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    Wyświetlanie 1-5 z 5
    Tytuł:
    Galeria Academica: a Portrait Collection of the University of Helsinki
    Autorzy:
    Vourikoski, Pia
    Powiązania:
    https://bibliotekanauki.pl/articles/636545.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Galleria Academica
    portrait of professor
    exhibition
    Opis:
    Galleria Academica, owned by University of Helsinki, is the largest portrait collection in Finland containing ca 1000 pieces of works. The history of the collection dates from 1650s, when the first portrait was donated to the Royal Academy of Turku, the predecessor of the University of Helsinki. In the collection is represented all types of portrayal art in Finland as well as large number of famous Finnish artists. Modern approaches have slowly broken through for portrayal art, because of their representational status.
    Źródło:
    Opuscula Musealia; 2012, 20; 29-44
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    IN ETERNAL MEMORY SHALL HE REMAIN RIGHTEOUS. Formed from the dust of the ground, more splendid than a jewel. Lithographic Portraits of Rabbis in the Collection of the National Museum in Kraków
    Autorzy:
    Czubińska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/638547.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    rabbi, portrait, lithography, the National Museum in Krakow
    Opis:
    The article presents the rare and unknown collection of Rabbis at The National Museum in Kraków. In Poland, ravaged by so many wars and pogroms, such objects are extremely rare. The National Museum in Cracow has a relatively sizeable collection of lithographic portraits of rabbis, composed of 28 items, which were mostly donated by the great benefactors of the Museum, Wacław Lasocki and Władysław Bartynowski. A social position of Rabbi in Jewish community has been described. The names and the biographies of the Rabbis have been established. The information about their lives has been given, together with the descriptions of the portraits. The text is the first scientific information, description and interpretation of these portraits.
    Źródło:
    Scripta Judaica Cracoviensia; 2013, 11
    2084-3925
    Pojawia się w:
    Scripta Judaica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Badania obrazu Jana Lievensa „Portret młodzieńca”
    Autorzy:
    Frączek, Piotr
    Klisińska-Kopacz, Anna
    Rogóż, Maria
    Wiłkojć, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/636610.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Jan Lievens
    Portrait of a young man
    chemical analyses
    Analytical study
    Opis:
    In order to determine in detail the structure of the painting, physical and chemical analyses were carried out, such as: UV light examination, IR light examination, X-ray, chemical analysis of the ground layer and pigments (of the original paint layer as well as the overpaint layers). The stratigraphy of the existing layers was determined based on the examination of the cross-sections. Pigments were identified by the analysis of their elemental contents. Chemical analyses were carried out using noninvasive methods. Measurements were carried out using X-ray fluorescence spectroscopy (XRF).
    Źródło:
    Opuscula Musealia; 2011, 19; 49-54
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy „Portret młodzieńca” w zbiorach wawelskich jest obrazem Jana Lievensa?
    Autorzy:
    Winiewicz-Wolska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/636616.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Jan Lievens
    Portrait of a young man
    Wawel
    Anton van Dyck
    Opis:
    In 1910, Cracow art historian Professor Jerzy Mycielski bought Portrait of a young man, believing it to be a work by Dutch painter Jan Lievens, at an auction in Amsterdam. After Mycielski’s death in 1929, following his last will, the portrait along with his entire collection was bequeathed to the Wawel Royal Castle. In an article published in 1917 Hans Schneider saw the likeness of the painting to Rafael’s Portrait of a young man, which was then in the Duke Czartoryski collection. Attribution of the work to Lievens, who until recently was believed to be a student of Rembrandt, has never been questioned previously, although some researchers saw certain similarities between the painting and works by Juriaen Ovens or Govaert Flinck. The painting represents an “international” style of portrait, formed under the Flemish influence, in particular of Anton van Dyck’s portraits. Thus it should be assumed that the work of van Dyck was an important inspiration and point of reference for the artist who painted the portrait, who might have seen Rafael’s Portrait – the original, its copy or a graphic version. All the more so as van Dyck himself was familiar with Rafael’s work – he saw it during his journey to Italy in 1623 and made a copy in the form of drawing in his sketchbook. Other than a close a likeness to Rafael’s original and van Dyck’s works, the stylistic analysis of the Wawel Portrait does not enable pinpointing who painted it. Examination using technological means appears to be necessary, considering the fact that Lievens’ paintings were rather carefully examined in view of the recent monographic exhibition at the National Gallery in Washington and the Rembrandthuis in Amsterdam. The fact that the Wawel painting was included in Lievens’ works displayed at that exhibition seems to suggest that the ideas of those researchers who saw it as a work by Flinck or Ovens should be revisited. Flinck’s portraits based on Flemish models are only of marginal importance and they certainly do have some common features. They do not show any traces of fascination with van Dyck’s painting; neither are there any cues to suggest that he knew Rafael’s Portrait. On the other hand, Juriaen Ovens, who probably visited Italy, could have seen Rafael’s work. He might have come across a copy of it as a collector or as an antiquarian – since he not only had a large collection of paintings but also traded in antiquities. His fascination with van Dyck’s painting and the fact that he was familiar with his oeuvre is confirmed by his numerous sketches of paintings by the Flemish master. The analysis of some details of the Wawel portrait – folds of the young man’s outfit or landscape in the background – also seem to support the assumption that it is his work.
    Źródło:
    Opuscula Musealia; 2011, 19; 37-48
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Value priorities in hearing-impaired adolescents
    Autorzy:
    Kossewska, Joanna
    Peters, Brenda
    Potměŝilová, Petra
    Potměšil, Miloň
    Powiązania:
    https://bibliotekanauki.pl/articles/637307.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    młodzież
    uszkodzenie słuchu
    Portretowy Kwestionariusz Wartości
    Schwartza (PVQ-21)
    uszeregowanie wartości
    adolescents
    hearing impairment
    Schwartz Portrait Value Questionnaire (PVQ-21)
    values priority
    Opis:
    Hearing impairment is regarded to be a barrier to the psychological development and language skills of deaf students. In understanding and establishing what comprises the value priorities amongst adolescents, certain deviations can be expected amongst teenagers who are deaf or who have hearing impairment. The article describes and compares the value priorities of 246 adolescents who are deaf or with hearing impairment from Poland and the Czech Republic with hearing peers. The Schwartz Portrait Values Questionnaire is used to measure the value priorities of the respective groups of participants. In comparison to peers responses the results indicate that hearing status impacts upon an individuals’ values of conformity, tradition as well as achievement, however, other value priorities are shown to be infl uenced by gender and country of domicile
    Źródło:
    Psychologia Rozwojowa; 2013, 18, 3; 23-36
    1895-6297
    2084-3879
    Pojawia się w:
    Psychologia Rozwojowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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