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Wyszukujesz frazę "cultural performance" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
When Symbolic Action Fails: Illustrations from Small-Claims Court
Autorzy:
Yarbrough, Michael W.
Powiązania:
https://bibliotekanauki.pl/articles/2106896.pdf
Data publikacji:
2013-01-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Cultural Pragmatics
Cultural Sociology
Family
Litigation
Social Differentiation
Social Performance
Opis:
This article extends the cultural-pragmatics model of symbolic action developed by Jeffrey Alexander and his associates, which observes that symbolic action has become difficult in contemporary, highly differentiated societies. When symbolic action succeeds, the cultural-pragmatics approach argues it does so by re-“fusing” the elements of social performance, which have been disaggregated by the effects of social differentiation. Fusion produces affectively charged shared interpretations with the power to reshape the social world in important ways. Drawing on an example from my own ethnographic research, I argue that the current articulation of cultural pragmatics is unable to apprehend instances when such affectively charged shared interpretations are produced even when the actor or actors in a performance fail to achieve their performative goals. In this article I introduce the concept of “meta-performance” as a tool for analyzing such instances, arguing that this enables us to consider interpretive vantage points that are not conditioned by the actor’s intent. I then apply my extended meta-performative model to the ethnographic episode that inspired it. This bitterly fought court case between an adult daughter and her family produced a shared feeling among those assembled of hopeless deadlock between the family members, drawing a series of sharp symbolic boundaries – inter alia, between the daughter and her family and between “love” and “money” – not only despite, but precisely because all the participants’ component performances failed.
Źródło:
Qualitative Sociology Review; 2013, 9, 1; 44-57
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź-Textual Authority, the “Directors Cut”, and Theatre Status
Autorzy:
Cieślak, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/648040.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Richard III
Grzegorz Wiśniewski
Teatr Jaracza
cultural authority
intertextuality
performance
Opis:
Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production with critics and audiences alike. At the 2012 Gdańsk Shakespeare Festival it won the Golden Yorick, a prestigious Polish award for the best staging of a Shakespearean play in the season. Wiśniewski, a renown Polish theatre director and professor at the National Film School in Łódź, has his own way of understanding theatre, its role in culture, and Shakespeare’s place in it. Wiśniewski believes in the theatre of the middle path, as he calls it, that is neither classical/conservative, nor radically avantgarde. He wants to attract wide audiences and offer them intellectual and well-balanced cultural entertainment. Without diminishing the weight of such cultural and literary icons as Shakespeare, he vivisects texts to make productions that can easily speak to a contemporary audience. This paper analyzes Wiśniewski’s Richard III to show how the director manages to achieve balance between his own auteur power, the authority and complexity of Shakespeare’s text, and theatre’s cultural mission.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 17, 32; 69-80
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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