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    Wyświetlanie 1-6 z 6
    Tytuł:
    Szekspir współczesny i (po)nowoczesny. Ekranizacja jako historyczna dekonstrukcja dramatu (O książce Olgi Katafiasz Shakespeare i kino. Strategie adaptacyjne i ich konteksty społeczno-kulturowe)
    Autorzy:
    Fazan, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/639201.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Shakespeare William, dramat, film, polityka, historia, dekonstrukcja
    Opis:
    Contemporary and postmodern Shakespeare. Film as historical deconstruction of drama The article is a review of the book: Shakespeare and Cinema. Adaptation Strategies and their Socio-Cultural Contexts (Shakespeare i kino. Strategie adaptacyjne i ich konteksty społeczno-kulturowe) by Olga Katafiasz. In this book the Author analysis 28 chosen film version of Shakespeare dramas adopted by famous directors in 1935–2011. Katafiasz examines especially strategies of adaptations reading in esthetical, political and historical dimensions. The article refers to order of the book which was determined mainly by chronology and begins with Max Reinhardt’s and William Dieterle’s A Midsummer Night’s Dream (1935); then analyses the  adaptation strategies prevailing in movies directed by: Laurence Olivier, Orson Welles, Grigorij Kozincev, Akira Kurosawa, Roman Polański, Kenneth Branagh, Peter Greenaway, Richard Loncraine, Baz Luhrmann, Julie Taymor, Ralph Fiennes and Michael Radford; Ernst Lubitsch’s To Be or Not to Be (1942) and Alan Johnson’s To Be or Not to Be (1983). The review discusses (among others) the methodology of the book based on Harold Bloom’s idea  so called: ‘the anxiety of influence’, accompanying – as suggests Katafiasz – the creativeprocess of film based on Shakespeare’s plays.
    Źródło:
    Wielogłos; 2014, 1(19)
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Brush up your Shakespeare! O szekspirowskich inspiracjach w amerykańskim musicalu teatralnym i filmowym (na wybranych przykładach)
    Autorzy:
    Pitak-Piaskowska, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/650275.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    William Shakespeare, musical, theatre, film, American culture
    Opis:
    The article examines the manifestations of William Shakespeare’s output in the American musical, both theatrical and cinematic. The author shows that almost since its very beginning, these stage forms have drawn inspiration from the famous Bard’s dramas and comedies. Using the examples of musicals inspired by his works, such as The Boys from Syracuse (1938), Swingin’ the Dream (1939), Kiss Me Kate (1953) and West Side Story (1957), the article analyzes the reasons why the subject matter undertaken by Shakespeare proves to be universal and remains relevant, thus constituting an inexhaustible source of inspiration for American authors of musicals. The author describes the manners of drawing from Shakespeare’s works, as well as forms of development and adjustment of his plays to the convention of musical.
    Źródło:
    Konteksty Kultury; 2014, 11, 4
    2353-1991
    Pojawia się w:
    Konteksty Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bacon, Shakespeare i utopia sprawiedliwości
    Autorzy:
    Kowalcze-Pawlik, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/638944.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Bacon Francis, Shakespeare William, sprawiedliwość, utopia, utopia krytyczna
    Opis:
    Bacon, Shakespeare and the Utopia of JusticeThe article describes the functioning of “justice to come” in the English early modern culture in the light of Francis Bacon’s essay “Of Revenge” and the analysis of Act I of William Shakespeare’s Titus Andronicus. It demonstrates that reflection on the utopia of justice is not limited to one literary genre only, but permeates other texts created in the era when the questions about perfect state and ideal ruler were especially pertinent.
    Źródło:
    Wielogłos; 2014, 3(21)
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Suum cuique is our Roman justice (Shakesp. Tit. Andr. 1,1,284) – William Shakespeare, Heiner Müller and Roman fundamenta
    Autorzy:
    Święcicka, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/924233.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    justice
    suum cuique
    roman law
    drama
    Shakespeare
    müller
    Opis:
    The phrase suum cuique as an incarnation of “justice,” like many other Latin dicta, is deeply enrooted in the mental consciousness of mankind, and it lives its own life as a part of the so-called universal culture. Generally speaking, reference to Roman justice served and still serves as a justification of one’s own actions when such actions cannot defend themselves by their own formal correctness. It is, therefore, recourse to the eternal values, the understanding of which, however, is determined by one’s own experience or by experience of a particular epoch. This is proved by words of the authors mentioned in the title of the study, though separated from each other by several centuries and having different visions of the world, they considered the embodiment of this phenomenon in the phrase suum cuique as the most appropriate for their own narrative and judgmental description of the reality. Shakespeare, although he undoubtedly saw in Roman justice a guarantee of justification of certain actions, referred to this idea without a deeper analysis. Müller, one of the most important German dramatists of the second half of the 20th century, screaming through the voice of Tamora, who demands “Roman justice,” showed that a call for Roman fundamenta as well as for Roman iura et mores almost for the last time stands in the unsolved conflict with one’s own inhumane actions and inflation of all values that mankind has persistently considered as permanent. The article aims to analyse a cultural commentary on the use of the phrase suum cuique – a commentary understood as a way of bringing something that is analysed into the reality current for a commentator. In one dimension, this can be a dramatic comment rather than a simple description of a certain reality. Therefore, such a commentary should not be assigned only to a single commentator-narrator but to many who represent different eras.
    Źródło:
    Krakowskie Studia z Historii Państwa i Prawa; 2014, 7, 1; 169-180
    2084-4115
    2084-4131
    Pojawia się w:
    Krakowskie Studia z Historii Państwa i Prawa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Apollo Nałęcz-Korzeniowski and Cyprian Norwid: looking for common ground
    Autorzy:
    Samsel, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/638862.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Cyprian Norwid, Apollo Nałęcz-Korzeniowski, William Shakespeare, metadramatic strategies, translation strategies, modern comedy
    Opis:
    The aim of the present article is to determine the extent to which Apollo Nałęcz-Korzeniowski (Joseph Conrad’s father) and Cyprian Norwid - both of whom can be linked to the development of European modernism - shared a common approach to literature and the main social questions of their times. To this end I have made an analysis of the translation and metadramatic strategies adopted by both writers, whose approach to the practical problems of translation is modern in every respect. Korzeniowski and Norwid draw attention to the difficulties involved in adapting a writer’s natural style not only to a different linguistic context, but also to the specific translatability limitations imposed by a different literary culture. Both authors cite the symptomatic example of the musicality of Shakespearean verse, which Korzeniowski examines in the case of A Comedy of Errors and Norwid in Julius Caesar. Unlike Korzeniowski, who treats the original text as a literary whole, Norwid strays beyond the bounds of his own theory of translation by adding a philosophical component based on neoplatonism - as well as his own theory of “reading idiolects” - thus assuming the position of a ‘modern fragmentarist’ who makes a creative selection of text to be translated. The metadramatic ideas of Korzeniowski and Norwid found their fullest expression in the former’s Studya nad dramatycznością w utworach Szekspira (An Enquiry into Shakespeare’s Dramatic Art - 1868) and in the latter’s preface to his play entitled Pierścień Wielkiej-Damy (The Great Lady’s Ring - 1872). In their reinterpretations of Shakespearean drama, both writers sought to join in the literary ‘revisionism’ that took place in Europe after 1848 (and in Polish literature only after 1863) in order to lay the foundations of ‘modern comedy’. What they came up with was Norwid’s concept of the tragicomic (or ‘white tragedy’) and Korzeniowski’s concept of ‘flight into the realm of delusion’, both of which relate to the Shakespearean experience of ‘theatre within theatre’: in Norwid’s ‘actor’ and Korzeniowski’s ‘Man being in a state of delusion’ we have two models of a humanity that resorts to internal escapism in reverse, as it were - a Hamlet-like ‘flight into consciousness’. The legacy of the events of the 1863 January Uprising can be seen in the idea - put forward by both authors (albeit from differing standpoints) - of a synthesis of dramatic art and the life of the nation, in order that Society may take a long, hard look at itself.
    Źródło:
    Yearbook of Conrad Studies; 2013, 8
    2084-3941
    Pojawia się w:
    Yearbook of Conrad Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What’s past is prologue: the Age of Caliban
    Autorzy:
    Kowalcze-Pawlik, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/638715.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Shakespeare, Caliban, Prospero, monstrosity, bestial man, reception history, postcolonial studies, cultural studies, Renaissance literature, English drama
    Opis:
    The article provides a brief comparative study of the reception history of Shakespeare’s Caliban in the early modern period and in the contemporary literary criticism. The analysis aims to delineate a fundamental difference in the reception of the character of Caliban throughout the ages which I attribute to a historical shift in the understanding of the notions of humanity and monstrosity. The first part of the article concentrates on the description of the historical and social circumstances of the Elizabethan discourse of monstrosity and draws a link between them and the literary and political context of the time, while engaging into a close reading of The Tempest that brings to the fore the origin and nature of the “servant-monster”. The second part of the paper focuses on the gradual change in the interpretations of Caliban who ceased to be seen as a monstrosity and with time acquired undeniably human characteristics. That shift has been observable since the 19th century and has found its culmination in the postcolonial strain of Caliban’s contemporary interpretations, in which Prospero’s slave becomes a native trying to find a language for himself in a colonial regime his body and mind are subjugated to. The postcolonial project of the unfinished monstrous humanity of Sycorax’s son is congruous with the postmodern condition that can be dubbed, to use Harold Bloom’s phrase, “the Age of Caliban”. It is exactly that liminal and paradoxical notion of monstrous humanity that resides at the core of the contemporary fascination with “Monsieur Monster”.
    Źródło:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
    2084-3933
    Pojawia się w:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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