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Tytuł:
Timothy Findley, His Biographers, and The Piano Man’s Daughter
Autorzy:
Grace, Sherrill
Powiązania:
https://bibliotekanauki.pl/articles/641492.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Timothy Findley
AutoBiography
Opis:
In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used-journals, diaries, archives-and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from fiction, or, as Mauberley says in Famous Last Words, truth from lies. Like many writers, Findley kept journals all his life, and they are a key source of information for his biographer; however, his way of recording information and his creation of fictional journals means that a biographer (like the readers of his fictional auto/biographers) must tread carefully. While not a theoretical study of auto/biography, in this paper Grace will offer insights into the traps that lie in waiting for a biographer, especially when dealing with a biographee who is as self-conscious an auto/biographer as Findley.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 413-430
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specyfika postrzegania historii własnego życia. Rozważania nad tekstami autobiograficznymi J.-J. Rousseau
Autorzy:
Winkler, Marta
Powiązania:
https://bibliotekanauki.pl/articles/600650.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
autobiography
autobiographical memory
Rousseau
Opis:
Autobiographical memory is a specific kind of memory concerning events and issues related to yourself. Your conception of your own life involves narratives in which all of yours experiences are interrelated. Autobiographical memory connects your present self with your past experiences (that’s why it’s important for theories about continuity of self). In this article I will analyse autobiographical texts of French philosopher Jean-Jacques Rousseau in the context of autobiographical memory theories.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2015, 30
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Timespace for Emotions: Anachronism in Flaubert, Bal/Williams Gamaker, Munch and Knausgård
Autorzy:
Hernández Navarro, Miguel Ángel
Powiązania:
https://bibliotekanauki.pl/articles/641667.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
timespace
anachronism
autobiography
exhibitions
intimacy
Opis:
Quoting Flaubert through time, Mieke Bal and Michelle Williams Gamaker’s Madame B brings Madame Bovary’s reflections on love and emotions to the present day, in a productive anachronism. Their work produces an intertemporal space where the past is relevant for the present, and the present enables us to understand the past. Intimacy and routine are central in their exploration of Flaubert’s contemporaneity. Those issues are precisely one of the keys in Karl Ove Knausgård’s project of literary autobiography, where he expands narration foreclosing the ellipsis and giving visibility to small things and emotions; a project with some resonances with Munch’s crude-obscene uses of intimacy. This essay explores how both proposals, Bal and Williams Gamaker in film, and Knausgård in literature, can serve us to connect present and past sensibilities and, more than that, demonstrate resistances to the hegemonic discourses of temporality.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 98-113
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Menedżerowie i mafiosi: etyka motywowania w autobiografich self-made manów
Manages and Mafiosi: Ethics of Motivation in the Autobiographies of Self-Made Men
Autorzy:
Szukała, Michał
Powiązania:
https://bibliotekanauki.pl/articles/965093.pdf
Data publikacji:
2015-02
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
motivation
autobiography
ethos
corporation
manager
Opis:
The paper is an attempt to verify the assumptions of the motivation-hygiene theory by Frederick Herzberg in the context of the values and practices of leading managers of the U.S. economy. The two-factor theory is a part of every synthesis of management science, although its assumptions raise serious controversies. The subject matter of the analysis is the biographies of the most prominent managers, such as Henry Ford, Lee Iacocca, Walter P. Chrysler and Jordan Belfort (known as the ‘Wolf of Wall Street’). The basic aim of the analysis is to check their biographical story in the context of their motivation issues. The selection of characters has been imposed by the feature of being self-made men. It seems that their descriptions of how to motivate employees may be interpreted as a specific manifestation of values important to them in the perception of economic life and the interpersonal relations in structures of corporations functioning in different market circumstances. The choice of source materials from different historical moments and different economic spheres shows a conversion of values and goals in the American economy. One of the results of the analysis is the observation that Herzberg’s theory does not reflect the multiplicity of factors that may have a significant impact on the motivation of employees to perform their duties as well as possible. One of the aims of the discussion is to indicate the unusual source material, considered by many researchers as anecdotal, as potentially attractive for analyses in the field of the management sciences.
Źródło:
Annales. Etyka w Życiu Gospodarczym; 2015, 18, 1
1899-2226
2353-4869
Pojawia się w:
Annales. Etyka w Życiu Gospodarczym
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wspomnienia głosem pisane. O autobiografiach śpiewaków
Memories sung in words — singers autobiographies
Autorzy:
Kornatowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/650201.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish singers
polish literature
autobiography
Opis:
The article Memories sung in words — singers' autobiographies aims at identifying main topics and patterns present in autobiographical writings of classical singers. Discovering of vocal talent and musicality, desire to become a singer, role of voice teachers and men-tors (conductors, stage directors etc.), highlights of the career, fears and failures, vocal crises, dealing with criticism and negative judgements, daily routines aimed on vocal fitness, balancing private and professional life, cultural and historical background — all these aspects are discussed here on two remarkable examples: ... und ich wäre so gern Primadonna gewesen. Erinnerungen (Berlin 1994, English: In My Own Voice. Memoirs. New York 2009) by Christa Ludwig, one of the greatest mezzo-sopranos of postwar opera, and Zeit eines Lebens. Auf Fährtensuche (Stuttgart 2000) by Dietrich Fischer-Dieskau, one of the most famous Lieder performers, often called in Germany ‘the voice of the 20th cen-tury’. Verbalizing the universe of their artistic and life experience they both express the essence of being a classical singer: ‘The singing profession is slavery! It only looks easy and enviable from the outside. You are showered with bravas and blossoms [...], but from the beginning the sword of Damocles always hangs over your head. After a certain age you no longer have the ease, and your voice is no longer as radiant. Indeed, you must stop singing just at the time when you finally know what singing is all about’ (Christa Ludwig, In My Own Voice. Memoirs).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 140-154
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czas nie mija, czas nie stoi… Krótkie filmy Wojciecha Hasa w perspektywie autobiograficznej
Autorzy:
Grodź, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/1040464.pdf
Data publikacji:
2020-06-24
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
film
Wojciech Has
autobiografizm
autobiography
Opis:
Tematem tekstu są krótkie filmy Wojciecha Hasa, przede wszystkim, takie jak Harmonia (1947), Moje miasto (1950) i poszukiwanie w nich śladów (auto)biografizmu. Celem było pokazanie ich potencjału semantycznego, zwrócenie uwagi na bogactwo możliwych interpretacji. Tylko postawa badawczej otwartości pozwala uniknąć ciężaru wszelkich fundamentalizmów, pewników, całościowych ujęć. Perspektywa edukacyjna ujawniała się w aktualizacji narzędzi badawczych z zakresu tematologii i hermeneutyki.
The paper describes short films made by Wojciech Has, for example Harmonia (1947), Moje Miasto (1950), and searches for traces of (auto)biography in them. The purpose was to show their semantic potential and to draw attention to the richness of possible interpretations. Only an attitude of scientific openness enables the avoidance of the burden of all fundamentalisms, certainties, and holistic approaches. The educational perspective was revealed in the update of research tools related to hermeneutics and thematic perspective.
Źródło:
Nauki o Wychowaniu. Studia Interdyscyplinarne; 2020, 10, 1; 238-249
2450-4491
Pojawia się w:
Nauki o Wychowaniu. Studia Interdyscyplinarne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Container with an Insect Corpse: On Essays by Marek Bieńczyk
Autorzy:
Czyżak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1032257.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
essay
autobiography
speech genres
subject
identity
Opis:
The article contains considerations on Marek Bieńczyk’s literary output and his book Kontener, published in 2018. All essays from the volume manifest their autobiographical and literary character. The main aim of the paper is to make a diagnosis connected with the particular and common (mis)understanding of the relations between death and life, mourning and vitality, melancholy and literature. This objective is accomplished through essay strategies. In texts that are part of Kontener, the suggestive and expressive subject makes continual new inquiries in order to find the essence of their (Bieńczyk’s) personal, and especially textual, identity.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 37-50
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Admiration in Place of Imitation: Four Medallions by Gustaw Herling-Grudziński
Autorzy:
Śniedziewska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1032240.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
medallion
ekphrasis
autobiography
Caravaggio
Rembrandt
Vermeer
Ribera
Opis:
The medallions devoted to Caravaggio, Rembrandt, Vermeer, and Ribera are a major collection of texts within Gustaw Herling-Grudziński’s entire output. Through them, he proved that he was able to write a moving text about painting while avoiding both the academic tone and flaunting his knowledge, as well as the dangers of ekphrasis transforming too often into irksome detailed inventories of the elements of a painter’s presentation. The decision to refer to these texts as medallions was equally a genological concept and a clever hedge, and a starting point for a discussion on the ambiguity of the very notion of a medallion. Herling-Grudziński would not have been himself if he had abandoned autobiographical reflections. When considering artists and their works ‘from aside’, he multiplied assumptions, proposed apocryphal versions of some biographical threads, and formulated bold unverifiable hypotheses – this was because he sided with a literary story, not an academic discourse.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 113-129
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Étude de l’incipit dans "Enfance" de Nathalie Sarraute et "Les mots" de Jean-Paul Sartre
Autorzy:
El Azouzi, Sallem
Powiązania:
https://bibliotekanauki.pl/articles/1195594.pdf
Data publikacji:
2020-11-03
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
autobiographie
mémoire
incipit
psychanalyse
genre
autobiography
memory
psychoanalysis
Opis:
L’incipit peut répondre à un amas de questions qui concernent les enjeux du jeu autobiographique dans un récit de vie. Il peut comprendre un pacte de données culturelles, où des lectures de l’autobiographe sont affichées. Ces données visent à retrouver l’orientation d’un écrivain vers l’écriture. Il est parfois basé sur des stratégies d’ambiguïté vis-à-vis d’un lecteur étonné face au flou. L’incipit, dans ce cas, fait voir une autobiographie basée sur un dialogue avec un double. Le présent travail se veut une lecture comparative de l’incipit de deux œuvres : Les mots de Jean-Paul Sartre et Enfance de Nathalie Sarraute.
The incipit can answer a series of questions that concern the issues of autobiographical play in a life story. It may include a cultural data pact, where readings from the autobiographer are displayed. These data are intended to trace a writer’s orientation towards writing. It is sometimes based on strategies of ambiguity vis-à-vis a reader surprised in the face of vagueness. The incipit, in this case, shows an autobiography based on a dialogue with a double. This text is a comparative reading of two incipit, Les mots by Jean-Paul Sartre and Enfance by Nathalie Sarraute.
Źródło:
e-Scripta Romanica; 2020, 8; 54-62
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The (Self)portrait of a Writer: A Hermeneutic Reading of Virginia Woolf’s (Auto)biographical Writings
Autorzy:
Hołda, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1394581.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Virginia Woolf
autobiography
hermeneutics
Paul Ricoeur
Michel Foucault
Opis:
Woolf’s maturing as a writer was deeply influenced by her traumatic experiences in childhood, the (in)capacitating states of mental instability, as well as her proto-feminist convictions. Long before Barthes, she toppled the traditional position of the author, and her literary enshrinement of “the other reality” reached unity with the world rather than individuality. This article ponders Woolf’s creative impulse and investigates her autobiographical writings to show the import of their impact on her fiction, which, as Woolfian scholarship suggests, can be viewed as autobiographical, too. I argue that philosophical hermeneutics sheds light on the self-portrait that emerges from Woolf’s autobiographical writings and offers a rewarding insight into her path of becoming an author. I assert that Paul Ricoeur’s philosophy of subjectivity, and, in particular, his notion of narrative identity provide a route to examine how Woolf discovers her writing voice. In light of his hermeneutics of the self, the dispersed elements of the narrative of life can be seen as a possibility of self-encounter. Woolf’s writings bespeak her gradually evolving self-knowledge and self-understanding, which come from the configuration of those separate “stories” into a meaningful whole. The article also interprets Woolf’s autobiographical writings through the prism of Michel Foucault’s reflection on discourse and subjectivity, indicating that her texts instantiate his assertion of the subject’s constant disappearance.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 1; 52-66
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Panowanie nad publicznością”. Muzyczne i literackie gry Artura Rubinsteina
‘Charming the the audience’. Artur Rubinsteins music and literary strategies
Autorzy:
Tierling-Śledź, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/649205.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish musicians
polish pianists
Artur Rubinstein
autobiography
classical music
Opis:
The article discusses the autobiographical work of Artur Rubinstein entitled My Many Years. The author of the article is interested in how the virtuoso pianist writes about music and his inspiring performances. On the one hand, Rubinstein defends the right to a certain freedom in realizing the score, the other hand, he is ashamed to admit ignoring the role of practising the piano. The author of the article treats the pianist’s declarations as a kind of autocreation literary game.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 155-163
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Anticipatory Dying: Reflections Upon End of Life Experiences in a Thai Buddhist Hospice
Autorzy:
Arnold, Bruce L.
Powiązania:
https://bibliotekanauki.pl/articles/2138908.pdf
Data publikacji:
2006-08-17
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Autoethnography
autobiography
palliative care
cognitive sociology
death and dying
Opis:
Death and dying offer an important paradox for investigation. Both are feared and to be avoided but also generate considerable reverence, curiosity and mystery. The latter is investigated through thick ethnographic data collected in a Thai Buddhist hospice and the following pages provide some description of an alternative cultural-spiritual framing of anticipating death. The former part of this paradox is explored using detailed autoethnographic-autobiographical data arising from the cognitiveemotional conflict between the researcher’s cultural schemata and the phenomena in which the research process is embedded. Sociological speculations are offered as to the value and insights of this methodological approach and to anticipating dying as an important phenomenon for further inquiry into everyday social life.
Źródło:
Qualitative Sociology Review; 2006, 2, 2; 21-41
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Precariousness of everyday heroism. A biographical approach to life politics
Autorzy:
Ahponen, Pirkkoliisa
Powiązania:
https://bibliotekanauki.pl/articles/2138917.pdf
Data publikacji:
2005-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
everyday hero
autobiography
reflexive self-identification
life politics
altruism
Opis:
It is a special challenge for an individual to be the hero of his/her own life in the social conditions of reflexive modernisation. Autobiographies are not only descriptions of what happened during the life course, but they also reflect individual capacity to construct cultural identities in reflexive and reflective ways. To reflect on one’s own success, personal gains and losses have to be compared with the competitive capacities of other community members of the hierarchically structured society. Reflexive capacity is the demand to become a conscious self and culturally identified member of a social group. Selfidentity is reconstructed and coped with in light of meaningful others during certain transition periods in the life course. Life-political meaningfulness is checked by overcoming personal difficulties in order to manage life-challenges further. Self-respect gives the resources needed for overcoming alienating experiences, for controlling the risk of social exclusion and for mastering one's own life successfully. Narrative identification of self tends to produce life-heroes. But the problem considered relevant here starts from reflecting altruism with reflexive monitoring of the self. The question is whether heroic episodes of life can be narrated so that heroic everyday deeds are emphasised in autobiographies. Or is everyday heroism present only in precarious moments which escape ego-centrism because this kind of heroism can be placed only at the social margin, where surviving a difficult situation obliges one to turn unselfishly toward another?
Źródło:
Qualitative Sociology Review; 2005, 1, 2; 22-42
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between the Bittern and the Café du Monde: Paul Muldoon’s The Prince of the Quotidian
Pomiędzy bąkami a Cafe du Monde: The Prince of the Quotidian Paula Muldoona
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/682868.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Paul Muldoon
autobiography
contemporary Irish poetry
autobiografia
współczesna poezja irlandzka
Opis:
Artykuł koncentruje się na pochodzącym z 1994 roku zbiorze Paula Muldoona The Prince of the Quotidian, traktowanym jako poetycka autobiografia, która czerpie swoją siłę z dwoistego podejścia – do precyzowania doświadczenia z jednej strony, a powtarzalnego (wielokrotnego) multiplikowania jego tekstowej reprezentacji z drugiej strony. Przyjmując wskazówkę z Shibboleth: For Paul Celan Derridy, Autor artykułu dowodzi, że Muldoon tworzy sieć powiązań, w której funkcjonuje rozmówca, tym samym stawiając siebie na granicy między dośrodkowym skupieniem na życiu, jakkolwiek przyziemne może być, a odśrodkową tekstualnością, motywowaną przez intertekstualne odniesienia.
The article focuses on Paul Muldoon’s 1994 collection The Prince of the Quotidian. The pamphlet is regarded as a poetic autobiography that takes its impetus from a dual drive towards particularising of experience on the one hand and iterative multiplication of its textual representation. Taking cue from Derrida’s Shibboleth: For Paul Celan, I argue that Muldoon sets up a network of connection that his speaker functions within, thereby positioning himself on the threshold between centripetal focus on life, however mundane it should be, and centrifugal textuality, motivated by intertextual references.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2017, 6; 183-191
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafizyka pamięci we wspomnieniowej prozie Vladimira Nabokova
Metaphysics of memory in autobiographical texts by Vladimir Nabokov
Autorzy:
Grygiel, Monika
Powiązania:
https://bibliotekanauki.pl/articles/665580.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Vladimir Nabokov
autobiografia
pamięć
konceptualizacja czasu
autobiography
memory
conceptualisation of time
Opis:
The article is divoted to the specificity of Nabokov’s autobiographical writings. As it is shown, their characteristic features are determined by biographical conceptualism, which makes it possibile for the writer to explain philosophy of his own perception and to evaluate the reality. In this way Nabokov also presented the key categories of his life’s and author’s hierarchy. What is worth mentioning, in his autobiographical texts Nabokov concentrated on emphasizing individual and subjective aspects that had influenced his author’s consciousness.
Artykuł poświęcony jest specyfice nabokovowskiego autobiografizmu. Jak to zostało przedstawione, jego cechy charakterystyczne uwarunkowane są biograficzną konceptualizacją, poprzez którą pisarz starał się wyjaśnić filozofię własnego postrzegania i ocenę rzeczywistości. W ten sposób Nabokov zaprezentował też kategorie kluczowe w jego życiowej i pisarskiej hierarchii. Co istotne, w autobiografiach Nabokov koncentrował się na tym, co służyło podkreśleniu przede wszystkim indywidualizm i subiektywizm w formowaniu jego światopoglądu pisarskiego.
Źródło:
Acta Universitatis Lodziensis. Folia Linguistica Rossica; 2018, 15; 191-201
1731-8025
2353-9623
Pojawia się w:
Acta Universitatis Lodziensis. Folia Linguistica Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
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