Temat: fetishism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Nancy w Krainie Wieprzy. Kilka uwag o "Co?" Romana Polańskiego i recepcji filmu we Włoszech
Autorzy:: Skórska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/45459439.pdf
Data publikacji:: 2023-12-31
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: What?
Polanski
fetishism
reception
Italy
self-reference
citationism
Opis:: The article discusses Roman Polanski’s lesser-known film What?, made in 1972 in Italy, in Carlo Ponti’s villa. Despite not a very favorable general reception immediately after the premiere and later in time, the film was appreciated by Italian critics, who admired its intertextual values, self-citations, and references to Italian cinema, such as ironic allusions to commedia all’italiana, or Federico Fellini’s works and oneiric atmosphere. The main aim of the text is to present some ways of reinterpreting and reevaluating Polanski’s underrated and almost forgotten movie.
Źródło:: Załącznik Kulturoznawczy; 2023, 10, 10; 237-247
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Interwencja bogini/Szatana? "Wenus w futrze" (2013) – lektura palimpsestowa filmu Romana Polańskiego
Autorzy:: Kolasińska-Pasterczyk, Iwona
Powiązania:: https://bibliotekanauki.pl/articles/45461400.pdf
Data publikacji:: 2023-12-31
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Venus in Furs
Roman Polanski
David Ives
Leopold von Sacher-Masoch
palimpsest
hypertextuality
reading a palimpsest storybook
the myth of the goddess Venus
the theme of love-torture
masochism
fetishism
Opis:: The text concerns Roman Polanski’s film Venus in Fur (2013), a multi-layer psychodrama written for two characters, taking place on several levels of human relations: actress vs. director, literary character vs. performing artist, man vs. woman. Venus in Fur has been defined as a kind of palimpsest, i.e. a film story based on the fictional skeleton of other works. Referring to the concept developed by Gérard Genette, who categorized the ways in which different texts interact with each other, the article investigates the film’s hypertextuality, i.e. the “grafting” of Venus in Fur (as a hypertext) upon earlier works (hypotexts). When discussing Venus in Fur as a text of culture constituting a hypertext superimposed on other literary pieces, such as David Ives’ dramas, Leopold von Sacher-Masoch’s novels, mythological and biblical stories, it was necessary to identify their mutual relations by deciphering all the interconnections, reworkings, reinterpretations, and revisions. Due to the relationships existing between the various cultural texts in the film, the analysis was treated as a palimpsest reading. Attention was also paid to the director-actress relationship and the role of the female character in connection with the reinterpretation of the myth of the goddess Venus.
Źródło:: Załącznik Kulturoznawczy; 2023, 10, 10; 281-313
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

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