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Wyświetlanie 1-4 z 4
Tytuł:
Plus ratio quam vis. Od mimochodem rzuconej sentencji do dewizy uniwersyteckiej
Autorzy:
Wasyl, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/636311.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Maximianus, plus ratio quam vis, university mottos, sententiae, Jagiellonian University, Kraków Academy, Karol Estreicher Jr., Roman love elegy, Cornelius Gallus, literary culture in the age of Th eoderic the Great
Opis:
Plus ratio quam vis, or, the career of a sentence Although the Jagiellonian University was established as early as in 1364, its widelyrecognized motto was chosen and inscribed on the portico leading from the Assembly Hall to Copernicus Hall much later, only in the mid-twentieth century. In 1952, Professor Karol Estreicher Jr., the head of the University Museum, came across a sentence which he considered “worth being the Jagiellonian University’s motto” (the inscription was eventually carved on the portico in 1964). Apparently, all that Estreicher knew was that the phrase plus ratio quam vis was “a part of a Latin proverb.” He had no idea whatsoever of its author or the original context in which it had been used. Frequently (still too frequently, in truth) the phrase is quoted as coined by Cornelius Gallus, usually labeled, after Ovid, the first of the elegiac poets of Rome. The mistake is justifiable, at least to some extent, as the actual author of the poetic work in which the hemistich appears was for quite a long time mistaken for Cornelius Gallus. After Pomponius Gauricus’s edition of Cornelii Galli Fragmenta (Venice, 1501 die. XII. Ianuarii, which actually means 1502, as the date is indicated more veneto), the elegiac oeuvre by Maximianus, an author active in sixth-century Italy, was, so to speak, redefined as Gallus’s. Until the late eighteenth century the false attribution continued to be repeated by many other editors, who in fact very willingly published collections of the Roman love poets, Catullus, Tibullus, Propertius, and ‘Gallus’ (= Maximianus). It is to some point ironic that in the modern era Maximianus was so easily deprived of the ‘copyright’ to his own poetry, considering that earlier, in the Middle Ages, he was an author (relatively) well-known (under his real name) and even read in and recommended for schools. This aspect brings us back to our main topic here, i.e. the choice of Maximianus’s phrase as the motto of the Jagiellonian University, one of the oldest universities in the world. Karol Estreicher himself was presumably not aware of this but Maximianus was indeed studied in the Kraków Academy in mid-fifteenth century (as two manuscripts, BJ 1954 and 2141, preserved in the Jagiellonian Library, clearly indicate). He was studied for his vivid descriptions of old age (for which he was  celebrated among many medieval commentators and theorists of teaching, who apparently were not at all embarrassed by the fact that their students, when reading Maximianus, might have also read a laus Mentulae) and for his sententiositas. What is more, the Jagiellonian Library possesses a considerable collection of incunabula and old prints containing Maximianus’s (or ‘Gallus’s’) work. So paradoxically, Karol Estreicher could not have chosen better. The motto of UJ is related to its history, in the sense that it is taken from an author whose work was on the reading list in the Academy in the later Middle Ages, it is concise, intelligent, significant, and ‘decent,’ even though it was originally expressed by a poet who was not less efficient when coining memorable sententiae than when singing the praises of Mentula, the embodiment of human corporeality.
Źródło:
Terminus; 2013, 15, 1(26)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielkie wygrane. Wspólne sprawy poezji, krytyki i estetyki
Great benefits. The common issues shared by poetry, art criticism and aesthetics
Autorzy:
Kałuża, Anna
Powiązania:
https://bibliotekanauki.pl/articles/969783.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
literary criticism
contemporary polish poetry
aestehetics
popular culture
Opis:
Great Benefits. the Common Issues Shared by Poetry, Art Criticism and Aesthetics The article constitutes and attempt to outline such a conception of art criticism which would take into consideration post-modern transformations concerning the functioning of the arts in various societies. The category of criticism is understood by me in a broad sense which enables one to accept utopian thinking and an evaluating attitude. In my research I deal with the issue of defining what is art/poetry in the context of modernday knowledge about the interpretative character of critical activities; I put forward a hypothesis that at the present moment, arguments and contentions between researchers, critics and commentators concern the very possibility of interpretation. I also opt out for perceiving positive consequences of critical work.
Źródło:
Wielogłos; 2011, 1, 9; 104-119
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Próby nowej krytyki
New criticism attempts
Autorzy:
Orska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/969806.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
literary criticism
aesthetics
engagement
the political
popular culture
krytyka literacka
estetyka
zaangażowanie
polityczność
kultura popularna
Opis:
New Criticism Attempts The article constitutes a polemic with two critical books containing a proposition of a different, extra-institutional conception of literary narration. Joanna Mueller’s publication entitled Stratygrafie constitutes an attempt to create a comprehensive mythology of the world, one whose genome would be made up of poetry. According to the principle which unifies various experiences, a poetic work would contain senses which an active reading – understood here rather in the categories of a fertile „aberration” than in the sense of traditional reading with understanding – should only make present. In turn, in Anna Kałuża’s Bumerang (Boomerang), the phenomenon of poetic art is treated in anti-creative categories and is rather bound up with communication, as well as with socio-political contexts. Kałuża reiterates after Wolfgang Welsh that we are currently living in an era of post-demystification and whenever reality, which is created for us by pop culture, assumes in its entirety the shape of an aesthetic construct, there is no possibility of transgressing the boundary-line between art and life.
Źródło:
Wielogłos; 2011, 1, 9; 93-103
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archiwa we współczesnej kulturze. Recenzja kwartalnika „Konteksty. Polska Sztuka Ludowa”, nr 1–2 (328–329) Archiwa. Spisane będą (?) czyny i rozmowy, Instytut Sztuki PAN, Warszawa 2020, ss. 508
Archives in contemporary culture. Review of the qr. Konteksty. Polska Sztuka Ludowa, No. 1–2 (328–329) Archives. Deeds and conversations shall be (?) written down, Institute of Art of the PAS, Warsaw 2020, pp. 508
Autorzy:
Szuba, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/1371269.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
kulturoznawstwo
etnologia
muzykologia
antropologia kultury
archiwa literackie
archiwa twórców kultury
cultural studies
ethnology
musicology
cultural anthropology
literary archives
archives of culture creators
Opis:
Autor omawia podwójny tom czasopisma „Konteksty” zawierający materiały dwóch konferencji, których motywem przewodnim było archiwizowanie kultury i archiwa kultury: międzynarodowej konferencji Instytutu Kultury Polskiej Uniwersytetu Warszawskiego „Les écritures des archives II. Writings of Archives II” (11–13 grudnia 2017) oraz IX Zakopiańskich Spotkań Antropologicznych „Archiwa. Spisane (?) będą czyny i rozmowy” (5–8 grudnia 2019). Autor konstatuje, że kulturowy wymiar refleksji archiwistycznej pozwala spojrzeć szerzej poza widnokrąg ustalony granicami tradycyjnej archiwistyki. Zmusza jednocześnie do namysłu nad koniecznością przewartościowania utartych w archiwistyce pojęć i odpowiedzi na pytanie, czym jest archiwum, jakie funkcje pełni we współczesnej, niezwykle zróżnicowanej, kulturze.
The author discusses the double issue of Konteksty, a magazine with materials from two conferences whose theme was the archiving of culture and cultural archives: International Conference of Institute of Polish Culture of the University of Warsaw “Les écritures des archives II. Writings of Archives II” (11–13 December 2017) and the 9th Anthropological Meeting in Zakopane “Archives. Deeds and conversations shall be (?) written down” (5–8 December 2019). The author states that the cultural dimension of archival reflection makes it possible to see beyond the horizon set by the borders of traditional archival studies. At the same time, the article makes the reader think about the need to re-evaluate commonplace terms used in archival studies and to answer the questions of what an archive is and what function it fulfils in extremely varied contemporary culture.
Źródło:
Archeion; 2020, 121; 492-503
0066-6041
2658-1264
Pojawia się w:
Archeion
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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