Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "MUSIC" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 78
Tytuł:
Poezja konkretna i muzyka
Concrete poetry and music
Autorzy:
Pieruszewska-Kobiela, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/649494.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary poetry
concrete poetry
music
music and technology
industrial music
avantgard
Opis:
The article shows the functioning of concrete poetry in the sphere dominated by techno-logical solutions, being characteristic of the culture associated with new media. Sub-jected to analysis and interpretation is the multimedia performance by Marcin Dymiter and Ludomir Franczak, who combined Polish, Czech and German literary texts with electronic music. In their vision, the life of concrete poetry develops in the dimension of the contemporary urban subculture and in the world of sound generated by various types of apparatus. The relationship between poetry and music abounds in various defects and interfer-ences, which are a deliberate effect introduced by of the authors of this artistic experi-ment. The broad range of rustles and murmurs draw on the sound tradition of modern poetry, as well as industrial music. The performance exposes the symbolic meaning of the emission of sound coming into interaction with poetic text.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 267-282
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dziennikarstwo muzyczne jako przedmiot akademicki
Music journalism as an academic subject
Autorzy:
Grzegorzewski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/649382.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
musical journalism
music media
music
academic course
radio programs
musical knowledge
popularizing music
Opis:
This text is a short description of a new academic course: “Music journalism”. The author offers an analysis of media forms in press, as well as on the radio, television and the internet. Besides the traditional forms and genres, students can analyse such forms as internet encyclopaedias or websites dedicated to music. The teacher analyses with the students the frame structures of television and radio stations, and the nature of broad-casts. There is also a possibility of analysing music press: articles, reviews and columns. The next step is teaching students to write such forms as a column or a review. Students learn practical skills in a studio, as the lecturer teaches them to broadcast live radio pro-grammes (cooperating with a professional radio DJ). The course gives an introduction to the history of classical and popular music.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyczne komponenty dramatu mimicznego Skrzypek Opętany Bolesława Leśmiana
Music components of Bolesław Leśmian’s dramatic pantomime The Mad Violinist
Autorzy:
Suchowiejko, Renata
Powiązania:
https://bibliotekanauki.pl/articles/649543.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Leśmian
polish poetry
metaphysic
music
music components in drama
Opis:
Bolesław Leśmian’s The Mad Violinist contains many suggestions concerning the musical side of the drama, especially its properties of sound and expression. The violin and vio-lin playing fulfill an important function – coloristic, dramaturgic and symbolic – in the work. Also appearing are the sounds of other instruments (gong, dulcimer, plucked string instrument), refined musical timbres and acoustic effects (sound portrait of the Woodland Water Nymph), musical profiling of the characters (Alaryel plays the violin, Chryza dances on stilts, the Witch strikes the clock) and ‘ballet’ scenes – solo and ensem-ble (Chryza’s dance, Chryza and the Water Nymph’s dramatic duet, the dance suite in the Second Delusion). The poet also described very suggestively the expressive categories of the fragments set to music. Their skillful distribution in time and combination on a contrast principle, as well as the utilization of their dramatic potential, contribute to the reinforcement of their power of expression. Alaryel’s virtuoso showpiece, maintained in a furioso-type tone, leads to a true explosion of sound and contrasts with the lyrical and wistful lamentoso played over the grave of the Water Nymph. However, the ethereal timbre of the Water Nymph, who is accompanied by an indigo dawn, emphasizes the symbolic significance of this character. The musical components in The Mad Violinist blend perfectly with the other elements – word, gesture, stage movement and the visual side of the drama, creat-ing an extraordinary whole of great artistic value. The present article also proposes a reference to the violin music of Belgian violinist and composer Eugène Ysaÿe, whose oeuvre fits into the European Symbolist trend. His Six Sonatas for Violin Solo op. 27 from 1927 form a peculiar interpretative context for Leśmian’s drama. The point here is not to suggest any actual relationship, but rather to draw attention to the similar type of artistic sensitivity and imagination, feel for color and deeply sensual manner of experiencing the world.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 77-91
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka w dramatach Tadeusza Micińskiego
Music in Tadeusz Miciński’s drama
Autorzy:
Nowak, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/649884.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Tadeusz Miciński
drama
music
musical inspiration
functions of music in drama
Opis:
The article presents a wealth of musical phenomena in Tadeusz Miciński’s dramas. It attempts to characterize and systematize them on basis of such pieces as Kniaź Patiomkin, Noc rabinowa, W mrokach złotego pałacu, czyli Bazilissa Teofanu or Termopile polskie. Tadeusz Miciński predicted a significant share of the musical element in his dramas. He often precisely indicated, what kind of music should appear in them. The issue of music citations and references given by the Young Poland’s author directly or hidden, requir-ing identification is the main subject of discussion. Equally important seems to be the question of the function and importance of music in Miciński’s dramas as well as the problem of musical fascination and inspiration in the poet’s writing.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 45-57
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyczna nowoczesność. O Pamiętniku Tadeusza Jaroszyńskiego
Musical modernism. A study on Tadeusz Jaroszyński’s Diary
Autorzy:
Koczkodaj, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/648856.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
music
polish literature
modernism
modernity
technical aspects of music
human and civilisation
Opis:
The article is devoted to analyzing the vision of Modernity and modern life in Tadeusz Jaroszyński’ s short story The Gramophone. The fear of gramophone is an obsession of the main character of the text; it also serves as a pretext to show the 19th century insanity of visuality and sensuality as well. I tried to show that man living in an early Modernity is lost in abudance of sensual impressions which are connected with the big city existence. As Jaroszyński shows, writing a diary is the only way to rescue the humanity of the main character — but it cannot stop him from suicide. Modernity in The Gramophone is showed as a unstopable hostile process which destroys human being.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 92-99
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Estrada i liryka. Szlagier w poezji międzywojennej
Popular music and lyric poetry. A hit single in the poetry between the wars
Autorzy:
Łuszczykiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/649413.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish literature
between wars period
music
popular songs
popular music
high art
Opis:
In the essay the author enquires into the references to popular song in the lyric poetry of the first decades of 20th century, treating the birth of the popular music as the beginning of perceiving a hit single as the integral piece meant to be shown to the public. The re-searcher asks about acceptability and, eventually, the consequences of the artistic flirt of highbrow literature with egalitarian word-music tradition. Moreover, the author shows various scenario of treating hit song impulses, beginning with total ignorance shown by Young Poland artists (Jan Kasprowicz, Bolesław Leśmian, Leopold Staff), through the separation of serious creativity from stage gainful employment, as in the case of Skamander members fearing being given the label of cabaret entertainers (Julian Tuwim, Antoni Słonimski or Marian Hemar), until the liquidation of barriers between serious and jocular muse domains, as in Konstanty Ildefons Gałczyński’s lyric poetry. In this article, there are dozens of allusion, quotations, paraphrases, all invoking not only the most popular hit singles of the Interbellum, but also songs which were less known and therefore nowadays seem to be more difficult to identify. The list of the poets is extended by such personages as Bruno Jasieński, Maria Pawlikowska, and finally Czesław Miłosz.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 105-113
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka i gruźlica
Music and tuberculosis
Autorzy:
Ładoń, Monika
Powiązania:
https://bibliotekanauki.pl/articles/650203.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
music
polish literature of the XX century
Iwaszkiewicz
music and sickness - relationship
Opis:
The article is an attempt at interpreting two Jarosław Iwaszkiewicz’s texts: Brzezina and Sława i chwała. The authoress examines the presence in texts by Jarosław Iwaszkiewicz two interrelated elements: tuberculosis and music. This relationship resulted from the characteristic image of tuberculosis – the disease of the soul, which gave ill features artists. Music became a special language, which spoke of tuberculosis in Jarosław Iwaszkiewicz’s texts. This is particularly interesting falls in the story Brzezina and the novel Sława i chwała. Music accompanies the heroes dying there in various forms: nature sounds, piano, radio, singing women.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 151-162
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieśni Mieczysława Karłowicza do słów Kazimierza Przerwy-Tetmajera w świetle poglądów XIX-wiecznych teoretyków muzyki na muzyczność języka polskiego
Mieczyslaw Karlowicz’s songs composed to Kazimierz Przerwa-Tetmajer’s poems in the light of the ideas of the musicality of the Polish language according to 19th century music theoreticians
Autorzy:
Dzidowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/649505.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
musical characteristic
songs
classical music
Mieczysław Karłowicz
linking text with music
poetry
Kazimierz Przerwa-Tetmajer
Opis:
The first part of the article is devoted to the analysis of the 19th-century Polish music theory whose main focus was to study the relationship between text and music in vocal composition, especially from the perspective of the music features of the language and poetic works. Among analysed authors the central place is occupied by two discourses of Józef Elsner, and also the writings of Karol Kurpiński, Jan Jarmusiewicz, Franciszek Mirecki, Józef Sikorski and Władysław Wiślicki. Their goals are threefold: to define the musical characteristics of Polish language, to demonstrate the metrical possibilities of Polish poetry and to establish rules for proper linking text with music. The most im-portant criteria for the proper construction of the vocal work compiled on this basis are included in the second part of the article. They are then used to the analysis of 10 songs of Mieczysław Karłowicz (based on the poetry of Kazimierz Przerwa-Tetmajer). This allows to see some regularity, both in the application of the rules and derogations from them, proving the suitability of this research method and shedding new light on creative process of Karłowicz and Tetmajer.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 11-33
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dynamika jako element muzyki w poezji XX wieku (na przykładzie wybranych wierszy Stanisława Barańczaka)
Dynamics as an element of music in Stanisław Barańczaks poetry
Autorzy:
Cudzich-Budniak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/649752.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary polish poetry
barańczak
music
dynamics
Opis:
My text is treating about the dynamics as an element of music, which is possible to be found also in the poetic texts. It’s the new and creative theory, so all examples are very subjective and their meaning is understood only from my own prospect. In my point of view, we can indicate element of music which is dynamics (what means all changes connecting to volume), in the lyrics. The poet Stanisław Barańczak in his creativity was talking about the most important and difficult things, that’s why it needed very impres-sive way of expression.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 246-256
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy rozrywki w muzycznej audycji towarzyszącej na przykładzie programów z wybranych rozgłośni komercyjnych
Elements of entertainment in accompanying musical programming, for example, programmes from selected commercial broadcasters
Autorzy:
Czarnek-Wnuk, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/649047.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
-
commercial radio
entertainment
music
accompanying programming
Opis:
The article presents the form of accompanying musical programming in commercial radio broadcasters in Poland. It examines the questions of the place of entertainment in this kind of production, based on examples from a variety of stations, such as Radio Zet, RMF FM, Radio Eska, Radio Złote Przeboje or Vox FM. The text also refers to hybrid forms of media entertainment such as edutainment or democratainment. In the conclusion, this conglomerate radio genre is treated as a polyphonic, mosaic form, distinguished, though, by its dynamism and the nature of the programmes broadcast at the morning and afternoon peak hours of radio audiences.
-
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 39, 1
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien
Autorzy:
Klag, Katarzyna Wiktoria
Powiązania:
https://bibliotekanauki.pl/articles/653535.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Beren
Lúthien
Middle-Earth
music
Tolkien
Opis:
Tolkien valued music in his private life, and this is mirrored in his works about Middle-Earth, which owes its very existence to music. It is born out of the song of the Ainur. But the role of music does not end with this creative act, rather, it continues to influence the history of Middle-Earth. The paper aims to analyze the role of music in the tale of Beren and Lúthien in the published Silmarillion. The tale of Beren and Lúthien was of personal significance to Tolkien himself. It also includes numerous allusions to music. It is the language of love for both Beren and Lúthien, who make their own songs. Lúthien’s music has power which allows her to overcome Sauron and Morgoth and to win a second life for Beren from Mandos, while Finrod uses music in his duel with Sauron. Music affects both positive and negative characters, including Sauron and Morgoth. Its importance is also emphasized by the existence of professional musicians, such as Daeron, Thingol's minstrel. The story "Of Beren and Lúthien" demonstrates the power of music, which has a huge impact on the entire history of Middle- Earth. Without it, many events would never have happened.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 2
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Etyka w pracy dziennikarza muzycznego
Ethics in music journalism
Autorzy:
Mielczarek, Remigiusz
Powiązania:
https://bibliotekanauki.pl/articles/649941.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
review
musical journalism
music magazine
journalistic ethics
Opis:
The Author focuses on the ethical problems faced by a music journalist, with special attention paid to the press review (based on examples taken from “Metal Hammer”, a magazine on music).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 194-196
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gurami mozaikowy dyryguje Beethovenem. Oniryczny panfikcjonalizm Scen łóżkowych Adama Wiedemanna
Autorzy:
Lemann, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/650087.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary literature
music
beethoven
onirism
literature interpretation
Opis:
The paper discusses musicality of Sceny łóżkowe (Bedtime scenes) by Adam Wiedemann understood as the constructive and topical dominant of the book. The writer`s ‘dream diary’ (including a ‘testimonio’ notation of dreams from 1987 to 2000), simulating the poetics of a personal document, in fact draws the reader into multilevel intertextual games. The consequent amalgamation of high and pop culture and the poetics of collage or sampling organize the dreams records of Sceny łóżkowe. The author analyzes Wiedemann`s work as a manifesto of panfictionalism and constructivistical ‘world mak-ing’ (cf. Siegfried J. Schmidt, Ernst von Glaserfeld, Steven Tötsöy de Zepetnek, Nelson Goodman). This in turn results in revealing the false referentialism or, more precisely autopoietic self-referentialism of Wiedemann`s writing, thus showing how unuseful traditional psychoanalisys and interpretation of dreams are for analyzing the manifestly constructivistical fabric of the writer’s humoristic and grotesque oneiric projections
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 283-293
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobiety i twórczość muzyczna w prozie autobiograficznej
Women and music in autobiographical fiction
Autorzy:
Czerska, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/650178.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish literature
women motives
music
autobiographical fiction
Opis:
The essay deals with the problem of the presence of women in music. In the history of the culture, art above all, women have traditionally constituted the object of artistic crea-tion, not the creator. Particularly valuable material for research may prove female auto-biographical writing. The selected works of Polish authors are analyzed through the categories of gender discourses. The paper is an attempt to show cultural changes asso-ciated with the feminine approach to musical creation. In the nineteenth century, we can talk about the formation of a kind of salon women's subculture. The turn of the modern-ist and the First World War mean the cultural advancement of women. We can talk about the expansion of women in the culture, and thus in the music. In analyzed memo-ries appear women practicing music only in the private sphere: the home or giving les-sons, even if some of them the ability to play an instrument is a passion. The autobio-graphical prose seem to confirm that women were determined to develop his artistic passion had to choose between art and family.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 194-204
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contributions of Ethnography to Gendered Sociology: the French Jazz World
Autorzy:
Buscatto, Marie
Powiązania:
https://bibliotekanauki.pl/articles/2138421.pdf
Data publikacji:
2007-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ethnography
Gender
Art
Jazz
Music
Work
Epistemology
Opis:
In the last few years a number of studies have explored the epistemological uses of the ethnographer’s gender in sociological research and the effects of gender on research results. These studies aim either to analyze how ethnographers can use their “gender” to open up observational possibilities, or to analyze observations made while maintaining as much control as possible over the conditions of their sociological interpretation. But relatively few papers discuss using ethnography to study gendered social relations. This article applies that approach to the observations made in our field study of the “world” of French jazz. We present here three of the main ways that the epistemological enrichment offered by ethnography may in turn enrich analysis of gender relations: access to “invisible” practices, analysis in terms of “the arrangement between the sexes", the possibility of generalization.
Źródło:
Qualitative Sociology Review; 2007, 3, 3; 46-58
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 78

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies