Temat: Ancient art - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Orszak Dionizosa: Waza Townleya i jej poznańskie kopie
Autorzy:: Rosół, Rafał
Powiązania:: https://bibliotekanauki.pl/articles/2028238.pdf
Data publikacji:: 2021-12-28
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: sztuka starożytna
starożytne wazy marmurowe
mitologia grecka
religia grecka
recepcja tradycji starożytnej
Ancient art
Ancient marble vases
Greek mythology
Greek religion
Reception of the Ancient tradition
Opis:: At the main entrance to the Adam Mickiewicz Park in Poznań, there are two identical stone vases with ancient motives. The author indicates that they are not merely neoclassical works from the beginning of the 20th century, but copies of the famous Townley Vase dating back to the Roman times. Then, he focuses on the retinue of Dionysus on the main frieze of the vase and discusses all ten figures occurring in it.
Źródło:: Collectanea Philologica; 2021, 24; 173-183
1733-0319
2353-0901
Pojawia się w:: Collectanea Philologica
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Recepcja motywów antycznych we współczesnej sztuce na przykładzie twórczości artystów: Léo Caillarda i Ayali Serfaty
Reception Ancient Motives in Contemporary Art by the Example of Creativity of Artists: Léo Caillard and Ayala Serfaty
Autorzy:: Michalska, Adriana
Powiązania:: https://bibliotekanauki.pl/articles/648710.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: reception
ancient motives
contemporary art.
Léo Caillard
Ayala Serfaty
antique motives
design
designer
modern art.
classic art.
sculptural art.
antique tradition
modern culture
Opis:: The objective of this article is to define place and role of antique motives in modern art and design. Due to variety of creativness in XX/XXI century, created in different trends and beyond them, considerations were limited to sculptural art and design, based on creativness of French artist Léo Caillard and Israeli designer Ayala Serfaty. Interpretation of information, which was collected based on study of artists’ works of art, lead to conclusion that, despite different approach to antique tradition, both artists strive to similar targets and their intention is not imitation, but concept based on creation of surprising or even shocking links and juxtapositions. Research of contrasts between tradition and modernity is intended to provoke and encourage viewer to deeper and conscious interpretation of works of art and reflection about position of art in modern culture. It is essential to study esthetic contexts, circumstances of creation of works of art and motivation. The most important feature of this art is to induce strong impressions. Relations between viewer and work of art have crucial meaning. Approximation and logic of thinking, which are characteristic for each research orientations in history of classic and modern art, represents theoretical background of this article. In this context, there are references to Joachim Winckelmann, recognized as creator of methodological basics for researchment on ancient art. There are references to Franz Wickhoff, Aby Warburg and Erwin Panofsky who dealt with iconographical and iconographical-iconological methods.
Źródło:: Collectanea Philologica; 2018, 21; 143-151
1733-0319
2353-0901
Pojawia się w:: Collectanea Philologica
Dostawca treści:: Biblioteka Nauki

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