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Wyszukujesz frazę "Baudrillard" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
Autorzy:
Allen, David
Handley, Agata
Powiązania:
https://bibliotekanauki.pl/articles/641498.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
simulacrum
sublime
DeLillo
Baudrillard
Plato
Opis:
In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
Autorzy:
Yazdizadeh, Abdolali
Powiązania:
https://bibliotekanauki.pl/articles/641494.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hyperreality
society of spectacle
business of illusion
antihero
Baudrillard
Opis:
Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 386-410
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Werbalna i pozawerbalna dyktatura „wrednych ludzi” w procesie komunikacji
Verbal and extraverbal dictatorship of the ‘nasty people’ in the communication process
Autorzy:
Ślósarska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/650058.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
propaganda
dictatorship
psychology
cognitivism
social communication
Blumer
Carter
Berne
Baudrillard
Opis:
Presented topic includes following issues: 1) hidden dictatorship of the attitudes of ‘nasty people’ (‘diminishers’) and its influence on social relations; 2) strategies of depreciation that are used by ‘nasty people” (sowing incertitude, projections, generalizations, adjudications, psycho manipulations, hidden attacks, conflicting signals, provocations, creating illusory situations without exit); 3) verbal and extraverbal manifestations of the archetypes of ‘tormentor/victim’, ‘hunter/ hunted’, ‘attack/escape’ within the activity of ‘nasty people’; 4) long-term violation of the rules of symbolic interactionism by ‘diminishers’. In terms of methodological contexts there are taken mainly concepts of Jay Carter, Eric Berne, Herbert Blumer and Jean Baudrillard. Among historical contexts there is reference to the concept of neurotic personality (Freud, Horney) within the anthropological framework of seduction attitudes and communication play of evident/hidden. The analysis is proceeded on a set of artifacts that constitute oppressive ‘daily practices’.
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Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 41, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rewolucje i reakcje społeczne Pierre’a Bourdieu i Jeana Baudrillarda
Autorzy:
Garncarek, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/600544.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pierre Bourdieu
Jean Baudrillard
hyperreality
pataphysics
social philosophy
patafizyka
hiperrzeczywistość
filozofia społeczna
Opis:
Jean Baudrillard and Pierre Bourdieu are two well known French social philosophers that have at least couple of things in common. They were born in the same social conditions, they grew up as rebels, and they participated in Revolution of 1968. They also participated in the very same formal problems of the research work. The problem is, what happens when one introduces same difficulties in one’s ideas as those, that he was searching to neutralize. Bourdieu criticizes the system of education, art, culture in general, because it contributes to reproduction and conservation of social hierarchy. However, he's doing it using quite similar kind of high developed concepts, that he had criticized before. Baudrillard also detests modern social habits. Most of all, so called hyperreality, that manifests itself as a lack of real connection between things and concepts or ideas related to them. Nonetheless Baudrillard seems to adore hyperreality also, as a dimension of game, seduction. Bourdieu, as well as Baudrillard, appears as an adept of pataphysics — according to the definition given to this notion by Baudrillard, based on novels of Alfred Jarry.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2016, 34 (3)
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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