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Wyszukujesz frazę "national hero" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Pamięć lat 1912 i 2012: artystyczny plon dwóch Skargowskich rocznic (sztuki plastyczne)
Remembrance of the Years 1912 and 2012: The Artistic Fruit of two Skarga Anniversaries (visual arts)
Autorzy:
Ożóg, Kazimierz S
Powiązania:
https://bibliotekanauki.pl/articles/1205070.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Peter Skarga
Iconography
national hero
1912-1936 anniversaries
Opis:
The text deals with the fragmentary issue of Piotr Skarga’s iconography which is the artistic legacy of the anniversaries celebrated in 1912 and 2012. The remembrance of this Jesuit’s death one hundred years ago stirred up many emotions. It was visible in, for instance, mass manifestations, books, theatre performances or the creations of fine arts. In the reality of the beginnings of the 20th century, what was important was the impact of the image created by Jan Matejko as well as its ideological, virtually mystical, background. This jubilee, celebrated one hundred years ago, has left numerous traces in the arts, some of which have not been retained to this day. The medal by Witold Bieliński; the bust sculptured by Władysław Mazur and Jan Tombiński; or the exquisite bas-relief by Luna Drexler on the Lvov Latin Cathedral were characteristic of those times. However, the level of those works is contrasted with the quality and number of creations dedicated to Skarga during the last anniversary. Both the postage stamp issued by the Polish Postal Service as well as the monument unveiled at the Warsaw Catholic School are not really original. In 2012, Skarga was mentioned most frequently on the Internet, in the forms of memes, which were often obscene and inappropriate.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2013, 21, 3; 361-375
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Христо Ботев: канонизиране и комерсиализиране на образа
Hristo Botev: canonization and commercialization of the image
Autorzy:
Алексиева, Анна
Powiązania:
https://bibliotekanauki.pl/articles/694517.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Hristo Botev
national hero
ideology
canonization
consumerist nationalism
consumption of identity
Opis:
-
The paper is focused on the history of the ideological unification of the image of Hristo Botev, when a monolith biography of him was forged from numerous diverse narratives about his life. That canonical narrative was smooth and not contradictory. During 20-ties and 30-ties of XX c., when nationalism was rising into trendy social movement, the image of Botev was sanctified, sharing a row with Vasil Levsky and becoming a leading figure in Bulgarian national heroic pantheon. With his affirmation as a national emblem, Botev‘s image became the subject of commercial uses, which are considered using the concepts of „consumerist nationalism” (B. Penchev) and “consumption of identity” (Anne-Marie Thiesse). During the years of socialism Botev was present in a consumer culture that functioned as utopia for future prosperity beyond any economic logic. The national hero can be seen as connected to that utopia, while reading the books of impressions in the “Hristo Botev” National Museum in the town of Kalofer, where he was born. Visitors also show disappointment with the promised, but unrealized socialist prosperity. In post-socialist years the image of Botev falls into a conglomerate of Euro-centric, nationalistic, nostalgic-communist and commercial manifestations.
Źródło:
Slavica Lodziensia; 2018, 2; 245-263
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
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