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    Wyświetlanie 1-4 z 4
    Tytuł:
    Spuren eines Vielvölkerstädtchens. Das polnischukrainisch-jüdische Zolkiew der Salcia Landmann ("Erzählte Bilderbogen aus Ostgalizien")
    Autorzy:
    Chylewska-Tölle, Aleksandra
    Tölle, Alexander
    Powiązania:
    https://bibliotekanauki.pl/articles/1032663.pdf
    Data publikacji:
    2011-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    „Erzählte Bilderbogen aus Ostgalizien”
    Salcia Landmann
    autobiografia
    Żydyi galicyjscy
    judaistyka
    Żółkiew
    literatura wspomnieniowa
    galicyjskie miasteczko
    autobiography
    Galician Jews
    jewish studies
    literary memoirs
    Galician town
    Autobiographie
    Ostjuden
    Judaistik
    Zolkiew
    Erinnerungsliteratur
    galizisches Städtchen
    Opis:
    Erzählte Bilderbogen aus Ostgalizien der SALCIA LANDMANN gehört zum autobiographischen Schrifttum der in den Westen gegangenen Ostjuden. In ihnen lässt die renommierte Judaistin, die ihr Wirken insbesondere der versunkenen Sprache und Kultur des Ostjudentums gewidmet hat, ihre Geburtsstadt Zolkiew als auf überlieferten Erinnerungen und Recherchen beruhendes literarisches Konstrukt entstehen. Die Analyse des Werkes bringt zum einen typische Merkmale der ostjüdischen Erinnerungsliteratur zum Vorschein und gewährt zum anderen Einblicke in den das spätere publizistische Anliegen der Autorin nachhaltig prägenden Einfluss des jüdischen Alltagslebens in einem galizischen Vielvölkerstädtchen.
    Tekst Erzählte Bilderbogen aus Ostgalizien autorstwa SALCII LANDMANN jest przykładem prozy autobiograficznej Żydów galicyjskich, którzy wyemigrowali na Zachód. Znana judaistka, która poprzez swoją twórczość przyczyniła się do popularyzacji wymarłego języka i kultury ludności żydowskiej z dawnej Galicji, w oparciu o wspomnienia i własne poszukiwania konstruuje swoje miasto rodzinne Żółkiew. Analiza tekstu ukazuje typowe dla wschodnio żydowskiej literatury wspomnieniowej elementy i ukazuje wpływ, jaki na późniejszą publicystyczną twórczość autorki miało życie codzienne Żydów w tym wielonarodowym, galicyjskim miasteczku.  
    Erzählte Bilderbogen aus Ostgalizien by SALCIA LANDMANN is part of the autobiographic literature of the Eastern Jews who immigrated to the West. In this series of pictures the renowned expert in Jewish studies, who dedicated her work to the sunken language and culture of the Eastern Jewry, literarily constructs her birth city on the basis of transmitted memories and her own research. The analysis of this work reveals typical features of the Eastern Jewish memory literature and allows insights into the Jewish everyday life in the Galician multiethnic town, which proved to be formative for the author’s later writings.
    Źródło:
    Convivium. Germanistisches Jahrbuch Polen; 2011; 33-55
    2196-8403
    Pojawia się w:
    Convivium. Germanistisches Jahrbuch Polen
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Modernity and the Jewish Stigma. Julian Tuwim, Alfred Döblin and Kurt Tucholsky: Biographies and Work
    Autorzy:
    Bednarczuk, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/649999.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Julian Tuwim
    Alfred Döblin
    Kurt Tucholsky
    comparative studies
    modernity
    city
    mass culture
    Jewish identity
    asimilation alienation
    Opis:
    The paper deals with biographical, ideological and artistic links between Julian Tuwim, Alfred Döblin and Kurt Tucholsky. On the one hand, the basis of comparison are biographical similarities, the Jewish origin of those three writers, their family dramas, the experience of politically opressive school, the trauma of revolution or war, and the exile to name just a few. On the other hand, the article demonstrates the ways the modernity has influenced the attitudes and texts of Döblin, Tucholsky and Tuwim. While talking about modernity, the author focuses on such phenomena as secularisation and urbanisation processes, mass political movements, and new cultural challenges.Tuwim, Döblin and Tucholsky were born into assimilated Jewish families. Their perspective on the stereotypical Jews (the orthodox Jews as well as Jewish bankers or manufacturers) is marked with antipathy, or even contempt. The writers’ ambivalence towards the diapora and towards their own origin illustrate “Jewish self-hatred”; however, all three authors change their opinion on Jewry in the face of the growing anti-Semitic and Nazi danger, and especially the Holocaust. Döblin is proud of being Jewish after his visit to Poland in 1924, Tucholsky warns German Jews against the consequences of their passivitivy, and Tuwim publishes in 1944 his agitating manifesto We, Polish Jews. Last but not least, the three authors go into exile because of their Jewish ancestry and sociocultural activities. Therefore, it is no coincidence thatone cannot help having associations with Heinrich Heine: his biography can be interpreted as a prefiguration of a Jewish artist’s biography.Furthermore, Tuwim, Döblin and Tucholsky are notably sensitive to social questions, and their sensitivity to such issues results to some extent from their difficult childhood and youth. Especially significant seem in that respect family conflicts and the moving from city to city, since such experiences increase the feeling of loneliness and the vulnerability to depression. Nevertheless, Döblin, Tucholsky and Tuwim come with impetus into the cultural life of Germany and Poland and work in the areas of literature, cabaret (satire) as well as journalism. They share sympathy for the political left and fears of the orthodox communism. They are simultaneously advocates and ardent critics of great cities. They pay attention to new phenomena (the popularity of cars, the role of the press, the new morality) and react to them. Their aim is creating a culture which appeals to the masses and educates them in a non-intrusive way. However, the awareness of their own intellectual superiority imposes distance towards lower social groups. The distance stems, firstly, from the universal ambivalence artists feel towards the masses, and secondly, from the ideological moderation characteristic of petit bourgoisie and of the political centre. In general, Döblin, Tucholsky and Tuwim are idealists who hope for a humanitarian world which is impossible in the era of extrem political violence leading to the Holocaust.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 36, 6
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nowoczesność i znamię żydowskości: biograficzno-ideowe uwikłania Juliana Tuwima, Alfreda Döblina i Kurta Tucholsky’ego
    Modernity and the Jewish Stigma. Biography and Work of Julian Tuwim, Alfred Döblin and Kurt Tucholsky
    Autorzy:
    Bednarczuk, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/967546.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Julian Tuwim
    Alfred Döblin
    Kurt Tucholsky
    comparative studies
    modernity
    city
    mass culture
    Jewish identity
    asimilation
    alienation
    Opis:
    The paper deals with biographical, ideological and artistic links between Julian Tuwim, Alfred Döblin and Kurt Tucholsky. On the one hand, the basis of comparison are biographical similarities, the Jewish origin of those three writers, their family dramas, the experience of politically opressive school, the trauma of revolution or war, and the exile to name just a few. On the other hand, the article demonstrates the ways the modernity has influenced the attitudes and texts of Döblin, Tucholsky and Tuwim. While talking about modernity, the author focuses on such phenomena as secularisation and urbanisation processes, mass political movements, and new cultural challenges. Tuwim, Döblin and Tucholsky were born into assimilated Jewish families. Their perspective on the stereotypical Jews (the orthodox Jews as well as Jewish bankers or manufacturers) is marked with antipathy, or even contempt. The writers’ ambivalence towards the diapora and towards their own origin illustrate “Jewish self-hatred“; however, all three authors change their opinion on Jewry in the face of the growing anti-Semitic and Nazi danger, and especially the Holocaust. Döblin is proud of being Jewish after his visit to Poland in 1924, Tucholsky warns German Jews against the consequences of their passivitivy, and Tuwim publishes in 1944 his agitating manifesto We, Polish Jews. Last but not least, the three authors go into exile because of their Jewish ancestry and sociocultural activities. Therefore, it is no coincidence thatone cannot help having associations with Heinrich Heine: his biography can be interpreted as a prefiguration of a Jewish artist’s biography. Furthermore, Tuwim, Döblin and Tucholsky are notably sensitive to social questions, and their sensitivity to such issues results to some extent from their difficult childhood and youth. Especially significant seem in that respect family conflicts and the moving from city to city, since such experiences increase the feeling of loneliness and the vulnerability to depression. Nevertheless, Döblin, Tucholsky and Tuwim come with impetus into the cultural life of Germany and Poland and work in the areas of literature, cabaret (satire) as well as journalism. They share sympathy for the political left and fears of the orthodox communism. They are simultaneously advocates and ardent critics of great cities. They pay attention to new phenomena (the popularity of cars, the role of the press, the new morality) and react to them. Their aim is creating a culture which appeals to the masses and educates them in a non-intrusive way. However, the awareness of their own intellectual superiority imposes distance towards lower social groups. The distance stems, firstly, from the universal ambivalence artists feel towards the masses, and secondly, from the ideological moderation characteristic of petit bourgoisie and of the political centre. In general, Döblin, Tucholsky and Tuwim are idealists who hope for a humanitarian world which is impossible in the era of extrem political violence leading to the Holocaust.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 26, 4
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Die verborgene Stadt. Die Wiederentdeckung der polyethnischen Vergangenheit der Stadt Łódź
    Autorzy:
    Schuster, Frank M.
    Powiązania:
    https://bibliotekanauki.pl/articles/1032841.pdf
    Data publikacji:
    2008-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    wielokulturowe miasto przemysłowe
    postrzeganie miasta
    historia miasta
    łódzka germanistyka
    niemiecko-polsko-żydowska historia
    multicultural industrial city
    perception of the city
    urban history
    German studies at the University of Lodz
    German-Polish-Jewish history
    multikulturelle Industriestadt
    Wahrnehmung der Stadt
    Stadtgeschichte
    Lodzer Germanistik
    deutsch-polnisch-jüdische Geschichte
    Opis:
    Der Artikel geht der Frage nach, wie die ehemals multikulturelle Industriestadt Łódź in der Region (aber auch darüber hinaus) wahrgenommen und wie darüber (interdisziplinär) geforscht und geschrieben wird. Der Schwerpunkt liegt dabei vor allem auf der Rolle der Łódźer Germanistik bei der Wiederentdeckung der deutsch-polnisch-jüdischen Vergangenheit in den letzten zwanzig Jahren.
    Niniejszy artykuł podejmuje kwestię, w jaki sposób Łódź, niegdyś wielokulturowe miasto przemysłowe, jest w regionie i po za nim postrzegana, interdyscyplinarnie badana i opisywana. W szczególności tekst koncentruje się na roli, jaką łódzka germanistyka odegrała na przestrzeni ostatnich dwudziestu lat w procesie ponownego odkrywania wspólnej dla Niemców, Polaków i Żydów przeszłości.
    The article deals with the perception of the former multicultural industrial city of Łódź in the region itself (and beyond), how research on this topic looks like, and how one writes about it. The text focuses especially on the role of the German Studies in Łódź in process of rediscovering, in the last twenty years, the city’s German-Polish-Jewish past.
    Źródło:
    Convivium. Germanistisches Jahrbuch Polen; 2008; 143-170
    2196-8403
    Pojawia się w:
    Convivium. Germanistisches Jahrbuch Polen
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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