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    Wyświetlanie 1-13 z 13
    Tytuł:
    Nuit et voix dans "Journal d’un curé de campagne" de Georges Bernanos
    Night and voices in "Journal d’un curé de campagne"
    Autorzy:
    Mermet, Éléonore
    Powiązania:
    https://bibliotekanauki.pl/articles/1789400.pdf
    Data publikacji:
    2021-09-30
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    How the Journal d’un curé de campagne is written is intimately linked to the night because of the narrator’s insomnia. We will demonstrate that this night is the expression of an inner night, through the carmelite mysticism of John of the Cross. The writing is purified by the silence and anguish of the priest's mystical night: we will see that his writing becomes a prayer, that is to say, the hosting of divine and human voices in silence, based on Jean-Louis Chrétien’s phenomenological approach of prayer. This idea of writing will allow us to understand the relationship of Bernanos himself to his own writing: this nightly writing listens and gives voice to those who have none.
    Źródło:
    Cahiers ERTA; 2021, 27; 9-33
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Étienne-Léon de Lamothe-Langon : destin d’un faussaire par vocation
    Autorzy:
    Szkopiński, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/20874654.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    French literature
    memoirs
    literary forgery
    Étienne-Léon de Lamothe-Langon
    littérature française
    mémoires
    mystifications littéraires
    Opis:
    Étienne-Léon de Lamothe-Langon (1786-1864) was the author of numerous novels belonging to different genres. However, if he wasn’t completely forgotten by the end of the 19th and the beginning of the 20th c., it was thanks to a long list of apocryphal memoirs attributed to famous people which in fact he wrote himself. At first, this paper shows reactions from the press in 1829 after the publication of Mémoires d’une femme de qualité sur Louis XVIII and Mémoires de la comtesse Du Barri. Although some journalists chose to perpetuate the fiction that the memoirs were authentic, others denounced them as false and heavily criticized this kind of literary enterprise. Thereafter, the article focuses on Lamothe-Langon’s response to his critics and on his vision of apocryphal memoirs in his preface to Les Après-diners de S. A. S. Cambacérès (1837).
    Źródło:
    Cahiers ERTA; 2023, 34; 137-154
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    « La chimère d’un âge perdu ». Présence du passé dans la poésie de René Char
    « La chimère d’un âge perdu ». Presence of the past in René Char’s "Fureur et mystère"
    Autorzy:
    Ergenekon, Gökçe
    Powiązania:
    https://bibliotekanauki.pl/articles/1628023.pdf
    Data publikacji:
    2019-06-28
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    This article explores the motif of return as a poetics of the past René Char’s most famous collection of poems : Fureur et mystère. This constant movement of return reveals the thematic importance of the past for Char. If the presence of the past can first be seen through the themes and the formal structure of the poetic writing – verbal tenses, figures of speech, images – the originality of the return in Char’s poetry lies in his revolutionary conception of time. The poet deconstructs the chronological vision of time in order to make the past present. In other words, the motif of return appears to establish the past as a mobile temporal frame which calls celebration rather than nostalgia.
    Źródło:
    Cahiers ERTA; 2019, 18; 75-90
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le Roi vierge – ou quelques insignifiantes remarques sur le duel d’un poète… et d’un monarque
    Le Roi vierge – or a few insignificant remarks on the duel of a poet and a monarch
    Autorzy:
    Mrozowicki, Michał Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1627861.pdf
    Data publikacji:
    2014-12-01
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Catulle Mendès was a nineteenth century French poet, novelist, librettist, literary and music critic, very famous at his times but unjustly depreciated by the next generations. The paper reminds the sphere of his activity that should never be forgotten: Mendès appears first of all as one of the main figures of the early French Wagnerism. Born in Bordeaux on the 22nd May 1841 (twenty eight years to the day after the German Master!), he got to know Richard Wagner in Paris in 1860 where the composer was giving his three famous concerts at the Italian Theatre (Théâtre-Italien) and obtained, thanks to Princess Pauline Metternich, the chance to perform his opera Tannhäuser at the Paris Opera. Twentyyear- old Mendès invited Richard Wagner to cooperate with the periodical that he had just founded, La Revue fantaisiste. However Wagner hasn’t published any text in La Revue fantaisiste. Disgusted by his Tannhäuser’s failure in Paris, he left the French capital soon. Catulle Mendès missed the good occasion to create the first French « revue wagnérienne ». Firstly, his journal’s reaction to the scandal at the Paris Opera was very terse. Secondly, Auguste de Gasperini’s study of Wagner’s operas, announced by Mendès, was going to be published not in La Revue fantaisiste, but in Le Ménestrel, the most antiwagnerian French journal of these times. Thirdly, the number of texts on music in general and on Wagner in particular published by the journal founded by Catulle Mendès was extremely small and didn’t reflect in any way his musical or Wagnerian fascinations. A few years later, in summer 1869, Catulle Mendès with his wife Judith Mendès, née Gautier, and their friend Auguste Villiers de l’Isle-Adam paid a visit to Richard Wagner in Tribschen. It was a crucial moment for the development of their wagnerism. In September 1869 they observed in Munich the conflict between the composer and his patron, the king Ludwig II of Bavaria who wanted the first part of Wagner’s Tetralogy The Ring of the Nibelung, The Rhine Gold, to be performed then in Munich, despite the opposition of the author who preferred to keep all the parts of his monumental cycle for the new opera house that he was intending to construct as soon as possible somewhere in Bavaria. In 1879 Catulle Mendès wrote un roman à clef, a novel with a key, entitled Le Roi vierge – The Virgin king portraying the king Ludwig II of Bavaria and his complex relationship with Richard Wagner. This novel’s distribution in Bavaria was formally prohibited by the King who hadn’t appreciated its literary quality and his own portrait « painted » by the French writer. Responding to the King’s resolution, Catulle Mendès in 1886, a few months before Ludwig’s mysterious death, published another text à clef on Ludwig II of Bavaria and Richard Wagner. The short text entitled L’Épître au roi de Thuringe (The Epistle to the king of Thuringia) reflects their conflict of 1869 and enhances the role of a group of French Wagner’s admirers supporting the German composer in his struggle against his patron’s despotism. These two texts, Le Roi vierge and L’Épître au roi de Thuringe, are thoroughly analyzed by the author of the paper as literary expressions of Catulle Mendès’s Wagnerism.
    Źródło:
    Cahiers ERTA; 2014, 6; 177-226
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pleurer le paradis perdu : Barbey d’Aurevilly ou la hantise d’un siècle d’or
    Mourning a paradise lost : Barbey d’Aurevilly or the obsession of the golden age
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/1627831.pdf
    Data publikacji:
    2013-09-01
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Barbey d’Aurevilly didn’t like his century, judging it as a distress time. This period personifies for him all possible vices, opposed to the happy time before the Revolution and the XVIIIth century. His novels express his enormous nostalgia for the past. This nostalgia is visible on all the levels of his literary technique, as character construction, configurations of time and space, the plot. All these elements are inevitably leading to the conclusion that everything is over, history is irrevocable, future is hopeless and the Christ hasn’t come yet on the Earth to give us the chance of the resurrection.
    Źródło:
    Cahiers ERTA; 2013, 4; 39-52
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    D’une mise en récit d’un monde apocalyptique à la drama
    An apocalyptic narrative and a dramatic art of the end
    Autorzy:
    Patrie, Emilie
    Powiązania:
    https://bibliotekanauki.pl/articles/1627832.pdf
    Data publikacji:
    2013-09-01
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    We notice an impact, an influence of the French History on the literature. For example, we find the theme of the death in novels due to the modern wars: the World War I and the World War II. Indeed, the narrative's creation respects the transformation of the society. We can ask the question whether the literature doesn’t want to put into the narrative's form its own death. To illustrate our argumentation, we chose testimonies of Holocaust and absurd theater plays. This corpus is representati ve of the depression and the pessimism of France afer the war. In reality, an apocalyptic narrative, a dramatic  art of the end, is the mirror of a society, and a constantly evolving literature, which was born, dies and will be reborn.
    Źródło:
    Cahiers ERTA; 2013, 4; 53-64
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Espace sonore, espace social. Analyse d’un extrait de "Notre-Dame de Paris" de Victor Hugo
    The construction of social space through sound. An analysis of a passage from Victor Hugo’s "Notre-Dame de Paris"
    Autorzy:
    Goulet, Alizée
    Powiązania:
    https://bibliotekanauki.pl/articles/1628089.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Notre-Dame de Paris is a novel marked by the people’s clamor, the bells’ music and the sounds of battle. In an effort to understand how sounds play a crucial part in the creative process of Hugo’s work, we will analyze chapters of Notre-Dame de Paris relating to “la grand’salle”. During the play and the election of the Pope of Fools (taking place in “la grand’salle”), people originating from all social spheres are gathered in the same space, which is favorable for verbal exchanges that underline the struggles between them – established by the particulars of their speech. In this space, different sounds (rumors, shouts, noises) destroy and reinforce social distances at the same time, creating an evershifting space of boundaries, both physical and social.
    Źródło:
    Cahiers ERTA; 2021, 25; 33-56
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "L’Opium du ciel" de Jean-Noël Orengo : la quête spirituelle d’un drone, entre ascèse des plaisirs charnels et exhibition des corps
    "L’Opium du ciel" by Jean-Noël Orengo : the spiritual quest of a drone, between asceticism of carnal pleasures and exhibition of bodies
    Autorzy:
    Diette, Thomas
    Powiązania:
    https://bibliotekanauki.pl/articles/1628049.pdf
    Data publikacji:
    2019-09-30
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    In his novel entitled L’Opium du ciel (2017), Jean‐Noël Orengo narrates the adventures of a special drone owning a conscience. This steel creature will suffer some modifications which will revise his former identity. The libidinous machine becomes a spiritual entity. Hereafter, he aims to find the meaning of Life. He understands that the catastrophe is imminent because of the depravation of all values. Nevertheless, there is still hope : the cycle of metamorphoses will erase all. The drone will be the prophet of this renascence. The old world and its violence related to sexual desire will be cleared in favor of a more harmonious Earth.
    Źródło:
    Cahiers ERTA; 2019, 19; 87-102
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative d’Un homme qui dort de Georges Perec et de L’Inconsolable d’Anne Godard (IIe partie)
    The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two)
    Autorzy:
    Zapolnik, Martyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1628067.pdf
    Data publikacji:
    2020-06-30
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.
    Źródło:
    Cahiers ERTA; 2020, 22; 35-52
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative "d’Un homme qui dort" de Georges Perec et de "L’Inconsolable" d’Anne Godard (I re partie)
    abstract The secondperson narration in the writing of malaise. The comparative analysis of "A Man Asleep" by Georges Perec and "L’Inconsolable" by Anne Godard (Part One)
    Autorzy:
    Zapolnik, Martyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1628063.pdf
    Data publikacji:
    2020-03-31
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    The history of mankind is the history of malaise. Melancholy, discomfort, anxiety or grief are just a few names and examples of this phenomenon. The heroes created by Georges Perec and Anne Godard experience the deep malaise of depression and grief disorder. However, this is not the only common feature of the characters – they are both described by the pronoun “you”. Due to its properties, the second‐person narration seems to be an effective tool of description of minor and major mental disor‐ ders. It helps to situate the heroes between life and death, and it is naturally associated with the concept of the Other, who plays a significant role in creation of a suffering Human being.
    Źródło:
    Cahiers ERTA; 2020, 21; 9-25
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La pièce climatique d’Henri-René Lenormand ou un désarroi ontologique
    The Climatic Play by Henri-René Lenormand or an Ontological Disarray
    Autorzy:
    Ziółkowski, Sebastian
    Powiązania:
    https://bibliotekanauki.pl/articles/1628054.pdf
    Data publikacji:
    2019-12-29
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    The aim of this paper is to analyse the climatic plays by Henri‐René Lenormand (1882‐1951), and to show how difficult climatic conditions shown in his plays influence the behaviour and the attitude of the characters. In the paper different motifs are taken into consideration : fog (and, therefore, the humidity of the climate), the tropical climate in general and the tropical wind called lesimoun. In Lenormand’s plays climate is not just a secondary motif, devoid of significance, but an element which conditions the atmosphere of those plays, engenders a deep melancholy or awakens hidden and repressed instincts of the characters. The climate emphasises thus a deep existential pessimism and the tragic of an individual lost in a hostile and incomprehensible world.
    Źródło:
    Cahiers ERTA; 2019, 20; 125-140
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ada : Un graffiti mural du sang dans Histoire d’Awu de Justine Mintsa
    A Wall Graffiti of the Blood in Justine Mintsa’s Histoire d’Awu
    Autorzy:
    Mbala-Nkanga, Honorine B.
    Powiązania:
    https://bibliotekanauki.pl/articles/1627984.pdf
    Data publikacji:
    2018-06-30
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Ada is a 12 year‐old girl who has been impregnated by her teacher in a Middle School where corruption and debauchery are normalized. Mintsa’s esthetics condenses a social criticism of phallocentric discourse through Ada’s grandfather, Afane Obame, a high priest of the Ancestor’s rite called Melan, whose primary focus is to further establish his power. He normalizes Ada’s pregnancy, as tradition dictates, and serves as a receptacle through which Mintsa’s narrative displays a shocking picture of discarded and decomposing placentae along outside walls of the Maternity Ward like graffiti. An allegorical reading of Plato’s Chora, as it relates to Ada’s parturition, opens up a narrative that actualizes the fluidity of a symbiosis between traditional and modern cultural practices. The overlapping imagery of the repulsive wall of decomposing placentae and the symbiotic cultural practices end in a mirror within a mirror graphism with colorful disjunctive syntheses.
    Źródło:
    Cahiers ERTA; 2018, 14; 37-54
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un testament dans les tiroirs. En marge d’une nouvelle traduction de "Sodome et Gomorrhe"
    Autorzy:
    Swoboda, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/20874626.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    Marcel Proust
    Sodom and Gomorrah
    translation
    sociology
    language
    Sodome et Gomorrhe
    traduction
    sociologie
    langage
    Opis:
    Written on the sidelines of a new translation of Sodom and Gomorrah into Polish, the article evokes the problem that the translator had in finding the equivalent of the term inverti. This problem serves as a pretext to speak, on the one hand, of homosexuality in Proust, on the other, of language as the subject of the novel. In this context, the role of Albertine and the etymological tirades of professor Brichot are studied in particular. The author also highlights the testamentary character of this part of the Proustian cycle.
    Źródło:
    Cahiers ERTA; 2023, 33; 159-183
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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