”.
    The main aim of this study was to present the outstanding composition created by Bartłomiej Pękiela, Missa Pulcherrima, giving the historical, biographical, and stylistic context. The author succinctly depicted, first the historical background in which the composer lived and created, sketching the rulers of Poland of the time: Sigismund III, Vladislaus IV and John Casimir, against the important political events of the period. Having delivered the most up-to-date research, he carried on to a closer presentation of the composer himself, with a few biographical details, like these of his work as the Royal Choirmaster in Warsaw, and then the Cathedral Choirmaster at the Wawel Castle in Cracow. The author of this paper drew heavily on the studies made by eminent Polish musicologist, Rev. Hieronim Feicht (1894–1967), whose research on the biography and compositions of Bartłomiej Pękiel has not be rivaled so far by anything equally insightful and exhaustive. This study is an attempt to show Pękiel’s Missa Pulcherrima in the context of mass service compositions, proving that in its extraordinary composing and stylistic values it definitely differs from the other mass pieces by this composer written in the old style (stile antico). The said composition was created after 1655, when Pękiel moved from Warsaw to Cracow so as to undertake the position of the Cathedral Choirmaster at the Wawel Castle. Most probably, it was his last composition. A liable review of Bartłomiej Pekiel’s Missa Pulcherrima was rendered by expert in the Old Polish Music, Ewa Obniska: “Without doubt, it is the most outstanding old Polish mass, the stunning composition of outstanding artistry and unparalleled subtlety of melodic side […] the most tremendous religious masterpiece of the Polish Baroque – amongst those few which have lost nothing of their influential power despite centuries passing”.
    Źródło:
    Pro Musica Sacra; 2012, 10
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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