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Wyświetlanie 1-2 z 2
Tytuł:
Geneza artystyczna pomnika nagrobnego Józefa Frageta na Starych Powązkach
Artistic genesis of the history of the mausoleum of Józef Fraget at Old Powązki Cementary in Warsaw
Autorzy:
Wiraszka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/449961.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
mausoleum
cemetery
neoclassicism
Powązki
Warsaw
Berlin
Gliwice
Józef Fraget
Leonard Marconi
Johann August Borsig
Johann Heinrich Strack
Christian Daniel Rauch
Thomas Evans
Family Brand
Opis:
Neoclassical mausoleum of Józef Fraget (1797-1867) commemorating a French industrial entrepreneur and the founder of the first factory of clad goods in Poland was constructed at Old Powązki Cemetery in Warsaw between 1867 and 1869 (quarter A, row I). The author of the torso is Leonard Marconi, and the mold is believed to have been made by the “Lilpop, Rau i Loewenstein” factory in Warsaw. The original project embraced only the top, cast iron part of the tomb in the form of Doric aedicule with entablature and triangular pediment as well as the marble torso placed on prism pedestal located among four columns. The bottom, stone part, was executed later, approximately in 1913 in Władysław Tuszyński stone enterprise. The Mausoleum of Fraget is a replica of the monument situated in Berlin at St. Doro-thy’s Cemetery commemorating Johann August Borsig (1804-1854), the owner of the well-established metal factory in Europe. Its designer was an architect from Berlin, an appren-tice of Schinkl, Johann Heinrich Strack, and the maker of the bronze torso mold was a sculp-tor Christian Daniel Rauch. Three other mausoleums originated from the same model: the Brand family mausoleum at the Metallurgical Cemetery in Gliwice, (between 1865 and 1890), Tomas Evans mausoleum at the Evangelical Reformed Cemetery in Warsaw (second half of the 60s. the XIX century, currently non-existent) and in its slightly modified form, the tomb of the architect J. H. Strack at the St Dorothy’s Cemetery in Berlin (1880-1882). All the above-mentioned mausoleums except the monument decorating the tomb of the architect Strack, commemorated personalities from metallurgical industry. The particularity of the mausoleum of Józef Fraget consists in the use of cast iron as the main constructing element. It is a distinctive feature differing the mausoleum in question from the remaining exemplary monuments made of stone.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2015, 22; 229-240
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antonii Messing twórca pomnika Panny Marii przed kościołem Reformatów i serii wzorowanych na nim nagrobków wzniesionych na cmentarzach Warszawy
Antoni Messing- co-creator of the Sacred Virgin Marys statue located in front of the Reformed Church and co-author of series of tombstones patterned after it and raised at the cemeteries of Warsaw
Autorzy:
Wiraszka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/449814.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Warsaw
The Palace of Wilanów
The Powązkowski Demetry
The Evangelical Augsburg Cemetery
The Evangelical Reformed Cemetery
The Orthodox Cemetery in Wola
Henryk Marconi
Antoni Lessing
the statue of the Virgin Mary of the Immaculate Conception
Opis:
Antoni Messing (ca. 1821-1867) the owner of the stone workshop located in Warsaw on 6 Powązkowska Street (mtge. 27C) is currently most famous for one monument- the Statue of the Virgin Mary of Immaculate Conception which was placed in front of the Church of St Antony of Padua on Senatorska Street (1851). What made this monument different from other independently standing monuments was the use of lanterns which at evening time illuminated the statue of the Virgin (1853). The innovative idea spread not only around Warsaw, but also outside the city boundaries. References to the monument elevated by Messing were not limited to the way and form of illuminating the statue. The inventory research conducted on Warsaw cemeteries ena-ble the extraction of a group of tombstones imitating the shape and the decor of the plinth of the statue of the Virgin. The number of examples of this collection of tombstones numbers 19. Their execution dates back to the period 1853-1874 - with one exception only, all of them were elevated during the period of Antoni Messing’s ownership of the stone workshop. All of them represent the same commemoration in the form of a crucifix located on a plinth. Exam-ples can be separated into two groups. One, comprising 8 tombstones, the closest to the origi-nal, the other, comprising 11 examples preserves the architectural structure without the sculp-tural decor. The origin of the formal concept is to be traced in the project of Henryk Marconi’s garden vase designed for Wilanowski Park (ca. 1845-1851) as well as the finishing elements of the Stanisław and Antoni Potocki’s tombstones. Consequently, the contribution of Messing consists in the creation of the series of tombstones modeled on the statue of the Virgin Mary rather than the originality of the project.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2016, 23; 181-190
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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