Temat: paratext - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Audiowizualne zawroty głowy. Alfred Hitchcock i wideoeseje
Autorzy:: Biliński, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/1186362.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Hitchcock
video essay
paratext
YouTube
Vimeo
remix
Opis:: The article focuses on paratexts that refer to the work of Alfred Hitchcock. The author focuses on video essays, which either describe, analyze and interpret films made by the director of Vertigo, or to highlight specific themes that are characteristic of his films. The author briefly examines video essays as a new way of ‘writing’ about the cinema, and draws attention to the popularity of YouTube and Vimeo platforms, commonly used by vloggers to share materials they have edited. The next parts of the article are devoted to video essays thematically focused on Hitchcock and his work. By systematizing the issue and pointing out the most important components of video essays, the author distinguishes the following types of such short films: those that focus on specific themes in Hitchcock’s films; those regarding the director’s method; those examining the influence of his films; those analyzing specific films from different perspectives; those that read Hitchcock’s films in a historical perspective; and finally various video remixes based on the assembly of excerpts of Hitchcock’s works with shots from other films.
Źródło:: Załącznik Kulturoznawczy; 2020, 7; 185-210
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Nie tylko reklama. Artystyczny status zwiastuna filmowego (w kontekście "Psychozy" Alfreda Hitchcocka)
Autorzy:: Górny, Anna
Powiązania:: https://bibliotekanauki.pl/articles/1186455.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Hitchcock
Psycho
film trailer
film advertising
paratext
Opis:: Film trailers are usually dismissed as supplements to artistic texts which are the films themselves. Their ‘fleeting’ status reinforces the belief that a trailer is only meant to pave the way for the fully-fledged work. Trailers are of course a form of advertising, but at the same time they constitute short audiovisual works that can also be judged in artistic terms. This article is an attempt to demonstrate that the character of the trailers produced by director Alfred Hitchcock is expressed not only in the creation of spectacular short forms of advertising, signed by the author’s brand of the ‘master of suspense’, but also in opening up a new field of research on the trailers themselves - as small audiovisual forms whose relation to the main text does not have to be at all simple or unambiguous - and in blazing new trails in their development. The trailer to Psycho (1960), which in itself is an artistically interesting statement, described in the article as a case study, reveals the elements that most fully present this director’s approach to promotional texts. Different from a typical commercial, it can be seen in the context of the auteur theory, and perhaps also illustrates some of Gilles Deleuze’s or David Bordwell’s claims, which helps to place this ephemeral film form in a broader film discourse.
Źródło:: Załącznik Kulturoznawczy; 2020, 7; 167-183
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "paratext" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język