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Wyszukujesz frazę "Queer Theory" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Genre and Literature in the Seventeenth Century: The “Princesse de Clèves” and its Political Stakes
Autorzy:
Zoberman, Pierre
Powiązania:
https://bibliotekanauki.pl/articles/606203.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Gender, heteronormativity, Lafayette, queer theory, women writers
Gender
heteronormativity
Lafayette
queer theory
women writers.
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
This article explores the political implications, both at the time and for present-day readers, of the way La Princesse de Clèves calls into question gender norms/roles. Analyzing plots and characters in Lafayette’s text and readers/critics’ reactions in various contexts, it foregrounds the unsettling potential of a text that paradoxically moved from the position of hapax-cum- media-sensation to that of a paradigm of the early-modern novel. By focusing on its continued efficacy in disturbing heteronormative stereotypes, it sheds light on the way literature from before the modern era can contribute to identifying and analyzing queerness and gender dissidence in past historical contexts.
L'article ne contient que des résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wolves in the City of Domesticated Women: The Queer Wild of Olivia Rosenthal
Autorzy:
Szymonek, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1902832.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
wolves
animal studies
queer ecofeminism
trans-species urban theory
Opis:
In 2009, in the city of Nantes, a pack of six wolves was released in a public park as part of Stéphane Thidet’s art installation. A book of short stories accompanied the event. One of the authors involved was Olivia Rosenthal, who then incorporated her story into the novel Que font les rennes après Noël? (2010), in which captive wolves are reintroduced to the city. In this post-natural environment, animals provide a semblance of the wilderness for residents, yet remain enclosed in an extended zoo designed by man – an act that domesticates both sides of the fence by  separating humans from wolves. Rosenthal’s protagonist is one of such captives. Her life and the lives of animals are presented in parallel narratives. She grows up in a strictly controlled environment, and social standards are imposed on her. In a semi-autobiographical vein, Rosenthal explores issues of queer and gender marginalization as well as emancipation. At the same time, she seeks to dismantle the binary oppositions that place animals, women, and non-heteronormative persons on the other side of the fence. Relying on queer ecofeminist theory developed by Greta Gaard (1997) as well as trans-species urban theory formulated by Jennifer Wolch (1998), this paper argues that we should challenge the hierarchical approach to human and non-human life, as it silences differences and denies voice, rights, and agency to women, non-heteronormative persons, and animals. Tracing inspirations behind Olivia Rosenthal’s novel, this paper also contemplates the ethics of using live animals in Stéphane Thidet’s La Meute (2009) as well as Mircea Cantor’s Deeparture (2005) – two art installations that place captive wolves in an artificial environment.
Źródło:
New Horizons in English Studies; 2021, 6; 51-62
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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