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    Tytuł:
    Przemiany historyczne staromiejskiego bloku nr 27 w Krakowie; dziedziniec Collegium Maius oraz posesja przy ul. św. Anny 10 w świetle ostatnich badań architektonicznych
    Autorzy:
    Hiżycka, Joanna
    Sławiński, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/636535.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Collegium Maius
    Jagiellonian University
    architectural studies
    Cracow Academy
    Opis:
    This paper summaries the results of research work conducted at Collegium Maius and Block 27. Owing to research the evolution in the spatial layout and architecture of the entire construction block (No. 27) where these buildings are located was identified. The area was ultimately formed in the year 1300, which was connected with the construction of city walls and final delineation of city borders. From 1400 until around the mid-16th century, Collegium Maius was built in the north-eastern part of the block, while in the second half of the 15th century the brick Collegium Minus was built in the south-western part of the block; next to it a wooden German Dormitory was constructed. Until 1469 the entire western area of the block or at least the larger part thereof was owned by the Jewish Community, including the property at today’s 10 Św. Anny Street, probably along with some houses in Gołębia Street at that time. There were two synagogues – the Old and the New – in the area in that period. After a fire in 1462, in 1469 Jan Długosz purchased the properties and transferred them to the Cracow Academy. For a long time the area was occupied by private houses, as the Academy leased or sold these properties. In 1643 in the north-western part of the block building of the Academy high school – New Classes (12 Św. Anny Street) were constructed. The south-western part of the block was finally taken over by the Academy in the second half of the 17th century; deteriorated houses were demolished and the property incorporated into the Academy garden. Around the mid-19th century, the western wing was added to the building complex of the Classes, overlooking the Planty Park; in 1911 the Witkowski College was built in the south-western part of the block.
    Źródło:
    Opuscula Musealia; 2011, 19; 91-121
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bursa Niemiecka i Bursa Nowa – dzieje dwóch burs w przeciwległych blokach zabudowy przy ul. Gołębiej w Krakowie
    Autorzy:
    Sławiński, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/636515.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Bursa Niemiecka, Bursa Nowa, Classes, Stare Classes, Collegium Maius, Collegium Minus, Bursa Ierusalem, Bursa Philosophorum, ogród akademicki
    Opis:
    The article deals with the history of two student boarding houses in Gołębia Street in Kraków, occupying two opposite blocks. The German Student Boarding House (also known as the New Boarding House) was built in 1487, as a wooden house. Initially it was situated in św. Anny Street or perhaps already in Gołębia Street in the block of development (No 27) which also housed the Collegium Maius and the Collegium Minus. The boarding house was burnt in 1523 and was reconstructed in 1534, also as a wooden building. At that time it was already for certain in Gołębia Street, until it was finally destroyed by the Swedish in 1655. The empty plot was incorporated into the university garden in 1668. Another New Student Boarding House was situated within the opposite, irregular block of development, today no longer extant, and replaced by the Collegium Novum in the late 19th-century. Earlier there was a number of properties on the site, with two fifteenth-century Boarding Houses – the Philosophers’ House and the Jerusalem House in the corner. In 1564, the townhouse adjoining the Philosophers’ Boarding House on the west became the New Boarding House funded by the Płock Bishop Andrzej Noskowski. In the years 1589–1643 it housed the university secondary school – Classes. After the Classes moved to a building in św. Anny Street (No 12), it was for long a university tenement house known as Stare Classes, and from 1783 a private house. The latter was pulled down at the end of the 19th century for the Collegium Novum.
    Źródło:
    Opuscula Musealia; 2014, 22
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Galeria Academica Cracoviensis
    Autorzy:
    Jasińska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/636564.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    portret profesorski
    Collegium Maius
    Benedykt z Koźmina
    Trycjusz
    portraits of professors
    Opis:
    The Collegium Maius has a rich collection of painting, consisting of 1423 paintings. Both Polish and foreign paintings on diverse themes are represented. Among them there are 832 portraits, while the remaining 591 paintings represent religious themes, genre painting and landscape. There are portraits of various personages connected with the history the Kraków Alma Mater: Polish rulers, Chancellors of the Kraków Academy, professors, their families and other persons connected with the university in some ways. The aim of this article is to present the Academy Gallery – in this case exclusively portraits of professors. There are 307 portraits of outstanding professors of the Jagiellonian University – from the earliest works dating from the 16th century to contemporary paintings. Neither in Poland nor abroad portraits of academics have been subject of more comprehensive studies so far. It is only for two decades that interest in academic portrait has been growing. Catalogues of university collections containing portraits of university professors have been published in the UK, the Netherlands, Germany, Finland and other countries. Among the earliest such catalogues is the one representing the collection of the University of Helsinki. This paper refers to the article by Pia Vuorikoski, tiled Galleria Academica: a Portrait Collection of the University of Helsinki, which appeared in the same issue of Opuscula Musealia (20). The most recent publication on academic portraits is the book which saw print in Kraków in 2010, presenting a study on a group of portraits of the Kraków Academy professors. The term: “phenomeon of academic portrait” was used for the first time in that publication. The surviving portraits of professors in the Jagiellonian University collection testify to the long-established tradition of creating portrait galleries. The tradition is still continued. Regardless of their artistic value, they are unique pieces of historical evidence which, through the history of persons portrayed, document the history of the earliest Polish university - the Kraków Alma Mater.
    Źródło:
    Opuscula Musealia; 2012, 20; 65-88
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Witraże z Grodźca. Część II.
    Autorzy:
    Gajewska-Prorok, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/636531.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Muzeum Narodowe we Wrocławiu, Muzeum Collegium Maius w Krakowie, Śląsk, Grodziec, Austria, Styria, Oberwoelz
    Opis:
    Stained Glass Windows from Grodziec. Part II Until 1945, the panels of stained glass windows representing Madonna and Child, Man of Sorrows (Vir Dolorum), Virgin Mary and the Angel Gabriel (Annunciation), the Apostles – Saint James the Greater and Saint Andrew, as well as the following Saints – Erasmus, Wolfgang, Nicholas, Leonard, Margaret and Barbara, stored within the collections of The National Museum in Wrocław and of the Jagiellonian University Museum in Kraków, constituted two groups of stained glass windows set in metal frames of ca. 235 x 177 cm. The group of 14 panels is stylistically quite consistent; it undoubtedly comes from one architectural unit, perhaps from the church in Oberwölz. The existence of small differences between the ways in which the faces were painted or the figures got built allows to distinguish two groups created around 1425 and around 1430. Comparing the style and the technique of the stained glass windows discussed indicates that they were produced in Austria in a workshop operating at the border of Upper Styria and Carinthia. The nearest analogies can be noticed in stained glass windows from the „Maria im Waasen” Church in Leoben, the Maria Höfl Church in Metnitztal, a church in Tamsweg and a church in Gaisberg. The stained glass windows from Grodziec were restored and slightly reshaped (by the addition of inscriptions and frames of rhombus-shaped glazing) in the 19th century and at the beginning of the 20th century. The conservation and restoration performed in the years 2000–2001, 2011 (Kraków panels of the stained glass windows from Grodziec) and 2013–2014 (Wrocław panels) consisted in cleansing the works of numerous layers and of instances of „cold” re-painting, as well as filling in extensive cavities in parts of the figures’ trunks. As far as the Wrocław stained glass windows are concerned, the 19th-century frames of rhombus-shaped glazing were preserved.  
    Źródło:
    Opuscula Musealia; 2014, 22
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Witraże z Grodźca. Część I.
    Autorzy:
    Gajewska-Prorok, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/636529.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    witraże średniowieczne, witraże nowożytne, historia kolekcji, Muzeum Narodowe we Wrocławiu, Muzeum Collegium Maius w Krakowie, konserwacja, Śląsk, Grodziec, Styria, Szwajcaria, Norymberga, Kolonia
    Opis:
    Stained Glass Windows from Grodziec. Part I The group of 14 stained glass windows from Grodziec (Gröditzberg, Gröditzburg) near Złotoryja in the Lower Silesia provides an interesting illustration of Polish and Silesian monuments’ intricate fortunes after the end of World War II. In December 1945, one part of the group (8 panels) landed in Kraków. At first, it became the property of the Wawel State Art Collection. Then, it was transferred to the Jagiellonian University Museum, by which it is still owned. In 1966, the other part of the group (6 panels) was made over to the Silesian Museum, later called the National Museum in Wrocław. The stained glass windows from Grodziec constitute also an example of interesting issues from the fields of art conservation studies, museology and restoration. The panels of stained glass from the beginning of the 15th century, representing Madonna and Child, Man of Sorrows, Virgin Mary and the Angel Gabriel, Apostles and Saints in architectural frames, became part of the decor of the castle in Grodziec, of a baroque palace situated at the feet of the castle hill and of one pavilion in the palace park. Gradually reconstructed from the beginning of the 19th century and then, in the years 1906–1908, rebuilt in the romantic style by B. Ebhard, the castle started being decorated with stained glass windows in the 1830s. Six sections from the group have already been exhibited in the rooms of the Kraków Jagiellonian University Museum for many years. In the course of historical research, it has turned out that presumably also other stained glass windows, currently belonging to the University Museum, come from Grodziec: twelve smaller sections representing the Passion and the scene of Saint Clare’s death, from ca. 1490, made in the Nuremberg workshop of Michael Wolgemut, and two Late Renaissance stained glass windows representing the figures of Saint Peter and Saint James, from a Rhineland workshop. The fourteen medieval stained glass windows of Austrian origins, coming from Grodziec and now belonging to the Kraków and Wrocław museums’ collections, currently undergo physical and chemical analysis. Historical research is also being conducted thanks to the financial support of the National Science Centre. Three sections from the Wrocław collection were already preserved and restored in 2013 thanks to a grant from the Ministry of Culture and National Heritage, another three underwent conservation in the conservation studio of The Academy of Fine Arts in Kraków in the years 2013 and 2014.  
    Źródło:
    Opuscula Musealia; 2014, 22
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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