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Wyszukujesz frazę "Greek" wg kryterium: Temat


Tytuł:
Indo-European Roots of the Helen of Troy
Autorzy:
Jaszczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/682499.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Helen
Greek mythology
comparative mythology
Indo-European religion
Greek etymology
Greek religion
Opis:
As a part of the series on female deities and demons in the Indo-European culture, the article begins by establishing Helen’s divine character in the Greek tradition and religion. The first area where the Indo-European character of Helen is displayed concerns the etymology of her name, which has been the subject of discussion and controversy throughout several decades. The most prominent theories are presented, including the concept of Pokorny and West to explain her name as ‘Lady of Light’ from the Proto-Indo-European root *swel- or *swelh1-, the idea of Skutsch to connect Helen with Vedic Saṛanyū, the etymology by Clader relying on the local Greek ritual practices and finally the new etymology provided by Pinault explaining the name as ‘having a year like a thread’ from Proto-Indo-European *suh1-l̥-h1eno. The second part of the article deals with the cultural, literary and religious attributes of Helen which connect her with the Indo-European world, especially with the Vedic tradition. The most interesting aspects include the issue of Helen’s parenthood and her birth, her relationship with her brothers – the Dioskouroi – the prototypical Indo-European Divine Twins, as well as similarities with Vedic goddesses Uṣās – Dawn and Sūryā́ – the Sun Princess. The final part of the article establishes Helen as the Greek representation of the Indo-European myth of an abducted wife. Relying heavily on the analysis of Jamison, it draws on the similarities between the passages in the book III of the Mahābhārata and the book III of the Iliad, which from the comparative perspective explains well the inclusion of this scene in the Homeric epic and Helen’s role in it as well as sheds more light on the Indo-European practices regarding marriage. Lastly, the article mentions a connection between Helen and Vedic Saṛanyū by the story of eidolon – a phantom, which both characters created at certains points in some literary traditions.
Źródło:
Studia Ceranea; 2018, 8; 11-22
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maski Bakchantek
Autorzy:
Rybowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/52229504.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bacchai
Greek tragedy
Opis:
In hoc opusculo quaestio tractatur quid verum de bacchatione dici possit; deinde in scriptis tragicis personas bacchantum quaerunt, quae ad demonstrandum dolorem atque furorem ab auctoribus creatae sunt.
Źródło:
Collectanea Philologica; 2004, 8; 43-58
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aulos w komedii antycznej
Autorzy:
Maciejewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/52229547.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
aulos
Greek comedy
Opis:
In hoc articulo monstrantur testimonia comoediarum antiquarum ad tibiam ipsam, tibicines tibicinasque pertinentia.
Źródło:
Collectanea Philologica; 2004, 8; 181-192
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wyraz ἔκχυτον w epigramie IX 395 Antologii Palatyńskiej
Word ἔκχυτον in IX 395 Epigram of The Greek Anthology
Autorzy:
Zalewska-Jura, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/648617.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
the Greek Anthology
Greek epigram IX 395
Palladas of Alexandria
word “ekchyton”
Opis:
The article aims to present one of the possible interpretations of a unique noun ekchyton found in the epigram of Palladas of Alexandria AP IX 395. As its meaning seems at least doubtful, it makes the satisfactory translation and interpretation of the poem utterly unachievable. The problem may be solved, if we recognize the word ekchyton as a sociolect, which corresponds with another noun egchytos that is sufficiently attested in ancient Greek literature. The analysis of source texts lets us interpret the meaning of the word egchytos as a kind of elegant baking that consists of finely ground flour, a large amount of honey, eggs and cottage cheese or sour milk. Ekchyton, in that case, can be interpreted as ‘a honey cake with cheese’.
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Źródło:
Collectanea Philologica; 2017, 20; 103-108
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lorigine del culto dionisiaco e della tragedia
Unde Dionysi cultus in tragicorum opera pervenerit?
Autorzy:
Bologna, Orazio
Powiązania:
https://bibliotekanauki.pl/articles/52229501.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek tragedy
Dionysus' cult
Opis:
Tragoediis visis et lectis, litterarum Graecarum periti nec non philosophi, ut Aristoteles et Nietzsche, generis originen vestigaverunt, multos et doctos libros conscripserunt, multa et utilia ad genus comprehendendum posteritati tradiderunt.Sed remotam et longinquam originem nullus umquam attigit, quia mentes in litteras Graecas tantum verterunt.
Źródło:
Collectanea Philologica; 2004, 8; 3-20
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medea w tradycji przedeurypidejskiej
Autorzy:
Budzowska, Malgorzata
Powiązania:
https://bibliotekanauki.pl/articles/52229510.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Medea
Greek literature
Argonauts
Opis:
Materia dissertationis nostrae sunt fabulae et opera sriptorum Gracorum ante Euripidem, quae ad personam Medeam perinent. Implicandum fabulas cum rebus gestis nationis Minyadum, qui Argonautae putantur, signatur. Primum tamen mutatio aspectus Medeas in litteris Graecis notatur.
Źródło:
Collectanea Philologica; 2004, 8; 73-82
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Review: Thanos Zartaloudis, "The Birth of Nomos", Edinburgh: Edinburgh University Press, 2019
Autorzy:
Skarbek-Kazanecki, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2028241.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
nomos
prawo starożytnej Grecji
społeczeństwo starożytnych Greków
polityka starożytnej Grecji
ancient Greek law
ancient Greek society
ancient Greek politics
Opis:
This paper contains a critical assessment of the The Birth of Nomos (Edinburgh: Edinburgh University Press, 2019) of Thanos Zartaloudis. It describes the key assumptions made in this recent publication, as well as the content of each chapter, judging on its merits and defects.
Źródło:
Collectanea Philologica; 2021, 24; 229-234
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wątki epickie a malarstwo wazowe na przykładzie wybranych przedstawień motywów homeryckich: Doloneja
Epic Themes and Vase Painting Based on the Example of Selected Scenes Illustrating Homeric Motifs: Doloneia
Autorzy:
Gorzelany, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/648674.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek vase painting
south Italian vase painting
Doloneia
pseudo-euripidean Rhesus
Greek iconography
Opis:
The oral form of transmission of the early Greek epics allowed for the free shaping of content by the poet, whose task was to create a coherent narrative, intelligible for all the listeners, while maintaining its key feature – authenticity. This, however, lead to variability in content due to the desire to supplement, that is to show detailed presentations of events or to adapt these to local traditions. Incongruities in content between individual customary versions of these stories are illustrated in relics of vase painting. This article discusses the iconography of scenes associated with the Doloneia, book 10 of the Iliad, in reference to the contents of the epic. Based on a few examples still extant, a formal analysis was conducted on the themes of the main structure and secondary characters shown in Greek illustrations from the Archaic and Classical periods, as well as of southern Italic examples, allowing us to show how versions of the story formed at a given time and to reflect on the changes introduced.
Źródło:
Collectanea Philologica; 2018, 21; 103-115
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quid Isocrates de bene sua gerentis virtute exculta iudicaverit
Isocrates on well cultivated mind
Autorzy:
Danek, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/52401898.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek education
phronesis
Isocrates
Plato
Opis:
In his Panathenaic speech, Isocrates contrasts his own teaching program with traditional models of Greek education, both the earlier one and the more scientific one that is favoured in his times: his aim is to form the minds of students in such a manner that they can seize any opportunity that comes along, that in the social intercourse they always remain indulgent and patient, and – what seems the most important here – that they become able to endure both luck and misfortune with courage and appreciate not the things obtained merely by chance, but the ones gained by their toil and effort (Panath. 30–32). And Isocrates’ respect to steadily working mind becomes even greater with time: the result of such a labour must be some prudence (“phronesis”) – the aim of every justly conceived education. Isocrates’ “phronesis” is not Platonic excellence of mind, permanent and always the same, it is the skill and talent of discovering how to adjust to changing public affairs, but at the same time it shall remain constant and unchangeable in its imperative good – the benefit of Athens and its citizens.
Źródło:
Collectanea Philologica; 2013, 16; 73-78
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eurypidejska "Andromeda": stan zachowania i próba rekonstrukcji fabuły
Autorzy:
Piątkowski, Marcel
Powiązania:
https://bibliotekanauki.pl/articles/52229624.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Euripides
Andromeda
reconstruction
fragments
Greek tragedy
Opis:
Secundum mythologiam Graecam Andromeda filia Cephei e Cassiepeiae erat. A patre suo ad terram propriam a monstro marino conservandam sacrificata, a Perseo liberata est, qui Andromedae narrationem audivit, eam amavit et cum ea coniunctus est. Hic mythus Euripidem ad tragoediam scribendam hortatus est, Andromedam, quae tamen usque ad tempora nostra non conservata est - hodie solum fragmenta eius habemus. Probabiliter hoc in opere auctor opem affectuum spectatoribus demonstrare desiderabat; eo ipso de vi amoris ardentis disceptatur, qui homines improviso capere potest. Ad fabulam restituendam res ab Euripide exposita cum Aristophanis comoedia (Thesmophoriazusae) confertur, quae fabulam ab Euripide narratam continet. Hoc in modo Aristophanes fabulam propriam facilius ad finem adduxit.
Źródło:
Collectanea Philologica; 2011, 14; 79-90
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ichthyological Hapax Legomena in Marcellus’ "De piscibus"
Autorzy:
Tadajczyk, Konrad
Gucio, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/682314.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
animal terminology
etymology
Greek
ichthyonymy
vocabulary
Opis:
Marcellus of Side, a physician and didactic poet of the second century AD, mentions fourteen exclusive ichthyonyms in the preserved fragment De piscibus, extracted from the 42-volume epic poem entitled Cheironides. The author discusses Greek names of fish and sea animals that appear only in Marcellus’ work. They belong to the so-called hapax legomena. The following appellatives are carefully analyzed: ἁλιπλεύμων, ἅρπη, βούφθαλμος, βράχατος, γαρίσκος, γερῖνος, ἐρυθρός, θρανίας, θῦρος, κόλλουρος, περόνη, τραγίσκος, τυφλῖνος, χρύσοφος. It is assumed that Marcellus of Side introduced a number of ichthyonyms of Pamphylian origin, e.g. Pamph. θῦρος (< *θύρσος), βράχατος (instead of βάτραχος), ἐρυθρός (= ἐρυθρῖνος), θρανίας (instead of θράνις), χρύσοφος (instead of χρύσοφρυς). Also new identifications of fish are suggested, e.g. Gk. βούφθαλ- μος ‘large-eye dentex, Dentex macrophthalmus Bloch’, Gk. κόλλουρος ‘slender sunfish, Ranzania laevis Pennant’. All the discusssed ichthyonyms, as well as names of other sea animals, are explained from the point of view of phonology, morphology or semantics, e.g. ἁλιπλεύμων ‘jellyfish’ (literally ‘sea lung’), ἅρπη ‘a kind of ray fish’ (literally ‘a kite’).
Źródło:
Studia Ceranea; 2019, 9; 705-722
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
The Issue of Ancient Theatrical Ekphrasis. Part II: Scenography
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648688.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekfrasis
scenography
ancient Greek tragedy
Euripides
Opis:
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the performance. Therefore it was necessary to make the spectators aware of those elements. They were used by all three tragedians: Aeschylus, Sophocles and Euripides. The article focuses on selected ekphrases of scenography taken from three Euripidean tragedies: Iphigenia in Tauris, Ion, Alcestis, and on their role in the structure of drama.
Źródło:
Collectanea Philologica; 2018, 21; 59-74
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część I: Postać
The Issue of Ancient Theatrical Ekphrasis. Part I: The Character
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648682.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekphrasis
dramatis persona
ancient Greek tragedy
Euripides
Opis:
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the Euripidean tragedy will be used to demonstrate the ways the ancient Greek tragedians applied ekphrasis in their works. Their review will start with descriptions, which can be conventionally called the ekphrasis of the theatrical “mask”. The term mask is understood here not sensu stricto as a part of actor’s costume, but as having a reference to what it hides. This type of ekphrasis may be found in visually inaccessible to the public of the Greek theater face of dramatis personae that is hidden behind the mask. It concealed facial expressions, so important to understand the action of the drama itself, as well as the role played by the actor. It is impossible to overestimate the importance of this dramaturgical element as a non-verbal means of communication which harmonizes with the text of play and its action and is crucial to perceive the intended meaning of the actors’ words.
Źródło:
Collectanea Philologica; 2018, 21; 39-57
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What is the ‘Future’ of Greek? Towards a Pragmatic Analysis
Autorzy:
Chiou, Michael
Powiązania:
https://bibliotekanauki.pl/articles/620926.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
pragmatics
neo-Gricean pragmatics
modality
tense
Greek
Opis:
The paper investigates the problems related to futurity and modality in modern Greek. The discussion of Greek temporal future expressions is conducted with reference to relevant literature from the areas of English linguistics, cognitive studies and pragmatics. The focus is on the status of future-oriented expressions and the question whether they are primarily epistemic in nature, whether they are tense-based, or modality-based. It is argued that the future tense in Greek has a modal semantic base conveying epistemic modality and that the preferred future prospective reading is a pragmatic development of the semantic modal base. The author further suggests that the future reading is a kind of presumptive meaning which follows from the neo-Gricean Principle of Informativeness, known as the I-principle (Levinson 2000) being a generalised interpretation which does not depend on contextual information.
Źródło:
Research in Language; 2014, 12, 4; 355-375
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa
From the Study on the Concept of Memory – Mneme in Greek Drama. Part II: Mneme in the Eurypides’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648684.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Euripides
Opis:
Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” (Suppliant Women), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descendants, (2) “account, balance” (Heracles), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot (Ion), (4) “reason, rightness” (Iphigenia at Aulis), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense (Iphigenia at Aulis): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen, guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme, introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.
Źródło:
Collectanea Philologica; 2018, 21; 25-38
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł

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