- Tytuł:
-
O roli kamery w filmach Wojciecha Smarzowskiego
The Role of the Camera in the Films by Wojciech Smarzowski - Autorzy:
- Taras, Katarzyna
- Powiązania:
- https://bibliotekanauki.pl/articles/1187270.pdf
- Data publikacji:
- 2016
- Wydawca:
- Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
- Tematy:
-
Wojciech Smarzowski
digital camera
operator’s art
final shot
Poland after ’89
film image
light in movie - Opis:
- In this paper, I reflect on the role and function of the camera ‘acting’ (that is, the camera placed in the hands of the heroes of films by Wojciech Smarzowski) that appears on the screen as often as an ax – item strongly associated with this director’s cinema. I also refute the ‘digital’ legend of his debut, i.e. Wesele (Wedding), which has not been realized with the use of a digital camera, but a film one. A camera ‘casted’ in the films by Smarzowski can be considered as an extra, but a full-fledged hero, a witness seeing (and therefore recording) more than the character whose hands it is located in. This perfectly corresponds with the last shot – perhaps the most characteristic one for the author of the films discussed – the shot in which the One who reigns over the world, but does not interfere into it (since we have free will) gazes at the universe created by Wojciech Smarzowski.
- Źródło:
-
Załącznik Kulturoznawczy; 2016, 3; 254-267
2392-2338 - Pojawia się w:
- Załącznik Kulturoznawczy
- Dostawca treści:
- Biblioteka Nauki
Artykuł